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SIGNAL PROCESSOR

6

CSP-4.8

Parametric EQ (PEQ) uses peak filters with the
ability to control boost or cut, frequency center,
and bandwidth. Think of one band of parametric
EQ as a single graphic equalizer fader except
that the frequency is variable, not fixed, and that
the bandwidth, or how "wide" the filter affects the
frequency spectrum at the center frequency, is
completely variable. The smaller the bandwidth,
the less the audio signal on either side of the
frequency center is boost or cut, whereas a larger
"wider" bandwidth produces an audible change
to the overall tone of a signal. Parametric filters are best used to hunt down and eliminate problem feedback
frequencies, add or remove a characteristic "hot spot" from microphones, or clean up room resonance
situations. It is well worth the time getting proficient with parametric EQ filters, as they offer the best solution
to many EQ problems.

The CSP-4.8 parametric filters have a boost/cut range of +15dB to -30dB. There is more cut than boost
because one of the more common uses for parametric filters is to dramatically cut, or "notch out", very
narrow frequencies (low bandwidth) in order to eliminate system feedback problems.

Every instance of a parametric EQ filter has a center frequency selected. The factory default is 1kHz, but
each filter's center frequency is adjustable from 19.7Hz to 21.9kHz in 1/24 octave steps. Carefully
sweeping a narrow bandwidth filter through a problem feedback area, with just a slight boost, is a quick
way to find the exact frequency causing trouble. Once the offensive frequency has been found, cut the filters
level, and then the bandwidth is adjusted as narrow as possible while still eliminating the feedback problem.

Bandwidth is adjustable from about 1/64 octave to four octaves, and the lower the bandwidth, the less

audible the filter action will be. Finding the problem frequency is relatively easy, but finding the best
combination of cut and bandwidth takes a little practice. Again, it is well worth the time becoming
comfortable with the notching procedure, so that problems can be quickly addressed with a sufficient but
minimal amount of correction. The EQ functions on all four inputs and eight outputs are switched in or out
on an individual channel basis. In other words, each input or output has one "switch" for all of its EQ filters.
If certain filters are not going to be used within a channel, simply leave the gain for that filter at 0.0dB, and
the filter will have no effect.

For an excellent interactive display of the way parametric and shelving filters work, experiment with the CSP-
4.8 EQ section of Protea NE Software. The software works whether a unit is connected or not, so it is an
invaluable teaching tool as well as an audio setup tool for the CSP-4.8. The program is shipped with the
CSP-4.8, but is also available on the Ashly web site. 

200Hz

2KHz

20KHz

20Hz

0dB

-10dB

-20dB

+10dB

+20dB

-30dB

CSP-4.8 Shelving Filters

Wide (High) Bandwidth

Narrow (Low) Bandwidth

Summary of Contents for CSP-4.8

Page 1: ...but rather a global company that is truly international in scope with factories and offices in Korea and China and sales and marketing operations located in Japan Europe and the U S A With more than...

Page 2: ...Operation Manual Signal Processor CSP 4 8...

Page 3: ...device To disconnect the device from power separate AC input cable from inlet or unplug the AC Cord The socket outlet shall be installed near the equipment and shall be easily accessible CAUTION These...

Page 4: ...ents Unpacking 2 Installation Environment 2 Important Safety Instructions 2 Features 3 Front Panel 4 PROTEA NE Software 13 Troubleshooting 14 Block Diagram 15 Specifications 16 Dimensions 17 Service 1...

Page 5: ...her apparatus including amplifiers that produce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A groundin...

Page 6: ...in Parametric EQ Filter Time delay Crossover Compressor Limiter Matrix routing 24 bit 48kHz delta sigma A D converters with 128x oversampling A backlit 2 x 20 character LCD displays channel and functi...

Page 7: ...ting preset configurations pre loaded into the unit which are simply starting points for common applications and all can be modified renamed and saved to suit the end user Please Note In addition to t...

Page 8: ...p to 6dB louder when combined 2 EQ The CSP 4 8 EQ section offers full parametric EQ as well as 1st and 2nd order shelving filters on inputs and outputs Each input channel has six selectable EQ filters...

Page 9: ...sweeping a narrow bandwidth filter through a problem feedback area with just a slight boost is a quick way to find the exact frequency causing trouble Once the offensive frequency has been found cut...

Page 10: ...ster so there exists the problem of same signals at the crossover points arriving at the cluster front at different times creating undesirable wave interaction and frequency cancellation The solution...

Page 11: ...crossover frequency and are used because they have a maximally flat passband and sharpest transition to the stopband When a Butterworth HPF and LPF of the same crossover frequency are summed the combi...

Page 12: ...nnatural while a very long attack time can miss some of the initial transient Similarly a very short release time can make the audio sound uneven while a very long release time can create pumping or b...

Page 13: ...ts When muted an input or output s red Mute LED is lit When an input or output is selected pressing the Mute button will toggle its mute function To quickly mute all outputs escape out to the top leve...

Page 14: ...D flashing at 0 indicates a signal level of 0dBu or 0 775Vrms To change this to a VU scale where 0VU 4dBu 1 228Vrms select the Ref option in the Util menu to VU Note Protea NE software for the CSP 4 8...

Page 15: ...fore clipping This unit is designed to clip at signal levels above 20dBu 7 75Vrms which places the noise floor lower than 90dBu The optimum input signal level which should be fed into the CSP 4 8 proc...

Page 16: ...ol a fixed physical sound system installation and can display any of the Inter M processors amplifiers and remotes used in that system The user can also place an assortment of isolated control objects...

Page 17: ...low pass filter LPF Clip light stays on Is the input signal level too high Check to see that the nominal input level is 0dBu allowing 20dB of input headroom Are input or output gain settings too high...

Page 18: ...Delay Gain EQ Select a Source for Each Output A B C D Any Combination Of Inputs HpfLpf EQ Delay Gain Limiter Mute 3 HpfLpf EQ Delay Gain Limiter Mute 2 HpfLpf EQ Delay Gain Limiter Mute 5 HpfLpf EQ De...

Page 19: ...9kHz Off Available Filter Types 12dB Oct Butterworth 12dB Oct Bessel 12dB Oct Linkwitz Riley 18dB Oct Bessel 18dB Oct Linkwitz Riley 24dB Oct Butterworth 24dB Oct Bessel 24dB Oct Linkwitz Riley 48dB...

Page 20: ...SIGNAL PROCESSOR 17 CSP 4 8 DIMENSIONS...

Page 21: ...e by contacting your warranty provider Variations and Options Variations and Options Variations Products supplied through legitimate sources are compatible with local AC power requirements Options No...

Page 22: ...13 DPA 430H 15 MA 106 NOTE...

Page 23: ...12 DPA 430H NOTE...

Page 24: ...3 DPA 430H...

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