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Concept

 

Concept Manual 

15

PFL

PFL

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

L             R

L             R

TAPE
OUT

TAPE
OUT

MON

MON

AUX 1

AUX 1

TAPE OUT
LEVEL

TAPE OUT
LEVEL

AUX 1
MASTER SEND

AUX 1
MASTER SEND

HEADPHONES

HEADPHONES

PFL ACTIVE

PFL ACTIVE

MON TO
LEFT AMP

MON TO
LEFT AMP

FREQ

FREQ

CUT

CUT

MONITOR

MONITOR

Auxiliary Outputs

TAPE OUTPUT

Controls the signal level at the tape out sockets on the facia and the 
line out sockets on the rear.The signal adjusted by this control is the 
signal taken from the master mutes i.e. always the L + R Masters.
The Tape Outs are provided for the connection of 
Tape/DAT/MD/DCC machines for recording purpose but equaly 
could be used for connection to a Hi-Fi amp with Phono /RCA type 
connectors
The Line outs are provided for connection of slave amplifiers should 
additional speakers need to be connected

Controls the overall signal level at the Aux 1 output.
The signal prior to this level control comes from all the Aux 1 
controls on the input channels.The Aux 1 output is a line level 
output suitable for connection to external effects processors.Their 
outputs normaly being returned via the Stereo Auxiliary.

Adjusts the headphone volume level
The signal on the headphones is the same signal being sent to the 
power amplifiers
When PFL is enabled the channel/channels which have been 
PFL'ed signal is present on the headphones.

Indicates that a PFL signal is present in the headphones and on the 
right meter

Normally the signal to the Power amps comes from the L + R 
Masters.If required the Monitor signal can be routed to one of the 
left power amps by enabling the Monitor to Left Amp switch.When 
the Monitor to Left Amp switch is enabled the Master L + R signal is 
summed to together (mono) and is sent to the right power amp.
When this switch is enabled lamps illuminate by the switch and at 
the base of the left meter.
Should the Stereo L+R Master be needed when Monitor to Left 
Amp is enabled it available at the Line Outs and Tape Out.

The MONITOR signal output.The signal here is a line level output 
suitable for connection to an external power amplifier.The signal 
level is controlled by the Monitor fader.

These controls form a notch filter for the reduction of feedback on 
the monitors.  If feedback occurs apply some cut, which should be 
swept up and down using the frequency control until the frequency 
is found, more cut can be applied to reduce feedback further if 
required.

Phono (RCA) sockets are provided for the connection of 
tape / DAT machines for recording.  The signal level is 
controlled by the Line out/Tape out level control.

This is the Aux 1signal output.  Signal is sent here by all the 
Channel Aux 1 controls .The master control for the Aux 1 output 
level  is the Aux 1 Master Send Control.The signal level is a line 
level signal designed for the connection to external effects 
processors

AUXILIARY 1

LINE OUT/TAPE OUTPUT LEVEL

MONITOR

AUXILIARY 1 MASTER SEND

HEADPHONE LEVEL

PFL ACTIVE

MONITOR TO LEFT AMP

FREQUENCY
CUT

27

28

29

30

31

32

33

34

35

36

10

11

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Summary of Contents for CONCEPT 10

Page 1: ...Laney Series Mixing Consoles Concept 10 Concept 16 USER MANUAL...

Page 2: ...ept 10 16 Quick Start Diagrams Concept 10 16 Features Mic Line Channel Information Mic Line channel information cont Mic Stereo channel information Auxiliary Output information Auxiliary Input informa...

Page 3: ...sit carton since in the unlikely event that some time in the future your unit should develop a fault you will be able to return it to your dealer for rectification securely packed Your mixer is suppli...

Page 4: ...30 30 PEAK PEAK PFL PFL PAN PAN DIGI FX DIGI FX AUX 1 AUX 1 FX FX MON MON LO LO GAIN GAIN FREQ FREQ MIC MIC GAIN GAIN HI HI MID MID EQ EQ 10 10 6 6 0dB 0dB 6 6 10 10 20 20 30 30 PEAK PEAK PFL PFL PAN...

Page 5: ...changes the input signal this is just like the tone controls on your Hi Fi but with more knobs The controls are labelled Hi Mid gain Frequency and Lo controls 3 It lets you send the signal to places o...

Page 6: ...t by varying amounts A graphic equaliser is provided allowing the overall sound of your mix to be fine tuned Feedback As you set up your mix you will probably have problems with feedback This occurs w...

Page 7: ...volume level be controlled from the your mixer This slave amp could be used for the connection of a subwoofers active loudspeaker or speakers in another room The line outs always have the left and rig...

Page 8: ...INSERT INSERT LINE LINE INSERT INSERT LINE LINE INSERT INSERT LINE LINE INSERT INSERT connect tape DAT machine here for recording connect tape DAT machine here for recording connect tape DAT CD here f...

Page 9: ...OWER CORD BEFORE REMOVING TOP COVER POWER FUSE RATING POWER FUSE RATING 220V 230V 240V T5A 220V 230V 240V T5A 100 120V 100 120V T10A T10A CAUTION REFER TO USER MANUAL BEFORE USING THIS MANUAL CAUTION...

Page 10: ...n this range are cymbals soprano vocals and keys above top C on a keyboard Mid range frequencies can be boosted or cut by this control The frequency of cut is adjustable from approx middle C and up 3...

Page 11: ...l sent to the built in digital effects processor The signal can then be DIGI FX PAN Assigns Pans the channel signal across the left and right master outputs the signal being sent equally left and righ...

Page 12: ...quencies can be boost or cut by this control such as bass guitar kick drums deep vocals and keys below middle C on a keyboard WARNING Phantom power must always be switched off when using unbalanced so...

Page 13: ...listen switch when depressed directs the pre fader channel signal to the right hand bargraph VU display and headphones allowing channel Gain to be set and cued This is non destructive so may be used...

Page 14: ...ape to master PFL monitoring of the tape to master signal is provided A Stereo Auxiliary Input for use as an FX return or as an additional stereo input Stereo signals can be input either on a stereo j...

Page 15: ...and on the right meter Normally the signal to the Power amps comes from the L R Masters If required the Monitor signal can be routed to one of the left power amps by enabling the Monitor to Left Amp s...

Page 16: ...EFT or MONITOR when the MON TO LEFT AMP switch is enabled A Graphic Equaliser is provided for fine tuning of mixes and room acoustics Centre frequencies are 80Hz 200Hz 430Hz 1 2KHz 2 2KHz 5 5KHz and 1...

Page 17: ...S DO NOT OBSTRUCT INLET VENTS MINIMUM LOAD 4 OHMS MINIMUM LOAD 4 OHMS PIN 1GROUND PIN 1GROUND PIN 1 SIGNAL PIN 1 SIGNAL SPEAKER OUTPUTS SPEAKER OUTPUTS RIGHT RIGHT CHANNEL CHANNEL LEFT LEFT CHANNEL CH...

Page 18: ...MIC STEREO CHANNELS Stereo Gain 24dB Input overload 50V Mic Input identical to mic amp on stereo channels Gain Max 60dB 10dB fader buffer Gain Min 0dB 10dB fader buffer E I N 128dB 150R source Z EQ HI...

Page 19: ...Concept Concept Manual FURTHER NOTES...

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