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Concept

 

Concept Manual 

6

6

You can send signals to FX using the Aux 1 and Digifx controls on the channels .

The Aux 1 master send control adjusts the overall level sent to external FX units via the
Aux 1 output socket . Signals from external FX units should be returned by the Stereo
auxiliary - a rotary fader is then used to control the level of FX signal sent to masters, 
enabling a mix to established between FX signal and signal without FX 

The Digifx control sends signals to the Digifx section. The input level control on the DigiFx 
should be set so the Peak light in the DigiFx section is just prior to it illuminating, like the Stereo 
auxiliary, a fader is provided to control the FX signal sent to the masters.

Time

 

to

 

mix

One way to do this is to increase all the input channels to approx. -10dB to 0dB.
Ask the band to play, Increase the master faders for to a satisfactory volume level.
Adjust the input channel faders so there level relative to other instruments sounds good - e.g. 
the keyboard player does not sound louder than the lead vocalist.

You can also adjust the position of an instrument in the stereo image - e.g. to bring a vocalist 
out in the mix, you could pan all other signals Left or Right by varying amounts.

A graphic equaliser is provided allowing the overall sound of your mix to be fine tuned .

Feedback

As you set up your mix you will probably have problems with feedback.
This occurs when microphones pick up sound from the loudspeakers creating a loud 
whistling/howling sound - very disturbing
Here are a few ways to prevent this
1)make sure the sound from the speakers ,connected to your Mixers speaker outs, cannot be 
picked up by microphones .( speakers are best in front +  facing away from the band)
2)Keep the faders down on microphones which are not needed.
3)Try to cut rather than boost when using any EQ.
4)If feedback does occur use the channel EQ /graphic EQ to stop it, this can be done by cutting 
at the frequency which the feedback occurs.
A feedback filter is provided on the monitor send

Recording

If you want to record your mix a tape out is provided to connect to tape/DAT/MD/DCC 
machines.  The line out / tape out level controls the level sent to the tape machine.

Finally................

Following this section follows more some quick set-up diagrams and more detailed information 
about your Concept mixer's facilities.

                                                 

Good

 

luck

 

with

 

your

 

mixing

 

!

    

Summary of Contents for CONCEPT 6

Page 1: ...Laney Series Mixing Consoles Concept 6 Concept 8 USER MANUAL...

Page 2: ...res Concept 6 8 Features Mic Line Channel Information Mic Line Channel Information Mic Line channel information cont Mic Line channel information cont Graphic Equaliser DigiFx Information Graphic Equa...

Page 3: ...ore away your original transit carton since in the unlikely event that some time in the future your unit should develop a fault you will be able to return it to your dealer for rectification securely...

Page 4: ...E MIC LINE PAD PAD 2 2 MIC MIC 2 2 LINE LINE MIC LINE MIC LINE PAD PAD 3 3 MIC MIC 3 3 LINE LINE MIC LINE MIC LINE PAD PAD 4 4 MIC MIC 4 4 LINE LINE MIC LINE MIC LINE PAD PAD 5 5 MIC MIC 5 5 LINE LINE...

Page 5: ...anges the input signal this is just like the tone controls on your Hi Fi but with more knobs The controls are labelled Hi Mid gain Frequency and Lo controls 3 It lets you send the signal to places of...

Page 6: ...ion of an instrument in the stereo image e g to bring a vocalist out in the mix you could pan all other signals Left or Right by varying amounts A graphic equaliser is provided allowing the overall so...

Page 7: ...FADER MONO MONO RIGHT RIGHT LEFT LEFT TAPE INPUT TAPE INPUT STEREO AUXILIARY INPUTS STEREO AUXILIARY INPUTS LEFT LEFT RIGHT RIGHT STEREO STEREO 10 10 9 9 8 8 7 7 6 6 5 5 4 4 3 3 2 2 1 1 0 0 MON MON M...

Page 8: ...es can boosted or cut by this control Sources that fall in this range are cymbals soprano vocals and keys above top C on a keyboard Mid range frequencies can be boosted or cut by this control The freq...

Page 9: ...ter VU and headphones allowing channel Gain to be set and cued This is non destructive so may be used at any time during the performance without effecting the main mix output The channel fader sets th...

Page 10: ...om the effects unit is displayed on the right meter and is played in the headphones TIME PROGRAM INPUT LEVEL This controls level of the signal into the built in Effects processor This provides the use...

Page 11: ...with your mixer Signal from external FX processors return via the Phono RCA sockets are provided for the connection of tape DAT machines for recording The signal here is the the same as that sent to...

Page 12: ...the connection to loudspeakers The Concept 8 mixer is able to deliver 2 150W into 4 Ohms The Concept 6 mixer is able to deliver 2 100W into 4 Ohms Under no circumstances should the total load seen by...

Page 13: ...ffer Gain Min 38dB 10dB fader buffer Bandwidth 30Hz 20kHz 1dB EQ HI 12dB 12kHz Shelving Mid 12dB 2KHz Q 25 Lo 16dB 80Hz Shelving TAPE INPUTS Ref 4dBu Output Fader 0dB Gain 15dB TAPE OUTPUT LEVEL 4dBU...

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