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Concept

 

Concept Manual 

10

Mic/Line channel

5A) HI

5C) LO

5)   EQUALISATION

5C

Each mono channel has an 'insert' via a stereo jack socket,wired to the tip send 
,ring return convention . Effects units can be inserted here and enter the signal 
path post 'gain' but pre-eq.Reverbs/compressors feedback eliminators etc can be 
inserted here

3)   INSERTS

The balanced line inputs are for all balanced/unbalanced line level signals from 
keyboards, drum machines,tape machines and DI boxes. (eg; from guitars and 
basses)

2)   LINE INPUT  (JACK)

Phantom powering is available to all 'mic' inputs for use with  condenser 
microphones

       PHANTOM POWER

1

4)   GAIN

Adjusts the level of the input signal into the channel.
It should be set so that the input signal is not buried in noise but not too high so 
that clipping ocurrs,the peak lamp will illuminate to indicate this.

5B) Mid (gain + freq)

On Mic/Line channels there is a three band EQ system with a swept mid control
Cut and boost is provided in each band and a variable frequency control for the mid 
control.

High/Treble frequencies can  boosted or cut by this control.Sources that fall in this 
range are cymbals,soprano vocals and keys above top C on a keyboard.   

Mid range frequencies can be boosted or cut by this control.The frequency of cut is 
adjustable from approx middle C and up 3 octaves.Music sources which fall in this 
range are most Vocals ,lead/rythmn guitar , keyboard parts and brass sections.

Low/Bass frequencies can be boost or cut by this control such as bass guitar,kick 
drums,deep[ vocals and keys below middle C on a keyboard.

3

4

2

5A

5B

1)   MIC INPUT (XLR)

The input socket has been designed to accept both balanced and 
unbalanced signals from microphones with an XLR input connector. 
Good quality low impedance condenser or dynamic mic's should 
preferably be used for best effect, these will ensure the best possible 
results from hand held vocals or closely mic'd  instruments.  

      WARNING

Phantom power must always be switched off when using unbalanced sources since 
the voltage present on the connector may damage you microphones
The phantom power switch is above the Power lamp on the front panel

Always connect your condenser microphones before switching the +48V Phantom 
Power On.

GAIN

GAIN

HI

HI

MID

MID

EQ

EQ

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

PEAK

PEAK

PFL

PFL

PAN

PAN

DIGI FX

DIGI FX

AUX 1

AUX 1

FX

FX

MON

MON

LO

LO

GAIN

GAIN

FREQ

FREQ

LINE

LINE

INSERT

INSERT

Summary of Contents for CONCEPT 10

Page 1: ...Laney Series Mixing Consoles Concept 10 Concept 16 USER MANUAL...

Page 2: ...ept 10 16 Quick Start Diagrams Concept 10 16 Features Mic Line Channel Information Mic Line channel information cont Mic Stereo channel information Auxiliary Output information Auxiliary Input informa...

Page 3: ...sit carton since in the unlikely event that some time in the future your unit should develop a fault you will be able to return it to your dealer for rectification securely packed Your mixer is suppli...

Page 4: ...30 30 PEAK PEAK PFL PFL PAN PAN DIGI FX DIGI FX AUX 1 AUX 1 FX FX MON MON LO LO GAIN GAIN FREQ FREQ MIC MIC GAIN GAIN HI HI MID MID EQ EQ 10 10 6 6 0dB 0dB 6 6 10 10 20 20 30 30 PEAK PEAK PFL PFL PAN...

Page 5: ...changes the input signal this is just like the tone controls on your Hi Fi but with more knobs The controls are labelled Hi Mid gain Frequency and Lo controls 3 It lets you send the signal to places o...

Page 6: ...t by varying amounts A graphic equaliser is provided allowing the overall sound of your mix to be fine tuned Feedback As you set up your mix you will probably have problems with feedback This occurs w...

Page 7: ...volume level be controlled from the your mixer This slave amp could be used for the connection of a subwoofers active loudspeaker or speakers in another room The line outs always have the left and rig...

Page 8: ...INSERT INSERT LINE LINE INSERT INSERT LINE LINE INSERT INSERT LINE LINE INSERT INSERT connect tape DAT machine here for recording connect tape DAT machine here for recording connect tape DAT CD here f...

Page 9: ...OWER CORD BEFORE REMOVING TOP COVER POWER FUSE RATING POWER FUSE RATING 220V 230V 240V T5A 220V 230V 240V T5A 100 120V 100 120V T10A T10A CAUTION REFER TO USER MANUAL BEFORE USING THIS MANUAL CAUTION...

Page 10: ...n this range are cymbals soprano vocals and keys above top C on a keyboard Mid range frequencies can be boosted or cut by this control The frequency of cut is adjustable from approx middle C and up 3...

Page 11: ...l sent to the built in digital effects processor The signal can then be DIGI FX PAN Assigns Pans the channel signal across the left and right master outputs the signal being sent equally left and righ...

Page 12: ...quencies can be boost or cut by this control such as bass guitar kick drums deep vocals and keys below middle C on a keyboard WARNING Phantom power must always be switched off when using unbalanced so...

Page 13: ...listen switch when depressed directs the pre fader channel signal to the right hand bargraph VU display and headphones allowing channel Gain to be set and cued This is non destructive so may be used...

Page 14: ...ape to master PFL monitoring of the tape to master signal is provided A Stereo Auxiliary Input for use as an FX return or as an additional stereo input Stereo signals can be input either on a stereo j...

Page 15: ...and on the right meter Normally the signal to the Power amps comes from the L R Masters If required the Monitor signal can be routed to one of the left power amps by enabling the Monitor to Left Amp s...

Page 16: ...EFT or MONITOR when the MON TO LEFT AMP switch is enabled A Graphic Equaliser is provided for fine tuning of mixes and room acoustics Centre frequencies are 80Hz 200Hz 430Hz 1 2KHz 2 2KHz 5 5KHz and 1...

Page 17: ...S DO NOT OBSTRUCT INLET VENTS MINIMUM LOAD 4 OHMS MINIMUM LOAD 4 OHMS PIN 1GROUND PIN 1GROUND PIN 1 SIGNAL PIN 1 SIGNAL SPEAKER OUTPUTS SPEAKER OUTPUTS RIGHT RIGHT CHANNEL CHANNEL LEFT LEFT CHANNEL CH...

Page 18: ...MIC STEREO CHANNELS Stereo Gain 24dB Input overload 50V Mic Input identical to mic amp on stereo channels Gain Max 60dB 10dB fader buffer Gain Min 0dB 10dB fader buffer E I N 128dB 150R source Z EQ HI...

Page 19: ...Concept Concept Manual FURTHER NOTES...

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