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CN39 MIDI Settings Manual

3

MIDI Settings

MIDI Channel

The MIDI Channel setting allows the transmit/receive channel to be specified.  The selected channel will function as 
both the transmit and receive channel (separate transmit/receive channels cannot be specified).

1. Selecting the MIDI Channel setting

After entering the MIDI Settings menu (page 2):

Press the 

 or 

 buttons to select the MIDI Channel setting.

2. Changing the MIDI Channel value

Press the 

 or 

 buttons to increase or decrease the value of 

the MIDI Channel setting.

* The MIDI Channel value can be adjusted within the range of 1~16.

* To reset the MIDI Channel setting to the default value, press the 

 and 

 buttons simultaneously.

* Any changes made to the MIDI Channel setting will remain until the 

power is turned off.

* Preferred MIDI Channel settings can be stored to a Registration 

Memory for convenient recall, or to the Startup Setting memory for 
automatic selection when the instrument is turned on.  Please refer to 
CN39 Owner’s Manual pages 35 and 79 for more information.

3. Exiting the MIDI Channel setting

Press the   FUNCTION button (BACK) to exit the MIDI Channel 
setting and return to the Function Menus screen.

 Omni mode

When the CN39 digital piano is turned on, the instrument is automatically set to ‘omni mode on’, allowing MIDI information to be 
received on all MIDI channels (1~16).  When the MIDI Channel setting is used to specify a transmit/receive channel, the instrument 
will be set to ‘omni mode off’.

 Multi-timbral mode and Split/Dual modes

Using Split mode with Multi-timbral mode enabled

Notes played in the lower section of the keyboard will be 
transmitted on the channel that is 1 channel higher than the 
specified channel.  For example, if the MIDI channel is set to 
3, notes played in the lower section of the keyboard will be 
transmitted on channel 4.

Using Dual mode with Multi-timbral mode enabled

Notes played will be transmitted on two channels: the 
specified channel and the channel that is 1 channel higher.  

For example, if the MIDI channel is set to 3, notes played on 
the keyboard will be transmitted on channels 3 and 4.

* If the specified MIDI channel is 16, the lower section / layered part will be transmitted on channel 1.

Summary of Contents for CN39

Page 1: ...e and the transmit channels are used to transmit data to another MIDI device The illustration below shows three musical instruments connected together using MIDI Transmitting instrument a Receiving instrument b Receiving instrument c Transmitting instrument a sends transmit channel and keyboard information to receiving instruments b c The information arrives at the receiving instruments b c Receiv...

Page 2: ... Setting Description Default setting 1 MIDI Channel Specify the channel that is used to transmit receive MIDI information 1 2 Send PGM Change Send a MIDI program change number from 1 to 128 1 3 Local Control Specify whether internal sounds will be heard when the keyboard is pressed On 4 Trans PGM Change Specify whether program change data is sent when sounds are changed On 5 Multi timbral Mode Spe...

Page 3: ...s 35 and 79 for more information 3 Exiting the MIDI Channel setting Press the FUNCTION button BACK to exit the MIDI Channel setting and return to the Function Menus screen Omni mode When the CN39 digital piano is turned on the instrument is automatically set to omni mode on allowing MIDI information to be received on all MIDI channels 1 16 When the MIDI Channel setting is used to specify a transmi...

Page 4: ... or buttons to select the Send Program Change Number function 2 Specifying and transmitting a Program Change Number Press the or buttons to decrease or increase the Program Change Number The program change number can be set within the range of 1 128 Press the FUNCTION button SEND to send the specified Program Change Number 3 Exiting the Send Program Change Number function Press the FUNCTION button...

Page 5: ...ting After entering the MIDI Settings menu page 2 Press the or buttons to select the Local Control setting 2 Changing the Local Control setting Press the or buttons to turn the Local Control setting on or off To reset the Local Control setting to the default setting press the and buttons simultaneously Any changes made to the Local Control setting will remain until the power is turned off Preferre...

Page 6: ...e Numbers setting Press the or buttons to turn the Transmit Program Change Numbers setting on or off To reset the Transmit Program Change Numbers setting to the default setting press the and buttons simultaneously Any changes made to the Transmit Program Change Numbers setting will remain until the power is turned off Preferred Transmit Program Change Numbers settings can be stored to a Registrati...

Page 7: ...Mode setting After entering the MIDI Settings menu page 2 Press the or buttons to select the Multi timbral Mode setting 2 Changing the Multi timbral Mode setting Press the or buttons to change turn the Multi timbral Mode setting To reset the Multi timbral Mode setting to the default setting press the and buttons simultaneously Any changes made to the Multi timbral Mode setting will remain until th...

Page 8: ...g and playing muting channels Press the or buttons to select the desired MIDI channel Press the or buttons to alternate between Play and Mute states To reset the Channel Mute setting to the default value press the and buttons simultaneously Any changes made to the Channel Mute setting will remain until the power is turned off Preferred Channel Mute settings can be stored to a Registration Memory f...

Page 9: ...Upright Piano 3 0 13 95 34 1 Honky Tonk 0 14 121 0 4 E PIANO Classic E Piano 0 15 121 0 5 60 s E P 0 16 121 3 5 Modern E P 0 17 121 0 6 Electric Grand 0 18 121 0 3 Classic E P 2 0 19 95 3 5 Classic E P 3 0 20 95 5 5 Modern E P 2 0 21 95 6 6 ORGAN Jazz Organ 0 22 121 0 18 Blues Organ 0 23 121 0 17 Ballad Organ 0 24 95 5 17 Gospel Organ 0 25 95 3 17 Church Organ 0 26 121 0 20 Mellow Flutes 0 27 95 4...

Page 10: ...o 0 52 95 9 1 New Age Piano 2 0 53 95 10 1 New Age Piano 3 0 54 95 11 1 Piano Octaves 0 55 95 1 1 Wide Honky Tonk 0 56 121 1 4 OTHERS E PIANO Electric Grand2 0 57 121 1 3 Dolce E P 0 58 95 2 5 Crystal E P 0 59 95 1 6 Tremolo E P 0 60 95 1 5 Classic E P 4 0 61 121 1 5 Classic E P 5 0 62 121 2 5 New Age E P 0 63 95 2 6 Modern E P 3 0 64 121 1 6 Modern E P 4 0 65 121 2 6 Legend E P 0 66 121 3 6 Phase...

Page 11: ...rgan 0 93 121 1 18 Tibia Bass 0 94 95 14 18 Rock Organ 0 95 121 0 19 OTHERS CHURCHORGAN Principal Oct 0 96 95 24 20 Soft Diapason 0 97 95 45 20 Soft Strings 0 98 95 41 20 Bright Ensemble 0 99 95 47 20 Full Organ 0 100 95 44 20 Reed Ensemble 0 101 95 46 20 Diapason 0 102 95 7 20 Full Ensemble 0 103 95 1 21 Diapason Oct 0 104 95 6 20 Theater Organ 0 105 95 1 20 8 Celeste 0 106 95 5 20 Small Ensemble...

Page 12: ...hythm Guitar 1 6 121 2 28 Electric Guitar 1 7 121 0 28 E Guitar 2 1 8 121 1 28 E Guitar 3 1 9 121 2 29 Muted Electric 1 10 121 0 29 Cutting Guitar 1 11 121 1 29 Country Lead 1 12 121 3 29 OverdriveGuitar 1 13 121 0 30 Dynmic Ov drive 1 14 121 1 30 Distortion 1 15 121 0 31 Dist Feedback 1 16 121 1 31 Dist Rhythm 1 17 121 2 31 E Gtr Harmonics 1 18 121 0 32 Guitar Feedback 1 19 121 1 32 OTHERS BASS W...

Page 13: ...gEnsemble2 1 47 121 0 50 Synth Strings 1 48 121 0 51 Synth Strings 2 1 49 121 0 52 Synth Strings 3 1 50 121 1 51 Pizzicato 1 51 121 0 46 Harp 1 52 121 0 47 Celtic Harp 1 53 121 1 47 Timpani 1 54 121 0 48 OTHERS CHOIR HIT Choir 3 1 55 121 1 53 Voice Oohs 1 56 121 0 54 Humming 1 57 121 1 54 DoReMi 1 58 95 51 54 DoReMi b 1 59 95 52 54 Synth Vocal 1 60 121 0 55 Analog Voice 1 61 121 1 55 Orchestra Hit...

Page 14: ...nalog Brass 2 1 88 121 2 64 OTHERS REED Oboe Strings 1 89 95 5 69 Soprano Sax 1 90 121 0 65 Alto Sax 1 91 121 0 66 Soft Tenor Sax 1 92 95 2 67 Tenor Sax 1 93 121 0 67 Baritone Sax 1 94 121 0 68 Oboe 1 95 121 0 69 English Horn 1 96 121 0 70 Bassoon 1 97 121 0 71 Clarinet 1 98 121 0 72 OTHERS PIPE Flute Strings 1 99 95 8 74 Piccolo 1 100 121 0 73 Jazz Flute 1 101 95 1 74 Big Band Winds 1 102 95 2 74...

Page 15: ...128 121 1 92 New Age 2 2 1 95 1 89 New Age 3 2 2 95 2 89 New Age 4 2 3 95 3 89 Warm Pad 2 4 121 0 90 Sine Pad 2 5 121 1 90 Bright Warm Pad 2 6 95 1 90 Polysynth 2 7 121 0 91 Choir Pad 2 8 121 0 92 Bowed Pad 2 9 121 0 93 Metallic Pad 2 10 121 0 94 Halo Pad 2 11 121 0 95 Sweep Pad 2 12 121 0 96 Multi Sweep 2 13 95 1 96 OTHERS SYNTH SFX Rain Pad 2 14 121 0 97 Soundtrack 2 15 121 0 98 Crystal 2 16 121...

Page 16: ...Toms 2 2 43 121 1 118 Synth Drum 2 44 121 0 119 Rhythm Box Tom 2 45 121 1 119 Electric Drum 2 46 121 2 119 Reverse Cymbal 2 47 121 0 120 Gtr Fret Noise 2 48 121 0 121 GtrCuttingNoise 2 49 121 1 121 CuttingNoise 2 2 50 95 1 121 Ac Bass Slap 2 51 121 2 121 OTHERS SFX Breath Noise 2 52 121 0 122 Flute Key Click 2 53 121 1 122 Seashore 2 54 121 0 123 Rain 2 55 121 1 123 Thunder 2 56 121 2 123 Wind 2 5...

Page 17: ...Plane 2 78 121 7 126 Starship 2 79 121 8 126 Burst Noise 2 80 121 9 126 Applause 2 81 121 0 127 Laughing 2 82 121 1 127 Screaming 2 83 121 2 127 Punch 2 84 121 3 127 Heartbeat 2 85 121 4 127 Foot Step 2 86 121 5 127 Gunshot 2 87 121 0 128 Machine Gun 2 88 121 1 128 Laser Gun 2 89 121 2 128 Explosion 2 90 121 3 128 OTHERS DRUMKIT Standard Set 2 91 120 0 1 Room Set 2 92 120 0 9 Power Set 2 93 120 0 ...

Page 18: ...ti timbre On 1 01 00 Multi timbre On 2 0F 15 6C Split Point A0 C8 14 00 7F Dual Split balance 16 1F 60 Tune 40 440 Hz 17 00 7F 00 Program Change Off 7F Program Change On 18 00 07 00 Light 01 Normal 02 Heavy 03 Off 04 Light 05 Heavy 06 User1 07 User2 19 00 03 Lower Octave Shift 20 00 7F 00 7F Dual data 2 Main sound data 3 Layer sound 21 00 7F 00 7F Split data 2 Upper sound data 3 Lower sound 22 00 ...

Page 19: ...l O Left pedal O X X X X X X X X X X X X X X O O O O O O O O O O O O O O O O O O O O O O O O O O Bank Select 1 Modulation Portament Time Data Entry Volume Panpot Expression Pedal Sustain Pedal Portament Sostenuto Pedal Soft Pedal Hold 2 Sustain Level Resonance Release Time Attack Time Cuttoff Decay Time Vibrato Speed Vibrato Depth Vibrato Delay Portament Control Reverb Send Level Chorus Send Level...

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