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FILTER 8 

MULTIMODE FILTER/8-PHASE OSCILLATOR 

 

 

 

CONTROLS  & CONNECTIONS 

1  FREQUENCY RANGE SWITCH 

This switch determines over which frequency 
range Filter 8 will operate: low frequency (slew 
modifier/VCLFO) or audio frequency (VCF/VCO). 

2  COARSE AND FINE FREQUENCY KNOBS 

The filter/oscillator frequency is determined by 
these knobs. In standard audio mode, with the 
fine knob centred, the coarse knob has a range 
of 22 Hz to 22 kHz. The fine knob’s range is 5 % of 
the coarse knob (6 semitones in audio mode). 

In low frequency mode, the total  range is 
2.8 mHz (a period of  6  minutes) to 180 Hz, with 
1 Hz when both knobs are centred. 

3  RESONANCE KNOB 

The resonance knob controls a feedback path 
from the filter output back to the input, causing 
the filter frequency to be emphasised.  Filter 8’s 
design includes an innovative resonance circuit: 
by increasing this parameter, all outputs will start 
to resonate at the filter frequency, without any 
low frequency response loss. 

At higher feedback levels, self-oscillation will be 
achieved, turning the module into an excellent 
8-phase sine wave VC(LF)O. 

4  VOLT PER OCTAVE FM INPUT 

This input is used to modulate the frequency in 
an exponential fashion, with a standard 1 volt per 
octave response. This enables accurate audio 
pitch in filter or oscillator mode. In the low range, 
the sensitivity is increased to approximately 0.66 
volt per octave. 

5  EXPONENTIAL FM INPUT AND KNOB 

This  second exponential FM input includes a 
polariser knob to set the modulation depth, with 
0 in the centre, +1 volt per octave maximum and 
−1 volt per octave  minimum  in audio mode.  In 
low mode, the sensitivity is increased to 
approximately 0.66 volt per octave. 

 

 

 

Summary of Contents for FILTER 8

Page 1: ...urate frequency tracking over at least 5 octaves At sub audio frequencies Filter 8 can function as an 8 output voltage controlled slew modifier or 8 phase low frequency oscillator LFO Simultaneous exp...

Page 2: ...filter frequency to be emphasised Filter 8 s design includes an innovative resonance circuit by increasing this parameter all outputs will start to resonate at the filter frequency without any low fr...

Page 3: ...ault each output is at unity gain with respect to the signal inputs This is very useful when processing audio or CV However when Filter 8 is used in oscillator mode all outputs resonate at different a...

Page 4: ...Note that DC offset voltages may be visible at the outputs especially at extremely low frequencies This is a result of the circuit topology and is considered normal behaviour The image below illustrat...

Page 5: ...ables the input Filter 8 s hold input is uniquely designed to be driven reliably even from weak slow bipolar signals It features Schmitt action with a 2 V low and 3 V high logic threshold 13 PING INPU...

Page 6: ...signal should switch between 0 V and a precision 3 V source toggled automatically or by hand Using a dedicated trimming tool or standard 2 5 mm flat screwdriver adjust the trimmer until the interval b...

Page 7: ...SPONSE BLENDING Filter 8 s multimode outputs are created using pole mixing combining the input and lowpass outputs signals in precise ratios and polarities This technique can be recreated externally u...

Page 8: ...SUPPORT As all Joranalogue Audio Design products Filter 8 is designed manufactured and tested with the highest standards to provide the performance and reliability music professionals expect In case...

Page 9: ...ivKid Wilson Bj rn Jauss Boris Uytterhaegen Gregory Delabelle Jan D Hooghe Jens Van Daele Lieven Stockx Sebastiaan Tulkens Everyone at Wired Electronics Filter 8 User Manual version 2018 10 30 21st Ce...

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