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RETURN

MONO/RIGHT

RETURN/LEFT

Shape Switch: 

This is a four position rotary switch; position one is a bypass or off condition, position two, three and four apply 3 

different pre-shaped EQ sounds. When selected they may be turned on and off remotely via the FS4-NSL footswitch. A light adjacent to 
the switch shows when it is active.

Bass Control: 

This control has a centre off position (12 o'clock) where it has no effect on your sound. Turning the control clockwise 

increases the level of low frequency bass notes. Turning the control anti-clockwise decreases the level of low frequency bass notes

Sweep Control: 

This adjusts the frequency at which the Middle control operates. It ranges from 100Hz to 5kHz and is “low Q” to 

remain musical at all settings.

Middle Control: 

This control has a centre off position (12 o'clock) where it has no effect on your sound. Turning it clockwise increases 

the mid frequencies selected by the Sweep control. This can add punch to your sound or extra clarity in on stage environments. Turning 
anticlockwise decreases the mid frequencies selected by the Sweep control. This can be used to adjust the tonal quality of your guitar 
sound.

Treble Control: 

This control has a centre off position (12 o'clock) where it has no effect on your sound. Turning the control clockwise 

will increase the amount of high frequencies in your sound. Turning anti-clockwise will reduce the amount of high frequencies in your 
sound.

 

General EQ Notes

:

 Start with everything flat then adjust the EQ for your desired sound. Use the controls sparingly and 

avoid excessive amounts of lift or cut which invariably give poor overall sound.

Volume Control: 

Adjusts the maximum output power of the amplifier. At zero the amplifier is silent. As the control is turned clockwise 

the maximum power available is increased to its maximum at 9-10. This control should be used in conjunction with the Gain control 
when distorted or compressed sounds are required. (Hi Volume settings with low Gain settings will give loud clean sounds. Lo Volume 
settings with Hi Gain settings will give compressed/distorted sounds). Distortion created is generated from the ECC83 tube for natural 
musical sounds under all conditions. Pulling out the Volume control will mute all the guitar signal paths with the exception of the 
Tuner/Raw output socket on the rear panel and the Raw signal to the USB left channel. When the Mute is operated the adjacent light will 
flash continuously. This function may also be controlled via the FS4-NSL footswitch.  Aux In will continue to operate.

 

Tip: to operate via the remote FS4-NSL the Volume control must be in the pulled out Mute position.

Tilt: 

This control has a centre neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases 

the lows thereby giving your sound more presence, which can be useful for cutting through in live band situations.
Turning the control anticlockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder. 
(This control operates within the power section so has no effect on the DI output unless  “Source” switch is set to Output but will be 

Summary of Contents for Nexus

Page 1: ...STUDIO LIVE ...

Page 2: ......

Page 3: ...egan building valve amplifiers in my parent s garage Since then we have moved on from strength to strength developing an extensive range of guitar bass public address multi instrument and keyboard amplification products along with a list of Laney endorsees that includes some of the world s most famous and respected musicians At the same time we believe we have not lost sight of the reason Laney wa...

Page 4: ...iquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped 15 Never break off the ground pin Connect only to a power supply of the type marked on the unit adjacent to the power supply cord 16 If this product is to be mounted in an equipment rack rear support should be provided 17 Note for UK only...

Page 5: ...4 ...

Page 6: ...ts for sound enhancement USB DAW connection facility with Re Amp for all your recording requirements Effects loop facility for outboard processors DSP Compressor Tilt Touch functions Professional balanced DI facilities to connect to any PA desk Headphone facility for silent practice Auxiliary input for backing tracks Full protection against any load errors or over temperature with fast auto re set...

Page 7: ...6 Professional Hybrid Tube Bass Amplification STUDIO LIVE ...

Page 8: ... 4 O B M O C K C A J 4 1 S P E A K O N O B M O C K C A J 4 1 S P E A K O N HORN ON OFF FULL HALF INPUT LINK POWER RATING 600 WATTS RMS 8 OHMS N410 www laney co uk SERIAL NUMBER DESIGNED AND ENGINEERED IN THE UK BY LANEY MODEL N410 MADE IN CHINA L Z B1 2 3 4 O B M O C K C A J 4 1 S P E A K O N O B M O C K C A J 4 1 S P E A K O N N410 N115 N410 N115 WITH TWO 8 Ohm EXTENSION CABINETS Guitar 7 ...

Page 9: ...k your settings are correct Impedance selector switch Used to select the optimum load impedance matching It should be set to match the total load of the Master speaker output socket This ensures optimum operation of Touch panel control Incorrect setting will not cause damage or reduced power but your potential sound quality may be compromised TIP Speakers connected to the Slave output and their im...

Page 10: ...INPUT LINK POWER RATING 400 WATTS RMS 8 OHMS N115 www laney co uk SERIAL NUMBER DESIGNED AND ENGINEERED IN THE UK BY LANEY MODEL N115 MADE IN CHINA L Z B1 2 3 4 O B M O C K C A J 4 1 S P E A K O N O B M O C K C A J 4 1 S P E A K O N N410 N410 N410 N410 N210 N115 N115 N210 HORN ON OFF FULL HALF INPUT LINK POWER RATING 300 WATTS RMS 8 OHMS N210 www laney co uk SERIAL NUMBER DESIGNED AND ENGINEERED I...

Page 11: ...used for the best sound and drive level from your guitar Gain Control This is used to adjust the level of clean or drive sound you require in conjunction with the Peak Indicator Peak Indicator This shows when tube compression distortion is occurring If you want a clean undistorted sound adjust the gain control to only just illuminate the peak light when playing the very loudest notes If you want m...

Page 12: ...hen adjust the EQ for your desired sound Use the controls sparingly and avoid excessive amounts of lift or cut which invariably give poor overall sound Volume Control Adjusts the maximum output power of the amplifier At zero the amplifier is silent As the control is turned clockwise the maximum power available is increased to its maximum at 9 10 This control should be used in conjunction with the ...

Page 13: ...trol has a centre off position where it has no effect on your sound and the adjacent light will be extinguished Turning the control clockwise the light will illuminate and increasing amounts of 5ths are added to your sound Turning the control anticlockwise will illuminate the light and increasing amounts of Octave down signal will be added to your sound These features are fully polyphonic with per...

Page 14: ...uitable levels to be sent to the desk there is an associated send Level control USB There is standard USB 2 0 audio in out connector which supports the following 1 Ability to simultaneously record the RAW untreated sound to the left channel and the full amplifier sound to the right channel 2 Ability to play back USB stereo information to headphones for monitoring Tip Can then be linked from the he...

Page 15: ... Remote A 5pin DIN connector is provided for connecting the Laney FS4 NSL footswitch The functions controlled are Mute Pre shape Interval and Space Impedance selector switch Used to select the optimum load impedance matching It should be set to match the total load of the Master speaker output socket This ensures optimum operation of Touch panel control Incorrect setting will not cause damage or r...

Page 16: ...Q and FX but before theVolume control and Output which is post the Volume and all other control functions This gives the option to send all of the sound including output stage dynamics directly to the mix avoiding the need for microphones Tip To allow suitable levels to be sent to the desk there is an associated send Level control Remote A 5pin DIN connector is provided for connecting the Laney FS...

Page 17: ...g to avoid unexpected excessive volume levels FX Loop This is an insert type loop so all of the signal is passed to the external processor The mixing of the dry and effect signal must be controlled in your external processor A switch is provided to allow two nominal levels of loop signal and a bypass option Tip The internal FX operate prior to the external FX loop Tuner RAW The output jack sends a...

Page 18: ...io output of an iPad or iPad mini is disengaged and returned via the USB This can be picked up via a rear panel monitor switch on the amplifier headphones in stereo or if required routed into a PA system powered cabinets Re Amp Facility During recording the amplifier processed signal is sent to the right hand channel The left hand channel carries the guitar signal totally unprocessed On an iPad us...

Page 19: ... MUTE GAIN SUBSONIC FILTERS COMP SHAPE EQ DSP RAW TUNER TUBE STAGE MAIN OUTPUT SLAVE OUTPUT 500W 500W SOURCE PHONES LEVEL LEVEL REAMP SEND DIRECT OUT GROUND LIFT EXTERNAL REAMP LINK CABLE PRE POST OUTPUT RIGHT SEND RIGHT RETURN USB LEFT SEND LEFT RETURN AUX LEVEL AUX INPUT FX LOOP SEND BYPASS 0DB 10DB RETURN ...

Page 20: ...re not capable of handling the load requirements of the loudspeaker and can short out A tubes life expectancy is based upon a number of factors which include operating temperature how hard and how often it is played vibration due to travel etc Tubes should be changed in your amplifier if you notice any deterioration in your amplifiers sound or performance Otherwise they need not be changed at any ...

Page 21: ...included RackWings the chassis may be fitted into a standard 2U sized slot in a 19 rack unit The wings are provided with a choice of mounting holes to allow the fascia to be flush with or recessed into the rack mounts Only use the supplied mounting screws to attach the wings to the amplifier as longer items could cause internal damage Ventilation must also be considered when rack mounting and adeq...

Page 22: ...Impedance 1MegOhm 100pF Input Overload Hi Input 6V Lo Input 3V Input Sensitivity Lo Input EQ Flat Gain Max Volume Max 15mV FX Loop Sensitivity 0dBu 10dBu Nominal dependant on control settings USB 44 1kHz Standard Slave CODEC PC MAC iPad compatible Unit Dimensions H88 W428 D285 Weight 5 5Kg Unit 11Kg Packed Carton Contents Nexus SL Mains Lead Carry Bag Rack Wing Fasteners User Manual FS4 NSL Footsw...

Page 23: ...eceiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for help This product conforms to the requirements of the following European Regulations Directives Rules CE Mark 93 68 EEC Low Voltage 2006 95 EC EMC 2004 108 EE...

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