27
Audio Path:
•
Set the
LFO Toggle
of
neóni
to its up position, so that it oscillates at
audio rate.
•
Set the
Trad/T.Z. Switch
of
neóni
to its down position, so that
through-zero FM operation is selected.
•
Set the
Hard Sync Toggle
of
neóni
to its centre position, so that hard
synchronization happens on every up and down charge direction.
•
Set the
Split Sawtooth
knob of
neóni
to its fully anticlockwise
position, so that the sawtooth waveform is at its default setting.
•
Set the
Wavefold
fader of
neóni
to its centre position.
•
Tune the
Coarse
knob and the
Fine
knob of
neóni
to 9:00 and
12:00, respectively.
•
Connect the
Sawtooth Output
and the
Wavefold Output
of
neóni
to
two inputs of lìon and connect the corresponding pin cables to mix
them to a single output.
•
Connect the output of lìon to the input of I-ō47 and connect the
stepped triangle output of Cš-L to the inverting input of I-ō47.
•
Tune Cš-L to around 98 Hz (G2) or a note within this octave.
•
Set the stepped triangle’s PWM knob to its centre position.
•
Set the gain fader of I-ō47 to its maximum level.
•
Set the limiter toggle of I-ō47 to its up position
•
Set the coarse cutoff frequency knob and the fine frequency knob of
I-ō47 to 11:00 and fully anticlockwise, respectively.
•
Set the resonance knob of I-ō47 to 9:00.
•
Set the feedback toggle of I-ō47 to its down position to disable self-
oscllation of the resonance.
•
Connect the low pass output of I-ō47 to vincâ.
•
Set vincâ to fully linear
•
Set vincâ’s amplitude/CV attenuator to around 75%.
•
Connect the output vincâ to tanh[3].
•
Set the level knob of tanh[3] to its maximum position.
