Concept
Concept Manual
12
mic/stereo channel
5A)
HI
5A)
LO
5) EQUALISATION
Phantom powering is available to all 'mic' inputs for use with condenser
microphones
PHANTOM POWER
12)
13)
14)
15)
Adjusts the level of the Stereo input signal into the channel.
It should be set so that the input signal is not buried in noise but not too
high so that clipping ocurrs,the peak lamp will illuminate to indicate this.
Adjusts the level of the Microphone input signal into the channel.
It should be set so that the input signal is not buried in noise but not too
high so that clipping ocurrs,the peak lamp will illuminate to indicate this.
5B)
MID
On Mic/Stereo channels there is a three band EQ system
Cut and boost is provided in each band
High/Treble frequencies can boosted or cut by this control.Sources that fall
in this range are cymbals,`high pitch vocals' and keys above top C on a
keyboard.
Mid range frequencies can be boosted or cut by this control.Music sources
which fall in this range are most Vocals ,lead/rythmn guitar , keyboard parts
and brass sections.
Low/Bass frequencies can be boost or cut by this control such as bass
guitar,kick drums,deep[ vocals and keys below middle C on a keyboard.
WARNING
Phantom power must always be switched off when using unbalanced
sources since the voltage present on the connector may damage you
microphones
The phantom power switch is above the Power lamp on the front panel
Always connect your condenser microphones before switching the +48V
MIC GAIN
STEREO LINE INPUTS
Each stereo channel has two input jack sockets, one stereo / left and the
other mono/ right and each will accept unbalanced line level sources such
as keyboards, tape machines and any line level source.
LINE GAIN
1) MIC INPUT (XLR)
The input socket has been designed to accept both balanced and
unbalanced signals from microphones with an XLR input connector.
Good quality low impedance condenser or dynamic mic's should
preferably be used for best effect, these will ensure the best possible
results from hand held vocals or closely mic'd instruments.
LEFT
LEFT
RIGHT
RIGHT
MIC
GAIN
MIC
GAIN
MONO
MONO
EQ
EQ
+10
+10
+6
+6
0dB
0dB
-6
-6
-10
-10
-20
-20
-30
-30
PEAK
PEAK
PFL
PFL
BAL
BAL
DIGI FX
DIGI FX
AUX 1
AUX 1
FX
FX
MON
MON
LO
LO
STEREO
STEREO
LINE
GAIN
LINE
GAIN
HF
HF
MID
MID
MIC
MIC
1
1
12
12
13
13
14
14
15
15
5A
5A
5B
5B
5C
5C
