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User manual R3 

DLCP 

 

 

- 23 - 

The steps of loading and truncating data can be repeated at any time. This can be particularly prac-
tical  when  combining  close-up  and  far-field  measurements  during  the  filter  design  phase.  The  win-
dow in Figure 23 shows the result of this. The small knot of corrections made around 70Hz is based 
on close-up data first loaded separately. The LF section of the test mule is quite smooth apart from 
one internal standing wave. 

4.6.7

 

Designing filters 

Biquad function 

Parameters 

Use 

Unity 

Section is not used 

LPF1 

Cut-off frequency (always -3dB) 

First order low pass 

LPF2 

Cut-off frequency (asymptotically) 

Second  order  low  pass.  A  Q  of  0.71  cor-
responds  to  Butterworth.  0.5  corre-
sponds  to  LR2.  Two  identical  sections 
with a Q of 0.71 form an LR4 filter. 

HPF1 

Cut-off frequency (always -3dB) 

First order high pass 

HPF2 

Cut-off frequency (asymptotically) 

Second order high pass. A Q of 0.71 cor-
responds  to  Butterworth.  0.5  corre-
sponds  to  LR2.  Two  identical  sections 
with a Q of 0.71 form an LR4 filter. 

Shelf1 

Centre Frequency (halfway point) 
Gain 
Direction 

First  order  shelf.  Useful  for  baffle-step 
correction 

 
Shelf2 

Centre Frequency (halfway point) 
Gain 

Direction 

Second  order  shelf.  Useful  for correcting 
internal  cabinet  resonances  and  for  the 
midband  peak/dip  combo  of  most  mid-
woofer speakers. 

Asymmetric Shelf  Pole frequency and Q 

Zero frequency and Q 

Equalizing the bottom end of closed-box 
woofers with large magnets 

Boost/Cut 

Centre frequency 

gain 

Dip/peak  filter.  For  peaks,  Q  is  defined 
by  the  poles.  For  dips,  Q  is  defined  by 
the  zeros.  Thus  the  same  filter  with  op-
posite gains will cancel. 

 
The first step is equalizing the magnitude responses of the drivers flat over their entire useable fre-
quency range. 
The  weapons  of  choice  are  shelving  filters,  and  boost/cut  sections.  A  sharp  peak  followed  by  an 
equally sharp dip can be corrected using a second-order shelving filter with a high Q. 
Exercise care when deciding what to correct. When correcting for diffraction errors, do not exceed a Q 
of 3 lest the cure be worse than the ailment. Errors that are caused inside the driver, or internal cabi-
net resonances that emanate through the same diaphragm, may be corrected ruthlessly – provided 
the measurement has sufficient resolution to pin them down. 
As a rule of thumb, sharp dips are diffraction artefacts while sharp peaks are caused by the drivers 
themselves. Exceptions are room resonances (if the response is not correctly truncated) and diffrac-
tions on repetitive patterns. 
The  second  step  is  designing  the  actual  crossover  filters.  All  the  usual  strategies  work.  Delaying 
higher  frequency  drivers  with  respect  to  lower-frequency  ones  is  a  powerful  alternative  to  using 
asymmetric slopes and yields substantially improved coherence through the crossover region. 

4.6.8

 

Download 

Under download the user can press “load DSP” to download the designed filters into the module.  

4.6.9

 

Save files 

Under filter design there is an option to save all filter settings together with the measurements so it 
can be reloaded afterwards. Till now it is not possible to read back the filters out of the modules. Alt-

Summary of Contents for DLCP

Page 1: ...Hypex Electronics BV Kattegat 8 9723 JP Groningen The Netherlands 31 50 526 4993 sales hypex nl www hypex nl User Manual R3 Digital Loudspeaker Cross over Platform DLCP...

Page 2: ...s preamplifier 13 3 1 2 Example 2 DLCP as active loudspeaker filter 14 3 2 Application notes 15 4 Hypex Filter Design 16 4 1 Target response 16 4 2 Driver correction 16 4 3 Crossover design 16 4 4 Sof...

Page 3: ...Analogue and digital inputs Digital balanced audio loop through Low jitter discrete clock oscillator Balanced audio in and out Six channel active filtering Fully user configurable filters Firmware upd...

Page 4: ...board to increase the number of analogue stereo inputs to 4 Link communication only with two or more modules and in combination with a controller 1 4 Applications High end consumer audio Digital pre a...

Page 5: ...t is connected with J16 J5 Gain adjust header analogue left input J8 Gain adjust header analogue right input J17 Standby supply connector J10 Analogue audio output ch1 J11 Analogue audio output ch2 J1...

Page 6: ...ocessing including volume control is done using the on board DSP digital signal pro cessor The module has six Molex Microfit audio outputs which can be used to connect NC400 buffered UcD ST and HG mod...

Page 7: ...te converter ASRC to reduce jitter When the input is set to Auto detect the ASRC chip scans its inputs for whichever digital signal is present The input source is automatically switched to digital whe...

Page 8: ...cted together with a straight through 8 wire cat5 cable with RJ45 connectors The bus is specified and tested for cables up to 10 meter Note 1 Switchable on PCB See Settings for information about the r...

Page 9: ...ntrol out select DLCP1 or DLCP2 S6 Last select S7 S PDIF out select from DLCP1 or DLCP2 J19 For future use J20 For future use J21 For future use J22 For future use Note 1 Set S2 in right position Note...

Page 10: ...e input boards S1 Set in down position to connect the USB cable to DLCP 1 connected to J2 J3 set in the up position to control DLCP 2 connected to J2B J3B S7 This switch selects the source for the cin...

Page 11: ...LCD display which shows the settings and contains an IR receiver for an IR remote controller The IR remote not included can control volume mute input and power When 2 or more DLCP modules are used on...

Page 12: ...ettings equal for all the DLCP s in the chain The sources for the output channels can be different for each DLCP e g to use all six channels on the first DLCP for the left loudspeaker and the second D...

Page 13: ...ed as a high end active pre amplifier This example doesn t use the dedicated SMPS DLCP Figure 13 The DLCP can be connected to the input board with two flat cables J2 on the input board must be connect...

Page 14: ...ld an active speaker It s possible to work without the Hypex DLCP input board to keep it as small as possible Then you will have to make your own adapters This example doesn t use the dedicated SMPS D...

Page 15: ...all to chassis with a metal spacer for optimum EMI performance Please use the amp_enable pin to guarantee a pop free startup and shut down of the connected am plifier Please use the XLR input balanced...

Page 16: ...ed to equalize the drivers s phase response The phase response gets automatically equal ized as the magnitude response is corrected using minimum phase EQ A consideration to be made is whether to iron...

Page 17: ...ption The first digital input that contains any valid audio is select ed and becomes the new input source When the module selects one of the inputs this is shown by the active input lights The last th...

Page 18: ...gned in the Filter design Under view there can be switched between the control panel and the filter design window The following pages will give you a widespread instruction of the possibilities of the...

Page 19: ...d or disabled in the filter definition area The impulse or step tabs show the time domain response of the imported drivers and the sum re sponse and are used to demarcate the anechoic portion 4 6 2 Fi...

Page 20: ...ocessor sampling rate is that of the Hypex DSP hardware Note that this setting does not control the sampling rate of the hardware Rather it informs the filter design application of what that sampling...

Page 21: ...woofer Ch6 Right subwoofer Please note that these settings are overruled by an control board if it s connected 4 6 6 Work flow Measuring using the DSP unit set to flat Perform impulse response measure...

Page 22: ...icient information is available to make any correction below this frequency A way of obtaining quasi anechoic low frequency measurements is making close up measurements Working with such measurements...

Page 23: ...ency Q gain Dip peak filter For peaks Q is defined by the poles For dips Q is defined by the zeros Thus the same filter with op posite gains will cancel The first step is equalizing the magnitude resp...

Page 24: ...cted the update begins DO NOT DISCONNECT THE MODULE AT THIS POINT When the progress bar is filled the update is completed On a CRC error the update is automatically restarted after three errors the up...

Page 25: ...ild as would be expected Figure 24 The first reflection arrives after 8ms so this plot conveys no meaningful information about the re sponse below 200Hz Not shown is a separate close up measurement of...

Page 26: ...Figure 25 The strategic placement of in total just 32 poles and 32 zeros corrects the response of this seeming ly hopeless loudspeaker to within 1dB or 0 3dB 3rdoctave smoothing Considering that fur t...

Page 27: ...xes are picked apart with great ease too much so perhaps for home use and the subtlest of EQ changes become very obvious Stereo imaging is un characteristically good in all 3 dimensions for the low co...

Page 28: ...User manual R3 DLCP 28 5 Dimensions 5 1 DLCP Top view Side view...

Page 29: ...l R3 DLCP 29 5 2 DLCP input board Top view Please download the 2D 3D files from our website 5 3 DLCP control board Front view NOTE RJ45 connector not on picture Please download the 2D 3D files from ou...

Page 30: ...quipment whose failure can reasonably be expected to result in injury or death is not permitted except by explicit written consent from Hypex Electronics BV Warranty The work carries warranty out for...

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