Parameter guide
32
Control2: Formant Offset
[–63…+63]
Moves the entire formant frequency spectrum upward or
downward. This is equivalent to changing the size of your
mouth. A setting of 0 produces the standard formant
locations.
When Waveform: Noise
Control1: Resonance
[000…127]
Adjusts the amount of resonance for the filter provided
within the noise oscillator. Higher values will emphasize the
frequency points for the pitched component within the
noise.
Control2: LPF/HPF Mix
[LPF, 002…063, CNT, 065…126, HPF]
Adjusts the mix balance between the low-pass and high-
pass filters; this will vary the brightness of the sound.
When Waveform: DWGS
Control1: ---
[---]
Control2: Wave Select
[01…64]
This provides various DWGS waveforms taken from
acoustic instruments and digital synthesizers. You can
choose one of 64 different DWGS waveforms.
*: The 48: Endless waveform simulates the “infinite
staircase” sound which produces the same perceived pitch
in each different octave. The “infinite staircase” produces
the sensation that you never get any higher, no matter how
long you continue playing the notes C, D, E, F, G, A, B, C, D,
E, upward.
When Waveform: AudioIn
Control1: Gain
[–63…+63]
Adjusts the volume of the audio input.
Control2: Balance
[L001...C064...R127]
Adjusts the balance between the L-channel (e.g., AUDIO
INPUT 1 jack) and R-channel (e.g., AUDIO INPUT 2 jack) of
the input signal selected by
Audio In
(Program 2-1a).
Note:
If the P1: Program Basic page
Unison
setting (Program
1-1a) is
On
, certain parameters will automatically be set to
allow the input audio to be handled in stereo. In this case,
please note the following points.
• Regardless of the
Balance
(Control 2) setting, the signal
from AUX buses 1,3 or audio in 1 (L) will be fixed at
Balance
=
L001
, and the signal from AUX buses 2,4 or
audio in 2 (R) will be fixed at
Balance
=
R127
.
• Regardless of the
Number of Voices
setting (Program 1-
1a), it will be fixed at two voices.
• If you set
Spread
(Program 1-1a) to
0
, the
Balance
for
both the L-ch and the R-ch of the output will be C064
(Center). If you set
Spread
to
127
, the L-ch and R-ch of
the oscillator output will be set to
Balance
of
L001
and
R127
respectively.
2–1b: OSC2
These are the parameters for the oscillator 2 waveform.
Waveform (Oscillator2 Waveform)
[Saw, Square, Tri, Sine]
Selects the waveform for oscillator 2.
This setting will affect the maximum number of voices.
Saw:
Sawtooth wave is suitable for creating a broad range of
typical analog synthesizer sounds such as synth bass and
synth brass.
Square:
Square wave is suitable for electronic sounds or
woodwind sounds such as clarinet.
Tri:
Triangle wave has fewer overtones and a stronger
fundamental than sawtooth wave or square wave. It is
suitable for mild bass sounds.
Sine:
This is a sine wave.
OSC Mod (Oscillator Modulation Type)
[Off, Ring, Sync, RingSync]
Selects the oscillator modulation type.
Some settings may produce noise.
Off:
The sound will be output without any modulation
being applied. You can adjust
Semitone
and
Tune
to
produce a spacious-sounding detune effect. For fuller synth
bass sounds, set the pitch of oscillator 1 and 2 one octave
apart.
Ring:
This type of modulation generates frequencies at the
sum and difference of oscillators 1 and 2. You can adjust
Semitone
and
Tune
to create metallic sounds with little
sense of pitch. This is useful for sound effects.
Sync:
This type of modulation synchronizes oscillator 2 to
the phase of oscillator 1, forcibly resetting the phase of
oscillator 2. This is effective on lead synth sounds. Use
Semitone
and
Tune
to adjust the overtones.
No
Name
No
Name
No
Name
0
SynSine1
22
Digi3
44
Bell1
1
SynSine2
23
Digi4
45
Bell2
2
SynSine3
24
Digi5
46
Bell3
3
SynSine4
25
Digi6
47
Endless*
4
SynSine5
26
Digi7
48
SynVox1
5
SynSine6
27
Digi8
49
SynVox2
6
SynSine7
28
Digi9
50
VoxPad1
7
SynWave1
29
E.Piano1
51
VoxPad2
8
SynWave2
30
E.Piano2
52
VoxPad3
9
SynWave3
31
E.Piano3
53
FlutePad
10
SynWave4
32
Organ1
54
EP Pad1
11
SynWave5
33
Organ2
55
EP Pad2
12
SynWave6
34
Organ3
56
Noise1
13
SynWave7
35
Organ4
57
Noise2
14
SynWire1
36
Organ5
58
Noise3
15
SynWire2
37
Clav1
59
Noise4
16
SynWire3
38
Clav2
60
Noise5
17
SynWire4
39
Guitar1
61
Noise6
18
5thSaw
40
Guitar2
62
Noise7
19
5thSqu
41
E.Bass1
63
Noise8
20
Digi1
42
E.Bass2
21
Digi2
43
E.Bass3
OSC1 Wave
OSC2 Wave
OSC1 Output
OSC2 Output
OSC1 Wave
OSC2 Wave
OSC1 Output
OSC2 Output
Sync
Summary of Contents for EXB-RADIAS
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