Korg TRITON Extreme Manual Download

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In this case you will probably want to set “MIDI Clock”
(Global P1: 1–1a) to External MIDI or External USB, to sync
up with an external sequencer. However, changes in tempo
will not be recorded. (“Recording musical data from an
external device”

☞

p.297)

Off (unchecked):

Single track recording mode will be

selected. Recording will occur on the track selected by
“Track Select.”

This cannot be selected if “Recording Mode” is set to
Loop All Tracks

0–8b: Metronome Setup

Here you can make metronome settings.

Sound

[Only REC, REC & Play, Off]

Only REC:

The metronome will sound only during record-

ing.
REC & Play:

The metronome will sound during recording

and playback.
Off:

The metronome will not sound. However, the pre-count

will sound before recording begins.
This parameter can also be set from “Metronome Sound” (6–
1b).

BUS (Output) Select

[L/R, L, R, 1, 2, 3(Tube), 4(Tube), 1/2, 3/4(Tube]

Selects the output destination of the metronome sound.

L/R, L, R:

Output from OUTPUT (MAIN) L/Mono and/or

R.
1, 2, 3(Tube), 4(Tube), 1/2, 3/4(Tube):

Output from OUTPUT

(INDIVIDUAL) 1, 2, 3, 4 respectively.

Level

[000…127]

Sets the volume of the metronome.

Precount [Measure]

[0…2]

Specifies the pre-count that will occur before recording
begins.
With a setting of 0, recording will begin the instant you press
the SEQUENCER [START/STOP] key (after first pressing
the SEQUENCER [REC/WRITE] key).

1–1: Cue List

The cue list allows you to playback multiple songs in succes-
sion. You can specify a number of repetitions for each song.
The TRITON Extreme allows you to create twenty cue lists.
In a single cue list you can freely connect up to 99 songs.
Each unit in a cue list is called a “step,” and you can specify
a song number and a repeat (number of repetitions) for each
step.
For example you could create each part of a song (intro, mel-
ody A, melody B, break, solo backing, ending etc.) as an
individual song, and use a cue list to play the intro twice,
melody A four times, melody B four times, the break twice,
melody A four times ... etc. to produce the entire song. In
cases when you wish to change the structure of the song,
this Cue List function can help you work more efficiently.
The page menu command “Convert to Song” (1–1D) lets
you convert the songs in a cue list into a single song.
For example you can use a cue list to create the backing, con-
vert the cue list to a song, and then add solo phrases on
unused tracks.

1–1a: Location, Meter, , Tempo Mode, Cue List

Select, Track Select

Location

[0001:01.000…9999:16.191]

This displays the current location within the selected cue
list.
From the left, the numbers indicate the measure, beat, and
clock. Each can be set separately, and this will change the
current location within the cue list.
The range of the beat and clock will depend on the time sig-
nature of the corresponding song.

When “MIDI Clock” (Global P1: 1–1a) is Internal, a
Song Position Pointer message will be transmitted each
time you change the location within the cue list. If
“MIDI Clock” is set to External MIDI or External USB,
and “Receive Ext. Realtime Commands” (Global P1: 1–
1a) is turned on, receiving a Song Position Pointer mes-
sage from the specified source will cause the location to
change.
If the location exceeds the allowable data range of a
Song Position Pointer message, it will not be transmit-
ted.

Sequencer P1: Cue List

1–1

1–1a

1–1c

1–1b

1–1d