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Note the ‘artist’s conception’ depiction of the five bands.
Crossover frequencies are in data boxes above the crossover
points, which may be bracketed, selected and changed.
Each of the four crossovers is variable over about an octave,
which is a 2:1 frequency ratio. Factory-default values are
smack-dab in the middle of the range. These factory defaults
divide the audio spectrum into equal octave-based bands. You
may alter these adjustments, perhaps to split the bands to bet-
ter complement your particular format.
For your reference, the default factory values are: 125Hz,
450Hz, 1450Hz and 5000Hz. We recommend that you return
to these values if things start sounding ‘not right.’
Compressor
Attack and
Release
Attack and release time constants for each of the Multipressor
stages are variable over the very wide range of 1 millisecond to
2 seconds. Clearly there is great danger of creating objectiona-
ble distortion and processing artifacts if these settings are not
selected with great care. Thus we urge most users to leave the-
se settings at, or near, the values for the factory processing
presets. Remember, if you mess with these and get into trou-
ble, just go back and choose a factory processing preset to re-
set these time constants to safe figures.
From the
Processing / Compression / Multipressor
sub-menu, select
Attack & Release
to bring up the formidable panel shown here:
Note that each band has
A
(Attack) and
R
(Release) data-entry
boxes that may be bracketed, selected and changed. Release
times can never be shorter than attack times or, put another
way, attack times cannot be longer than release times. Keep
this in mind, for the system automatically locks-out time con-
stants that are not compatible. If you find that you cannot set
an attack time to a higher (slower) value that you’d like to try,
check the associated release time. You will have to set the re-
lease to a larger (slower) number before you will be allowed to
increase the attack to the higher number you want to try.
Although the Multipressor sections are r.m.s. responding, a
short attack time will cause the compressors to act more like
peak limiters. A shorter release time will increase the energy in
that band, but may also cause audible distortion because of
sidechain self-modulation.
We don’t offer any hard-and-fast rules for choosing time con-
stants, nor do we even proffer educated suggestions. These ad-
justments are very subjective and can easily open the door to
really, really bad-sounding results. You are on your own here,
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