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28

1–3c: Reed Character

AMS (Alternate Modulation Source)

[Off…MIDI:CC#83]

Selects a modulation source (

p.48 of this manual) that

will modulate the characteristics of the reed.

Intensity (Reed AMS Intensity)

[–99…+99]

Specifies the depth of the modulation effect that
“AMS” will have on the reed.

1–3d: Bell Character

Tone

[0…99]

Specifies the tone of the bell. As this value is in-
creased
, the low frequency portion will disappear,
producing a less solid tone.

Reso

[0…99]

Specifies the level at which the frequency region in
the area of the “Tone” will be boosted. As this value
is increased
, the resonance effect will become stronger.

1–3e: Wave Shape

Type (Wave Shape Table Type)

[Clip/Reso]

Use the radio buttons to select the wave shaping
table which will modify the input waveform. For the
way in which the table will modify the waveform,
refer to the Wave Shape diagram shown in Standard
(

page 16 of this manual).

Offset

[–99…+99]

Specifies the offset value that will be added to the
Reed OSC signal that is input to wave shaping.

Shape

[0…99]

Specifies the character of the table that will shape the
input waveform. For details on how the waveform will
change, refer to the “Shape” diagram (

page 16 of

this manual) for the Standard OSC.

AMS (Alternate Modulation Source)

[Off…MIDI:CC#83]

Selects a modulation source (

p.48 of this manual)

that will control “Shape.”

Intensity (Shape AMS Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.”

1–3f: Peaking EQ

Frequency

[0…49]

Specifies the center frequency of the range that will be
boosted or attenuated by the Peaking EQ. Increasing
this value
 will raise the center frequency.

Q

[0…29]

Specifies the width of the Peaking EQ frequency
band. Increasing this value will narrow the frequency
band that is boosted or attenuated.

Gain

[–18…+18]

Specifies the amount by which the range specified by
“Frequency” and “Q” will be boosted or attenuated.

Summary of Contents for EXB-MOSS

Page 1: ...ication The manufacturer also will take no responsibility for any damages that may result from loss or disappear ance of data Installing this product For the procedure of installing this product refer...

Page 2: ...ng Play modes 9 Control change transmission reception for the EXB MOSS 10 4 Parameters 11 Program mode 11 Program P0 Play 11 Program P1 Edit Basic 12 Program P2 Edit Pitch 36 Program P3 Edit Filter 38...

Page 3: ...e selected for a timbre track in Combination Song and Song Play modes You can also create combinations or songs that combine bank F programs with other programs from banks A E or G Broadly speaking a...

Page 4: ...or Feedback Amp1 Amp2 Pan LPF HPF BPF BRF 2BPF LPF HPF BPF BRF 2BPF Filter 1 Filter 2 Insert Effect Master Effect Master EQ L Mono R OSC Mixer Filter AMP FX EG1 EG2 EG3 EG4 Amp EG LFO1 LFO2 LFO3 LFO4...

Page 5: ...sound ranging from synth basses to string like sound p 17 of this manual VPM Variable Phase Modulation This oscillator uses phase modulation to generate harmonics A rich harmonic structure can be crea...

Page 6: ...ternal memory will be erased and overwritten When you load MOSS SNG Demo songs that use the bank F programs etc of MOSS PCG will be loaded These songs can be played in Sequencer mode When you select a...

Page 7: ...pe MOSS program and up to four voices to timbre 2 for an electric piano MOSS program These settings have no effect on the programs of banks A E and G When the timbre bank program is changed to switch...

Page 8: ...s However when a bank F program is selected for a timbre the following parameters will function as explained below OSC Select will have no effect Combination P2 OSC tab The Detune range will be 100 Ev...

Page 9: ...1 2 Level tab CC 74 Low Pass Filter Cutoff Frequency Filter A Frequency Program P3 Filter 1 2 tab Filter B Frequency Program P3 Filter 1 2 tab CC 75 Decay Time Decay Time Program P4 AmpEG tab Program...

Page 10: ...e cur rently selected program Be sure to write important programs that you edit If you turn off the power or select another program before you write your edits cannot be recovered Refer to Saving data...

Page 11: ...ng of 6voices Mode Fixed Dynamic Specifies how the number of voices specified by the Unison setting will be allocated With a setting of Fixed the number of voices specified by the Unison setting will...

Page 12: ...quarter tone scale of Arabic mu sic Pythagorean A scale based on ancient Greek musical theory suit able for playing melodies Werckmeister Werkmeister III An equal tempered scale used in the later Baro...

Page 13: ...ings for each oscillator type The oscillator type is selected in 1 1a Mult OSC Setup or 1 2 OSC Basic The parameters that are displayed will depend on the selected oscillator type Standard 1 3a 1 3b 1...

Page 14: ...ct Lower settings of this parameter will produce a more mellow sound and in the vicinity of 0 the volume will also decrease Triangle Level 0 99 Specifies the output level of the triangle waveform It w...

Page 15: ...hape parameter CLIP type Output of the clip type table when a sawtooth waveform is input Waveform level Waveform before being input to the table Shape 0 Shape 99 Output level Input level Resonant type...

Page 16: ...se Filter1 Noise or Filter2 Noise It specifies the volume level of the noise generator output which will be input to the comb filter Pulse Width 0 99 This parameter will be available only if Input has...

Page 17: ...and direction of the effect of AMS1 AMS2 Alternate Modulation 2 Source Off MIDI CC 83 Selects a modulation source 2 p 48 of this manual that will control Level Intensity Level AMS2 Intensity 99 99 Spe...

Page 18: ...ollowing settings will not be available Level 0 99 Specifies the output level of the modulator This value will determine the amount of modulation that is applied to the 1 3a Carrier setting AMS1 Alter...

Page 19: ...urce 2 p 48 of this manual that will control Level Intensity Level AMS2 Intensity 99 99 Specifies the depth and direction of the effect of AMS2 1 3b BPF Parameters Here you can make settings for each...

Page 20: ...cifies the carrier waveform Wave Edge 0 99 Specifies the amount of high frequency harmonics for the carrier waveform As this value is decreased the sound will have less high frequency harmonics and as...

Page 21: ...ifies the amount of high frequency harmonics for the carrier waveform As this value is decreased the sound will have less high frequency harmonics and as it approaches 0 the volume will also decrease...

Page 22: ...produce organ type sounds The oscillator simulates three drawbars similar to electric organs of the past You can specify the footage Harmo and waveform setting for each drawbar allowing a wide range o...

Page 23: ...es an electric piano There are four groups of parameters Hammer which specifies how the shape and motion of the hammer will affect tonal change and attack noise Tone Generator which vibrates in respon...

Page 24: ...ents such as a trumpet or trombone By using key velocity or modulation wheel to modulate the Pressure the force of breath blown into the mouth piece you can produce performance expressions that are ve...

Page 25: ...1 AMS2 Alternate Modulation Source 2 Off MIDI CC 83 Selects a modulation source 2 p 48 of this manual that will control pressure Intensity Pressure AMS2 Intensity 99 99 Specifies the depth and directi...

Page 26: ...unchecked the pitch will rise smoothly as on most synthesizers JS X Joystick X Specifies how the pitch will change when the joystick is moved in the X direction toward the left If Jump Bend X and Jump...

Page 27: ...he Wave Shape diagram shown in Standard page 16 of this manual Offset 99 99 Specifies the offset value that will be added to the Reed OSC signal that is input to wave shaping Shape 0 99 Specifies the...

Page 28: ...elocity Control 99 99 Specifies the depth and direction of the effect that velocity will have on Attack Level The effect will be as shown in the following diagram Parameter value Velocity value 1 127...

Page 29: ...e settings of 4 3 Amp EG the setting you make here may not have audible results If you raise the EG break level and sustain level it will be easier to hear the result of this setting KTr Decay Keyboar...

Page 30: ...d Raising this value will cause the low frequency range to be emphasized more strongly Bowed String Model This oscillator is a physical model which simulates the sound of a bowed string instrument suc...

Page 31: ...ternate Modulation Source Off MIDI CC 83 Selects a modulation source p 48 of this manual that will control bow pressure Int Pressure AMS Intensity 99 99 Specifies the depth of the effect produced by A...

Page 32: ...Intensity 99 99 Specifies the depth and direction of the effect of AMS 1 3d Peaking EQ Frequency 0 49 Specifies the center frequency at which the peaking EQ will boost attenuate the sound Q 0 29 Spec...

Page 33: ...tion source p 48 of this manual that will control output level Intensity Level AMS Intensity 99 99 Specifies the depth and direction of the effect of AMS With positive settings higher values of the mo...

Page 34: ...Touch Lock SW1 Mode Toggle Momentary SW2 SW2 Assign Off After Touch Lock SW2 Mode Toggle Momentary 1 7b Realtime Contol Knobs B Assign Here you can assign the B mode functions mainly various types of...

Page 35: ...ly set this parameter to 1 0 C 1 C4 C9 C 1 C9 Pitch Key Center Key 1 0 2 0 1 0 0 0 2 1b Pitch Modulation Specifies the pitch Modulation AMS1 Alternate Modulation Source 1 Off MIDI CC 83 Selects a modu...

Page 36: ...tep X If the Step Joystick Step X or Step Joy stick Step X settings are greater than the settings for JS X and JS X the pitch will not change 2 4b Common Pitch Modulation Creates time varying changes...

Page 37: ...inner However raising the cutoff frequency excessively will drastically reduce the volume A band pass filter passes the range of frequencies in the vicinity of the cutoff frequency and cuts the ranges...

Page 38: ...Selects a modulation source p 48 of this manual that will control the amount of resonance Intensity Resonance AMS Intensity 99 99 Specifies the depth and direction of the effect that AMS will have on...

Page 39: ...odulation For details on the parameters refer to 3 2 Filter 1 Mod Program P4 Edit Amp Here you can make volume related settings There are two independent amps and the signals which are input to each a...

Page 40: ...me variant change in volume created by the amp EG 4 3a Level Amp EG Level Attack Attack Level 0 99 Specifies the volume that will be reached after the Attack Time has elapsed Break Break Level 0 99 Sp...

Page 41: ...p EG times At Attack Time AMS2 Intensity 99 99 Dc Decay Time AMS2 Intensity 99 99 Sl Slope Time AMS2 Intensity 99 99 Rl Release Time AMS2 Intensity 99 99 Specifies the depth and direction of the effec...

Page 42: ...meter value being modulated LFO movement determined by Modulation Intensity The parameter value being modulated LFO movement determined by Modulation Intensity The parameter value being modulated LFO...

Page 43: ...o Sync MIDI Tempo Sync Checked The LFO frequency will synchronize to the tempo MIDI Clock In this case the settings of 5 1a Frequency and 5 1b Frequency Modulation will have no effect Base Note Times...

Page 44: ...nge slowly Decay Decay Time 0 99 Specifies the time from when the attack time ends until the Break Level is reached Slope Slope Time 0 99 Specifies the time from when the decay time ends until the Sus...

Page 45: ...eyboard is played softly with At Dc Sl and Rl set to The settings of 6 1d AMS2 When keyboard is played strongly with At Dc Sl and Rl set to 6 2 EG 2 6 3 EG 3 6 4 EG 4 EG 2 EG 3 and EG 4 have the same...

Page 46: ...these settings Timbres that are set to 0 will not sound if they are switched to a bank F program Before you select a bank F program set this parameter appropriately MOSS BUS Select Reference Timbre1 T...

Page 47: ...econd may cause noise to be mixed with t h e o u t p u t s o u n d If you are using bank F programs in multiple timbres When playing multi timbrally and a bank F program is being sounded selecting a b...

Page 48: ...P000 UP Off Portamento SW CC 65 F A Sustain CC 70 Knob Mod 4 CC 21 B014 Sweep Cool Off U150 Bossa Nova On Mod SW1 CC 80 Knob Mod 1 CC 17 Knob Mod 3 CC 20 Keyboard U164 New Disco 2 On Mod SW2 CC 81 Kn...

Page 49: ...nob Mod 3 CC 20 Guitar Plucked U004 Guitar Strum 5 On Lock JS Y Knob Mod 2 CC 19 Knob Mod 4 CC 21 B043 Water Exchange On U109 Up uP UP Up uP On Mod SW1 CC 80 Filter Cutoff CC 74 Filter Resonance CC 71...

Page 50: ...ack CC 73 Knob Mod 3 CC 20 Orchestral U028 String Melody On Lock Ribbon F A Decay CC 75 Knob Mod 4 CC 21 B061 SynMoss 01 Off U155 Drum n Bass 3 On Mod SW1 CC 80 Knob Mod 1 CC 17 Knob Mod 3 CC 20 LeadS...

Page 51: ...ndard OSC Standard OSC F027 Ocean Calm SlowSynth Off U073 5 tone Trance 3 Organ Model Organ Model F028 Metallic Bell Bell Mallet Off U132 CrazyComputer 1 VPM OSC VPM OSC F029 Male Ahhs Vocal Airy Off...

Page 52: ...tandard OSC Sync OSC F082 Dyna Expressive Keyboard Off U025 Piano Comp 2 Electric Piano Model Electric Piano Model F083 Deep Sync Lead LeadSynth Off P000 UP Sync OSC Standard OSC F084 U K Synth Bell F...

Page 53: ...Hardsyn FastSynth Off U129 Speed Sequence VPM OSC Standard OSC F119 Inner Space MotionSynth On U044 TB Bass Drone Standard OSC Organ Model F120 E Syn Bass Bass Synth Bass Off U043 Trance Bass Riff Pl...

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