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Concept

 

Concept Manual 

4

Laney

SPECIAL FEATURES

Laney have been established in audio 

amplification for over twenty five years, during 

which time it has firmly established itself as a 

benchmark for audio products.

Feedback from musicians and recording 

engineers, supported by original design ingenuity, 

are the parameters applied by Laney's 

development engineers to all new products.

Concept mixers  explained within this manual are 

easy to use but incorporate features which make 

advanced set ups easy in any role.

Sub-mixing     -   Main P.A.   -  Monitors   

 The mixers in this manual have a combination of 

Mic/line inputs and Mic/Stereo channels for extra 

flexibility. 

PFL

PFL

PFL

PFL

PFL

PFL

8dB

8dB

8dB

8dB

4dB

4dB

0dB

0dB

4dB

4dB

0dB

0dB

-6

-6

-10

-10

-16

-16

-20

-20

-30

-30

-40

-40

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

PEAK

PEAK

PFL

PFL

MON

MON

STEREO

STEREO

LEFT

LEFT

RIGHT

RIGHT

MIC
GAIN

MIC
GAIN

MONO

MONO

MIC

MIC

EQ

EQ

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

PEAK

PEAK

PFL

PFL

PAN

PAN

DIGI FX

DIGI FX

AUX 1

AUX 1

FX

FX

MON

MON

LO

LO

STEREO

STEREO

LINE 
GAIN

LINE 
GAIN

HF

HF

MID

MID

MIC

MIC

GAIN

GAIN

HI

HI

MID

MID

EQ

EQ

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

PEAK

PEAK

PFL

PFL

PAN

PAN

DIGI FX

DIGI FX

AUX 1

AUX 1

FX

FX

MON

MON

LO

LO

GAIN

GAIN

FREQ

FREQ

MIC

MIC

GAIN

GAIN

HI

HI

MID

MID

EQ

EQ

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

PEAK

PEAK

PFL

PFL

PAN

PAN

DIGI FX

DIGI FX

AUX 1

AUX 1

FX

FX

MON

MON

LO

LO

GAIN

GAIN

FREQ

FREQ

MIC

MIC

GAIN

GAIN

HI

HI

MID

MID

EQ

EQ

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

PEAK

PEAK

PFL

PFL

PAN

PAN

DIGI FX

DIGI FX

AUX 1

AUX 1

FX

FX

MON

MON

LO

LO

GAIN

GAIN

FREQ

FREQ

MIC

MIC

GAIN

GAIN

HI

HI

MID

MID

EQ

EQ

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

PEAK

PEAK

PFL

PFL

PAN

PAN

DIGI FX

DIGI FX

AUX 1

AUX 1

FX

FX

MON

MON

LO

LO

GAIN

GAIN

FREQ

FREQ

MIC

MIC

LINE

LINE

INSERT

INSERT

GAIN

GAIN

HI

HI

MID

MID

EQ

EQ

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

PEAK

PEAK

PFL

PFL

PAN

PAN

DIGI FX

DIGI FX

AUX 1

AUX 1

FX

FX

MON

MON

LO

LO

GAIN

GAIN

FREQ

FREQ

MIC

MIC

GAIN

GAIN

HI

HI

MID

MID

EQ

EQ

+10

+10

+6

+6

0dB

0dB

-6

-6

-10

-10

-20

-20

-30

-30

PEAK

PEAK

PFL

PFL

PAN

PAN

DIGI FX

DIGI FX

AUX 1

AUX 1

FX

FX

MON

MON

LO

LO

GAIN

GAIN

FREQ

FREQ

LEFT

LEFT

RIGHT

RIGHT

MIC
GAIN

MIC
GAIN

EQ

EQ

0dB

0dB

-6

-6

-10

-10

-16

-16

-20

-20

-30

-30

-40

-40

0dB

0dB

-6

-6

-10

-10

-16

-16

-20

-20

-30

-30

-40

-40

PFL

PFL

PAN

PAN

DIGI FX

DIGI FX

AUX 1

AUX 1

FX

FX

MON

MON

LO

LO

MONO

MONO

LINE 
GAIN

LINE 
GAIN

HF

HF

MID

MID

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

L             R

L             R

LEFT

LEFT

RIGHT

RIGHT

MONO

MONO

STEREO

STEREO

L             R

L             R

STEREO AUXILIARY
    /TAPE INPUT

STEREO AUXILIARY
    /TAPE INPUT

TAPE
OUT

TAPE
OUT

STEREO AUXILIARY

STEREO AUXILIARY

MON

MON

BAL

BAL

FADER

FADER

MUTE

MUTE

MUTE

MUTE

AUX 1

AUX 1

LINE OUT/
TAPE OUT
LEVEL

LINE OUT/
TAPE OUT
LEVEL

AUX 1
MASTER SEND

AUX 1
MASTER SEND

POWER

POWER

HEADPHONES

HEADPHONES

PFL ACTIVE

PFL ACTIVE

STEREO AUXILIARY
   /TAPE INPUT

STEREO AUXILIARY
   /TAPE INPUT

TO
MON

TO
MON

TO 
MASTER

TO 
MASTER

     48V
PHANTOM

     48V
PHANTOM

MON TO
LEFT AMP

MON TO
LEFT AMP

FREQ

FREQ

CUT

CUT

8dB

8dB

8dB

8dB

4dB

4dB

0dB

0dB

4dB

4dB

4dB

4dB

8dB

8dB

8dB

8dB

4dB

4dB

0dB

0dB

4dB

4dB

8dB

8dB

8dB

8dB

4dB

4dB

0dB

0dB

GRAPHIC EQUALISER

GRAPHIC EQUALISER

RIGHT CHANNEL

RIGHT CHANNEL

LEFT / MONITOR

LEFT / MONITOR

NON ACTIVE

NON ACTIVE

PFL ACTIVE

PFL ACTIVE

ATTENUATION

ATTENUATION

POWER
AMP
LEVEL

POWER
AMP
LEVEL

PEAK

PEAK

INPUT
LEVEL

INPUT
LEVEL

PROGRAM

PROGRAM

MON

MON

1

1

2

2

3

3

4

4

5

5

6

6

7

7

8

8

9

9

10

10

MONITOR

MONITOR

LEFT

LEFT

RIGHT

RIGHT

EFFECTS

EFFECTS

LINE

LINE

INSERT

INSERT

LINE

LINE

INSERT

INSERT

LINE

LINE

INSERT

INSERT

LINE

LINE

INSERT

INSERT

LINE

LINE

INSERT

INSERT

+6dB

+6dB

+3dB

+3dB

0dB

0dB

-3dB

-3dB

-6dB

-6dB

-9dB

-9dB

-12dB

-12dB

-15dB

-15dB

-18dB

-18dB

-21dB

-21dB

+6dB

+6dB

+3dB

+3dB

0dB

0dB

-3dB

-3dB

-6dB

-6dB

-9dB

-9dB

-12dB

-12dB

-15dB

-15dB

-18dB

-18dB

-21dB

-21dB

LEFT/
MON

LEFT/
MON

RIGHT/
PFL

RIGHT/
PFL

TIME

TIME

6 or 10 Mic/Line channels

2 or 3 Mic/Stereo channels

2 * 300 Watt Output Power

7 Band Graphic EQ

On Board Digital Reverb

Phantom Power

3 Band EQ

Mon/Aux 1/Digifx sends

Pfl and Peak Facilities

Summary of Contents for CONCEPT 10

Page 1: ...Laney Series Mixing Consoles Concept 10 Concept 16 USER MANUAL...

Page 2: ...ept 10 16 Quick Start Diagrams Concept 10 16 Features Mic Line Channel Information Mic Line channel information cont Mic Stereo channel information Auxiliary Output information Auxiliary Input informa...

Page 3: ...sit carton since in the unlikely event that some time in the future your unit should develop a fault you will be able to return it to your dealer for rectification securely packed Your mixer is suppli...

Page 4: ...30 30 PEAK PEAK PFL PFL PAN PAN DIGI FX DIGI FX AUX 1 AUX 1 FX FX MON MON LO LO GAIN GAIN FREQ FREQ MIC MIC GAIN GAIN HI HI MID MID EQ EQ 10 10 6 6 0dB 0dB 6 6 10 10 20 20 30 30 PEAK PEAK PFL PFL PAN...

Page 5: ...changes the input signal this is just like the tone controls on your Hi Fi but with more knobs The controls are labelled Hi Mid gain Frequency and Lo controls 3 It lets you send the signal to places o...

Page 6: ...t by varying amounts A graphic equaliser is provided allowing the overall sound of your mix to be fine tuned Feedback As you set up your mix you will probably have problems with feedback This occurs w...

Page 7: ...volume level be controlled from the your mixer This slave amp could be used for the connection of a subwoofers active loudspeaker or speakers in another room The line outs always have the left and rig...

Page 8: ...INSERT INSERT LINE LINE INSERT INSERT LINE LINE INSERT INSERT LINE LINE INSERT INSERT connect tape DAT machine here for recording connect tape DAT machine here for recording connect tape DAT CD here f...

Page 9: ...OWER CORD BEFORE REMOVING TOP COVER POWER FUSE RATING POWER FUSE RATING 220V 230V 240V T5A 220V 230V 240V T5A 100 120V 100 120V T10A T10A CAUTION REFER TO USER MANUAL BEFORE USING THIS MANUAL CAUTION...

Page 10: ...n this range are cymbals soprano vocals and keys above top C on a keyboard Mid range frequencies can be boosted or cut by this control The frequency of cut is adjustable from approx middle C and up 3...

Page 11: ...l sent to the built in digital effects processor The signal can then be DIGI FX PAN Assigns Pans the channel signal across the left and right master outputs the signal being sent equally left and righ...

Page 12: ...quencies can be boost or cut by this control such as bass guitar kick drums deep vocals and keys below middle C on a keyboard WARNING Phantom power must always be switched off when using unbalanced so...

Page 13: ...listen switch when depressed directs the pre fader channel signal to the right hand bargraph VU display and headphones allowing channel Gain to be set and cued This is non destructive so may be used...

Page 14: ...ape to master PFL monitoring of the tape to master signal is provided A Stereo Auxiliary Input for use as an FX return or as an additional stereo input Stereo signals can be input either on a stereo j...

Page 15: ...and on the right meter Normally the signal to the Power amps comes from the L R Masters If required the Monitor signal can be routed to one of the left power amps by enabling the Monitor to Left Amp s...

Page 16: ...EFT or MONITOR when the MON TO LEFT AMP switch is enabled A Graphic Equaliser is provided for fine tuning of mixes and room acoustics Centre frequencies are 80Hz 200Hz 430Hz 1 2KHz 2 2KHz 5 5KHz and 1...

Page 17: ...S DO NOT OBSTRUCT INLET VENTS MINIMUM LOAD 4 OHMS MINIMUM LOAD 4 OHMS PIN 1GROUND PIN 1GROUND PIN 1 SIGNAL PIN 1 SIGNAL SPEAKER OUTPUTS SPEAKER OUTPUTS RIGHT RIGHT CHANNEL CHANNEL LEFT LEFT CHANNEL CH...

Page 18: ...MIC STEREO CHANNELS Stereo Gain 24dB Input overload 50V Mic Input identical to mic amp on stereo channels Gain Max 60dB 10dB fader buffer Gain Min 0dB 10dB fader buffer E I N 128dB 150R source Z EQ HI...

Page 19: ...Concept Concept Manual FURTHER NOTES...

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