L-Acoustics LA12X User Manual Download

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Technical description

Signal processing and amplication

Signal inputs

The LA12X features four input connectors allowing it to receive four analog signals, four digital signals, or two analog

and two digital signals, depending on the input mode selected by the user — see section

INPUT MODE

(p.44). This

architecture also allows digital-to-analog or digital-to-digital fallback.

Analog inputs

The LA12X can be fed with up to four balanced analog audio signals using XLR female input connectors ANALOG IN A

to ANALOG IN D — see illustration in section

Front and rear panels

(p.11). Each analog input port is ESD protected.

The analog input panel also features four XLR male link connectors passively wired to the input connectors. They allow

transmitting the input signals to daisy-chained amplied controllers. Each analog link port is ESD protected.
To be processed by the DSP, the analog signal must be converted into a digital signal. For this purpose, the LA12X

amplied controller is tted with four cascaded 24-bit A/D converters with a sampling rate of 96 kHz allowing an

encoding dynamic range of 130 dB.

AES/EBU digital inputs

The LA12X can be fed with up to four AES/EBU digital audio signals (transported in pairs) using XLR input connectors

AES/EBU IN A&B and AES/EBU IN C&D.
Each AES/EBU input port is an XLR female connector. The audio signals can come from a digital mixing desk or a digital

audio network bridge compliant with the AES/EBU (AES3) digital audio standards. Each AES/EBU input port is ESD

protected and transformer balanced.
The AES/EBU input panel also features two XLR male link ports actively connected to the input ports (with failsafe relay in

case of mains absence). They allow transmitting the input signals to daisy-chained amplied controllers. Each AES/EBU

link port is ESD protected and transformer balanced.
Each AES/EBU input port is equipped with a SRC (Sample Rate Converter) that has been selected to support a wide

range of input formats (16 - 24 bits / 44.1 - 192 kHz). It converts them to the 24 bits/96 kHz internal format used by

the amplied controller. The SRC is a high-quality hardware component (140 dB dynamic range, THD+N < -120 dBfs,

strong input jitter attenuation) and provides constant propagation delay regardless of the input sampling frequency. There

is no external synchronization mode. The amplied controller’s clock always runs using its high-precision internal quartz

at 96 kHz. This ensures low jitter and high audio quality in live conditions (large cable lengths, large number of amplied

controllers) while preventing phase shift, as required for line source systems.

Digital domain benets

Keeping the signal in the digital domain will provide the following benets (with any digital mixing desk or any

audio network) compared to the analog signal distribution:

Better audio quality by removing one D/A - A/D cycle
Better dynamics thanks to the digital links’ immunity to ground loops
Optimized level chain by removing the risk of level misalignment between console and amplied controllers
Digital signal refreshed at each amplied controller in a daisy-chain
Improved maximum cable length. The LA12X has been tested with up to 305 m/1000 ft of 3 models of AES/

EBU rated cables: 1696A from BELDEN INC., OT234H from KLOTZ communications GmbH, and SC-BINARY

234 from SOMMER CABLE GmbH (single cuts, digital source signal running at Fs = 48 kHz)

LA12X user manual (en) version 2.0