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Concept

 

10/16

 

Quick

 

Start

 

Guide

This is a quick start guide so you can be using you mixer sooner rather than later - you can 
then refer to the detailed description later in this manual when you need.

2 diagrams are provided to supplement this information following these tips

Plugging

 

in

 

!

Connect power to your mixer - always a good start !
Switch On - 
Connect all you input signals Mics/DI's/Keyboards/Tape machines to there relevant input 
channels
Connect your condenser Mics before enabling Phantom power
**Do not connect dynamic Mics or unbalanced sources to mic inputs when Phantom power is 
enabled otherwise damage may occur to your them or your mixer**
Its a good idea to label up each channel strip, so you know what is connected where - this can 
be done in chinagraph in the `write on' areas or use a piece of masking tape along the front 
edge of the mixer (the old favourite)
Its always good practice to start work on mixer with all gain controls at minimum ,all faders at 
minimum and all EQ set flat.

Input

 

Channel

Do not be intimidated by the input channels on your mixer as it's function is very simple:-
1)The gain control - makes little signals big, so they are as far above noise as possible but not 
so high that the signal is clipped - the peak led illuminates when clipping is near.
2)The EQ section -  tonally changes the input signal , this is just like the tone controls on your 
Hi -Fi but with more knobs. The controls are labelled-Hi , Mid(gain + Frequency) and Lo 
controls 
3)It lets you send the signal to places of use e.g.  A Monitor send for a vocalists/Musician
Aux 1 and Digifx if you want to add echo/reverb to a signal. These send controls are labelled 
Mon, Aux 1 and Digifx
4)You can adjust the signals position in the stereo image using the Pan control.
5)Fader - this controls the signal level being sent to Masters

Setting

  

the

 

gain

 

on

 

an

 

Input

 

Channel

By now you will have connected your input signals to your mixer and be ready to set your input 
gain controls.
1)Enable Pfl on the channel which you wish to set up - the right meter shows the signal level in 
that channel and the channels signal appears on the headphones
2)Tell the vocalist/musician to play - while he plays you should set the channel gain control so 
that 0dB to +6dB will illuminate on signal peaks
3)Increase the channel fader to between -10 and OdB and then increase the masters faders to 
a level which is a satisfactory volume - power amp level control should be about  -6db.
4)This point is a good time to set the EQ - remember if you boost a lot you will have to reset 
the input gain control as described in 2)

FX

Certain instruments will benefit from the addition of some form of effect for instance snares can 
be made sound `bigger' with the addition of a reverb or maybe a vocal could be thickened up 
with a bit of delay.

Concept

 

Concept Manual 

5

Summary of Contents for CONCEPT 10

Page 1: ...Laney Series Mixing Consoles Concept 10 Concept 16 USER MANUAL...

Page 2: ...ept 10 16 Quick Start Diagrams Concept 10 16 Features Mic Line Channel Information Mic Line channel information cont Mic Stereo channel information Auxiliary Output information Auxiliary Input informa...

Page 3: ...sit carton since in the unlikely event that some time in the future your unit should develop a fault you will be able to return it to your dealer for rectification securely packed Your mixer is suppli...

Page 4: ...30 30 PEAK PEAK PFL PFL PAN PAN DIGI FX DIGI FX AUX 1 AUX 1 FX FX MON MON LO LO GAIN GAIN FREQ FREQ MIC MIC GAIN GAIN HI HI MID MID EQ EQ 10 10 6 6 0dB 0dB 6 6 10 10 20 20 30 30 PEAK PEAK PFL PFL PAN...

Page 5: ...changes the input signal this is just like the tone controls on your Hi Fi but with more knobs The controls are labelled Hi Mid gain Frequency and Lo controls 3 It lets you send the signal to places o...

Page 6: ...t by varying amounts A graphic equaliser is provided allowing the overall sound of your mix to be fine tuned Feedback As you set up your mix you will probably have problems with feedback This occurs w...

Page 7: ...volume level be controlled from the your mixer This slave amp could be used for the connection of a subwoofers active loudspeaker or speakers in another room The line outs always have the left and rig...

Page 8: ...INSERT INSERT LINE LINE INSERT INSERT LINE LINE INSERT INSERT LINE LINE INSERT INSERT connect tape DAT machine here for recording connect tape DAT machine here for recording connect tape DAT CD here f...

Page 9: ...OWER CORD BEFORE REMOVING TOP COVER POWER FUSE RATING POWER FUSE RATING 220V 230V 240V T5A 220V 230V 240V T5A 100 120V 100 120V T10A T10A CAUTION REFER TO USER MANUAL BEFORE USING THIS MANUAL CAUTION...

Page 10: ...n this range are cymbals soprano vocals and keys above top C on a keyboard Mid range frequencies can be boosted or cut by this control The frequency of cut is adjustable from approx middle C and up 3...

Page 11: ...l sent to the built in digital effects processor The signal can then be DIGI FX PAN Assigns Pans the channel signal across the left and right master outputs the signal being sent equally left and righ...

Page 12: ...quencies can be boost or cut by this control such as bass guitar kick drums deep vocals and keys below middle C on a keyboard WARNING Phantom power must always be switched off when using unbalanced so...

Page 13: ...listen switch when depressed directs the pre fader channel signal to the right hand bargraph VU display and headphones allowing channel Gain to be set and cued This is non destructive so may be used...

Page 14: ...ape to master PFL monitoring of the tape to master signal is provided A Stereo Auxiliary Input for use as an FX return or as an additional stereo input Stereo signals can be input either on a stereo j...

Page 15: ...and on the right meter Normally the signal to the Power amps comes from the L R Masters If required the Monitor signal can be routed to one of the left power amps by enabling the Monitor to Left Amp s...

Page 16: ...EFT or MONITOR when the MON TO LEFT AMP switch is enabled A Graphic Equaliser is provided for fine tuning of mixes and room acoustics Centre frequencies are 80Hz 200Hz 430Hz 1 2KHz 2 2KHz 5 5KHz and 1...

Page 17: ...S DO NOT OBSTRUCT INLET VENTS MINIMUM LOAD 4 OHMS MINIMUM LOAD 4 OHMS PIN 1GROUND PIN 1GROUND PIN 1 SIGNAL PIN 1 SIGNAL SPEAKER OUTPUTS SPEAKER OUTPUTS RIGHT RIGHT CHANNEL CHANNEL LEFT LEFT CHANNEL CH...

Page 18: ...MIC STEREO CHANNELS Stereo Gain 24dB Input overload 50V Mic Input identical to mic amp on stereo channels Gain Max 60dB 10dB fader buffer Gain Min 0dB 10dB fader buffer E I N 128dB 150R source Z EQ HI...

Page 19: ...Concept Concept Manual FURTHER NOTES...

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