background image

window. If you are using an aftermarket source

unit, with conventional preamp-level outputs, this

is most likely the position that you will use.

The 

“High”

position on the

“Input Voltage”

switch selects an input sensitivity range between

800mV and 8V. This is useful for certain high-

output preamp level signals as well as speaker-level

output from source units and small amplifiers.To

use speaker-level sources, splice the speaker output

wires of the source unit or small amplifier onto a

pair of RCA cables or plugs.

The output of the amplifier will 

decrease

for a

given input voltage when the 

“Input Range” 

switch

is placed in the 

“High”

position. Conversely, the

output will be higher with the switch in the 

“Low”

position. While this may sound counter-intuitive, it is

consistent with the descriptions above.

3) Input Sensitivity Adjustment:

Located next to

the 

“Input Voltage” 

switch, in the 

“Amplifier Input

Section”

, is a rotary control labeled 

“Input Sens.”

.

Once the appropriate 

“Input Voltage”

range has

been selected, this rotary control can be used to

match the source unit's output voltage to the input

stage of the amplifier for maximum clean output.

Rotating the control clockwise will result in higher

sensitivity (louder for a given input voltage).

Rotating the control counter-clockwise will result in

lower sensitivity (quieter for a given input voltage).

To properly set the amplifier for maximum clean

output, please refer to Appendix B (page 14) in this

manual. After using this procedure, you can then

adjust the level of the amplifier by adjusting the

input sensitivity 

downward

, if the amplifier requires

attenuation to achieve the desired system balance.

Do not increase the “Input Sens.” setting for

any amplifier in the system beyond the maximum

level established during the procedure outlined

in Appendix B (page 14). Doing so will result in

audible distortion and possible speaker damage.

I M P O RTA N T

!

CROSSOVER CONTROLS

Crossovers are groups of individual electronic filters

which allow only certain frequency ranges to pass

through them by attenuating frequencies outside

the selected range.These filters allow the user to

specify what frequency range will be sent out of

each channel section of the amplifier.This, in turn,

allows each speaker system to only reproduce a

range of frequencies it is well-suited for, resulting in

reduced distortion and improved fidelity.

AMPLIFIER LOW-PASS FILTER

The 1000/1 employs a sophisticated, state-variable,

low-pass active filter for its internal channel.This

feature is designed to attenuate frequencies above its

filter frequency, so that the system's subwoofers do

not reproduce any audible midrange content.

1) Filter Operation:

The low-pass filter in the

1000/1 is fully variable between 40 Hz and 200 Hz

via the 

“Filter Freq.”

control knob and features the

ability to select between a moderate 

“12dB” 

per

octave or a steep 

“24dB”

per octave slope via the

“Mode/Slope”

switch.

Depending on the subwoofer system and the

vehicle, different slopes may be required to produce

a smooth transition to the mid-bass speakers in the

system. Experiment to find the slope which best

matches the acoustic requirements of your system.

Hint:

A trunk mounted sub whose output has to

"fight" through a rear deck or a back seat often

benefits from the 12 dB/octave slope which lets

more upper bass content pass through. A sub that

fires directly into the listening environment is more

likely to benefit from a 24 dB/octave slope.

JL AUDIO

1000/1

7

REMOTE TURN-ON

The 1000/1 uses a conven12V remote

turn-on lead, typically controlled by the source unit's

remote turn-on output.The amplifier will turn on

when +12V is present at its

“Remote”

input and

turn off when +12V is switched off. If a source unit

does not have a dedicated remote turn-on output,

the amplifier’s turn-on lead can be connected to 

+12V via a switch that derives power from an

ignition-switched circuit.

The 1000/1's 

“Remote”

turn-on connector is

designed to accept 12 AWG – 8 AWG wire.

12 AWG is more than adequate for this purpose.

To connect the remote turn-on wire to the

amplifier, first back out the set screw on the top of

the amplifier, using the supplied hex wrench. Strip

1/2 inch (12mm) of wire and insert the bare wire

into the receptacle on the front panel of the

amplifier, seating it firmly so that no bare wire is

exposed. Smaller wire than 12 AWG can be used,

but it may be necessary to strip 1 inch of insulation

from the wire and fold the bare wire in half prior to

insertion. While holding the wire in the terminal,

tighten the set screw firmly, taking care not to strip

the head of the screw and making sure that the

wire is firmly gripped by the set screw.

AMPLIFIER INPUT SECTION

The 1000/1 employs a differential-balanced 

input topology that provides the user with a high

degree of input flexibility while retaining superior

noise rejection.This type of circuit also allows the

1000/1 to accept high-voltage inputs from factory

source unit outputs without excessive distortion

or noise problems.

1) Input Connections:

A standard left/right

pair of RCA type jacks is used for input on 

the 1000/1.You may run a stereo or a mono 

signal into the inputs of the amplifier.The

amplifier's input section automatically sums 

stereo signals to mono for the internal amplifier

section and for the 

“LP” “Filter  Mode”

of the

“Preamp Output”

section.

If you plan to use the 

“Preamp Output”

of the

1000/1 to feed a stereo amplifier, you 

must

connect

a stereo signal to the input of the amplifier. A mono

signal into the amplifier will result in a mono signal

out of the preamp output. (It's a great amplifier, but

it doesn't do magic).

The amplifier will operate with only one input

connection (left or right), but will require an

increase in input sensitivity to overcome the loss

of signal. If a mono input signal is to be run, we

recommend that you use a “Y-adaptor” to split the

mono signal into both inputs of the amplifier.

2) Input Voltage Range:

A wide range of signal

input voltages can be accommodated by the

1000/1's input section (200mV – 8V).This wide

range is split up into two sub-ranges, accessible via

switches located in the 

“Amplifier Input Section”

of the amplifier.

The 

“Low”

position on the 

“Input Voltage”

switch selects an input sensitivity range between

200mV and 2V. This means that the 

“Input Sens.”

rotary control will operate within that voltage

I M P O RTA N T

!

Low/High

6

JL AUDIO

1000/1

Summary of Contents for 1000/1

Page 1: ...equipment to ensure optimum performance from this product Should you decide to install the amplifier yourself please take the time to read this manual thoroughly so as to familiarize yourself with its installation requirements and setup procedures If you have any questions regarding the instructions in this manual or any aspect of your amplifier s operation please contact your authorized JL Audio ...

Page 2: ... using grommets and loom where appropriate Do not mount the amplifier in the engine compartment under the vehicle on the roof or in any other area that will expose the amplifier circuitry to the elements JL AUDIO 1000 1 3 Infrasonic Filter Defeat Switch pg 9 Preamp Output Filter Slope Selector pg 8 Input Sensitivity Control pg 7 Selects Output Filter Cutoff Frequency pg 8 Selects Infrasonic Filter...

Page 3: ...L Audio 1000 1 is a monoblock subwoofer amplifier utilizing proprietary and patented Class D technology Its frequency response is limited to the range below 250 Hz It is not designed for driving midrange speakers or tweeters Every aspect of its operation has been optimized for low frequency amplification For detailed specifications please refer to Appendix E page 21 TYPICAL INSTALLATION SEQUENCE T...

Page 4: ...he slope which best matches the acoustic requirements of your system Hint A trunk mounted sub whose output has to fight through a rear deck or a back seat often benefits from the 12 dB octave slope which lets more upper bass content pass through A sub that fires directly into the listening environment is more likely to benefit from a 24 dB octave slope JL AUDIO 1000 1 7 REMOTETURN ON The 1000 1 us...

Page 5: ...slave arrangement as shown in Appendix C page 16 If you are using an external active crossover and would like to use the Advanced Bass Control features set the Amp LP Filter switch on 12dB and rotate the frequency selection knob fully clockwise to the 200 Hz position This will activate the LF Boost and Infrasonic Filter controls without significantly affecting the crossover point selected by the e...

Page 6: ...1 SUBWOOFER OUTPUT The 1000 1 employs JL Audio s exclusive Regulated Intelligent Power Supply R I P S design This sophisticated power supply allows the amplifier to produce its optimum power 1000 watts x 1 over a wide range of speaker impedances Unlike conventional amplifiers that require a specific impedance to produce optimum power the R I P S equipped 1000 1 gives you the freedom to use a varie...

Page 7: ... 24 80 78 25 82 26 86 27 90 28 95 29 100 100 30 107 31 113 32 122 33 131 34 143 35 156 36 200 169 37 186 38 192 39 197 Full clockwise 197 CHART A 3 INFRASONIC FILTER Detent Panel Actual Number Marking Freq Full counter clockwise 14 01 14 02 14 03 14 04 15 14 05 15 06 15 07 16 08 18 17 09 17 10 18 11 19 12 20 13 20 14 25 21 15 22 16 24 17 25 18 27 19 28 20 30 30 21 33 22 35 23 39 24 42 25 40 47 26 ...

Page 8: ...tage to Low and turn the Input Sens control on the amplifier all the way down 4 Set the source unit volume to 3 4 of full volume If the amplifier is being driven by a source unit s dedicated subwoofer output also adjust the source unit s subwoofer level control to 3 4 of maximum output This will allow for reasonable gain overlap with moderate clipping at full volume 5 Using the chart below determi...

Page 9: ... master slave chain APPENDIX C Master Slave Configurations With the flexible on board crossovers and processing incorporated into the 1000 1 it is possible to connect multiple 1000 1 s in a Master Slave configuration with each amplifier driving its own speaker system but controlled by the processing and filtering of only one amplifier This is very useful when driving multiple subwoofers with multi...

Page 10: ...ections as explained above continued on next page MY AMPLIFIER DOESN TTURN ON Check to make sure there is 12V at the Remote connection of the amplifier In some cases the turn on lead from the source unit is insufficient to turn on multiple devices and the use of a relay is required To test for this problem jump the 12V wire to the Remote terminal to see if the amplifier turns on If this does not w...

Page 11: ...y filter with continuously variable cutoff frequency selection from 40 200 Hz defeatable ADVANCED BASS CONTROL SECTION Parametric EQ Single band fully parametric equalizer with Q adjustment from 0 5 4 0 center frequency adjustment from 20 80 Hz boost adjustment from 0 to 15 dB and port for optional remote bass boost control RBC 1 defeatable Infrasonic Filter Fully variable 24 dB octave Butterworth...

Page 12: ...JL AUDIO 1000 1 23 Low High 22 JL AUDIO 1000 1 INSTALLATION NOTES Use this diagram to document your amplifier s switch and control positions ...

Page 13: ...ed warranties therefore these exclusions may not apply to you This warranty gives you specific legal rights and you may also have other rights which vary from state to state If you need service on your JL AUDIO product All warranty returns should be sent to JL AUDIO s Amplifier Service Facility freight prepaid through an authorized JL AUDIO dealer and must be accompanied by proof of purchase a cop...

Reviews: