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KALI AUDIO IN-Series Studio Monitor User’s Guide 

6

Features

Output

The IN-5 and IN-8 are designed to have a continuous output of 85 dB at 2.2 and 2.8 meters, re-

spectively, with 20 dB of dynamic headroom. This makes the IN-5 ideal for most near-field moni-

toring applications, and the IN-8 ideal for near-to-mid-field applications. 

20 dB of headroom ensures that momentary peaks in sound pressure level, including instruments 

like kick drum and effects like gunshots or explosions, can be reproduced accurately and with 

minimal distortion.

The IN-Series monitors are equipped with a limiter circuit that will protect the speakers from un-

safe voltage levels. This will be plainly audible as distortion, indicating that the speaker is receiving 

too much input signal. If this is the case, it is recommended to reduce the volume of the playback 

material.

Low Noise Port Tube

The IN-Series monitors share port tube technology with Kali’s LP-Series, which was designed to 

deliver all the benefits of a front-firing port tube, without any drawbacks associated with noise.

On most port tubes, air leaves at different speeds from different points of the opening, creating 

noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from 

the monitor. This sound will add to the noise floor and obscure the details of the low end.

The port tube on Kali’s speakers was designed to ensure that all of the air leaves the port tube at 

the same velocity. This helps add to the low end response of the speaker, while keeping the bass 

clean, tight, and devoid of extra noise.

Boundary Compensation EQs

 

 

Kali’s team came up with boundary compensation EQ settings at The Village Studios in Los An-

geles to help you get the optimum sound for where you need to put your speakers. Combined 

with the LF and HF trims, this will ensure that the speakers sound their best no matter what room 

you’re mixing in.  

 

A full listing of the different boundary EQ settings and how to use them can be found on page 11 

of this manual. 

About Your Studio Monitor

Summary of Contents for Project Independence IN-5

Page 1: ...KALI AUDIO IN Series Studio Monitor User s Guide 1 Project Independence 3 Way Coincident Studio Monitors IN 5 IN 8 User s Guide...

Page 2: ...uide 2 Table of Contents IMPORTANT SAFETY INFORMATION 3 ABOUT YOUR STUDIO MONITOR 5 FULL SPECIFICATIONS 7 INPUTS AND CONTROLS 8 DIP SWITCHES 11 CLIMATE CONSIDERATIONS 14 FIRST TIME SETUP 14 STANDBY MO...

Page 3: ...purpose of the polarized or grounding type plug A polarized plug has two blades with one blade wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or...

Page 4: ...uld be placed on the appara tus 20 This apparatus is to be used in a moderate climate Do not expose to extremely high or low temperatures 21 High sound pressure in excess of 85 dB can cause hearing da...

Page 5: ...er in the IN 5 and an 8 inch woofer in the IN 8 Both have a 4 inch mid range driver and a 1 inch soft dome tweeter The mid range driver and the tweeter are coincident meaning that they share the same...

Page 6: ...ith Kali s LP Series which was designed to deliver all the benefits of a front firing port tube without any drawbacks associated with noise On most port tubes air leaves at different speeds from diffe...

Page 7: ...Hz 25 kHz Frequency Range 3 dB 47 Hz 21 kHz 45 Hz 21 kHz Recommended Listening Dis tance 5 2 2 Meters 1 2 8 Meters Max SPL Peak 1M 115 dB 114 dB System THD IN 5 85dB SPL 1m IN 8 90 dB SPL 1m 2 from 5...

Page 8: ...KALI AUDIO IN Series Studio Monitor User s Guide 8 Inputs and Controls...

Page 9: ...dBV Sensitivity The RCA input is for use with consumer devices like record players laptops smart phones and media players Commonly the playback device will either have an RCA or a 3 5mm Aux output Cab...

Page 10: ...trical room it may be necessary to have one monitor louder than the other to achieve balance 2 If your playback device does not have an independent volume control it will be necessary to adjust the vo...

Page 11: ...ower to the RCA For this reason the explanations of the different dip switch settings will only reference the set of switches currently applicable Switches 1 3 Boundary Compensation EQs Position 1 Fre...

Page 12: ...from any walls Switch 1 DOWN Switch 2 DOWN Switch 3 UP Position 6 On a Desk Close to a Wall The speaker is on a desk or table and is within 5 meters 20 inches of a wall without being butted right aga...

Page 13: ...trim will add or subtract 2 dB from the High Frequency response of the speaker This can be done as a matter of personal taste or if the room you re mixing in requires additional adjustment beyond wha...

Page 14: ...the volume up on your playback device to the desired level Enjoy your new studio monitors Climate Considerations The IN 8 studio monitor s enclosure is made of MDF wood and wrapped in vinyl which is s...

Page 15: ...d is prone to picking up noise as sig nal travels through the cable This is especially true if you are using very long RCA cables b If no be sure that the dip switch 8 is moved DOWN to the OFF positio...

Page 16: ...e specific details about the nature of the defect What is not covered The following cases are NOT covered by this warranty Damage from shipping Damage from dropping or otherwise mishandling the speake...

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