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is, to the left of the left speaker and to the right of the right
one.
As the control is advanced, the
graphic display will highlight an area
outside the normal soundstage as
shown here. The shaded area, as well
as the number shown below it, is somewhat arbitrary, serving
only to illustrate what’s intended and to give a number for set-
up reference.
Stereo Width
is active only on stereophonic program material, it
does not imply any sort of stereo synthesis from a monaural
source.
Solo Width
The
Solo Width
slider, on the other hand, acts only on center-
channel (monaural) material.
Nearly all contemporary music is recorded in very sterile multi-
track sessions. Generally, each instrument has its own micro-
phone (or several!) and is recorded as an individual monaural
track. The recording engineer, under the expert guidance of the
session’s Producer, uses a ‘pan pot’ to place each track some-
where between full-left and full-right, essentially creating a
pseudo-stereophonic soundstage, or sound field. Vocal solos
are almost always panned dead-center, just like the talent mic
in the radio studio.
As
Solo Width
processing is introduced and increased, the cen-
tered vocalist (and on-air talent) will appear to ‘spread’ across
the soundstage. This is illustrated
on the graphic display as shown
here. Just like the
Stereo Width
con-
trol, the shaded area and number are
arbitrary and relative.
Use this enhancement technique with some caution. A hawker
of memory-foam mattresses who seems to fill the listener’s au-
tomobile may be a bit intimidating to driver and passengers
alike!
Stereo enhancement effects are frequently subtle, depending in
large part on characteristics of the program source. In making
these adjustments, alternate between
Active
and
Bypass
to
judge the action more clearly than simply moving the sliders
back and forth.
THE FIVE-BAND ‘MULTIPRESSOR’
The heart of DAVID IV’s dynamics processing is the 5-band
Multipressor (Multiband Compressor). This processing block
divides the program audio into five discrete frequency bands,
with nominal crossovers and filter slopes optimized for each
range of frequencies. Each band undergoes dynamic range
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