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LD-Systems

Page 10

5. INSTALLATION AND CONNECTION

Now that you have a rough idea of the mixers functions you should  be able to operate it. However, 
we strongly recommend you read the following section carefully as it contains a number of useful 
tips on how to operate the mixer correctly.

- Make sure the input- and master levels of the LAX5 are turned down before you connect micro-
phones and instruments to the inputs.

- Properly connect all external devices such as mics, power amplifi ers, speakers, effects processor 
etc.
- Be sure to lay the cables safely to avoid injury or damage to your equipment.
- Set the output level of your mixer or the connected power amplifi er to no more than 75%. 
- Set the PHONES level to no more than 50%.
- Position HI and LOW EQ controls on middle position.
- Position the panorama and balance (PAN/BAL) controls in center position.

- While speaking/singing into the mic (or playing the instrument), adjust the channel Level control so 
that the channel PEAK LED (in the case of the fi rst channel) will blink occasionally, in this way you 
will maintain good headroom and an ideal dynamic range. 

- You can shape the tone of each channel by adjusting the equalizer controls as desired.

- Now repeat the same sequence for all other input channels. Keep an eye on the main LED chain 
and make sure it does not move up too far into the red section.

5.1 AUDIO CONNECTIONS

For maximum fl exibility both XLR and 1/4 “ TRS connectors are available on this unit. There are a 
number of ways to connect your equipment. Read the following chapter to learn more.

Wiring confi guration

Either the 1/4” TRS phone jack or XLR connectors can be wired in balanced and unbalanced modes, 
depending on the equipment used. Please see the following examples on how to wire up your sys-
tem:

LD-Systems

Page 7

4.1 - THE MONO CHANNEL

You can connect balanced low impedance mirophones or a low 
level signal to the XLR socket. On the 1/4” line jack you can con-
nect line level instruments such as drum computers, synthesizers, 
effects processors or any other line level devices.

Note: It is not possible to use both inputs simultaneously

4.2 - ADJUSTING THE INPUT LEVEL (GAIN)

Adust this level so that the peak LED lights up occasionally, the 
peak LED should not be lit constantly, in this case your signal may 
be distorted.

4.3 - 2-BAND EQ

The fi rst channel of the mixer is equipped with a simple 2 Band EQ 
for adjusting the sound.

HI 
This is the Treble control. It can be used to eliminate unwanted high 
frequencies or to give your signal mor brilliance and presence. It 
ranges from -15dB to +15dB with a center frequency of 12kHz.

LOW 
This is the bass control. It can be used to boost a male voice, a kick-
drum or a bass guitar. The gain ranges from -15dB to +15dB with a 
center frequency at 80Hz.

4.4 - PAN / BAL 

The fi rst channel of the LAX5 has a PAN control wheras the other 
two stereo cahnnels have a balance control. Both controls are used 
to to distribute the incomming signal across the left and right chan-
nel of the main output.

4.5 - PEAK-LED 

The fi rst channel of the LAX5 is equipped with a peak LED. It lights 
up, when the signal is about to distort (6 dB below actually distort-
ing). When this LED is lit it means, that the maximal level has been 
reached.

4.6 -  LEVEL

Here you can adjust the volume of the cannel and consequently the 
level of the signal which is passed on to the main mix.

4.7 - THE STEREO CHANNELS

The stereo channels are counfi gured as stereo pairs with TRS jack 
inputs. Connect mono signals to the left input.

4.8

 - 

MAIN MIX 

Herewith you can adjust the overall level of the signal that is sent to 
the main outputs and to the tape output.

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Summary of Contents for LAX5

Page 1: ...d to Adam Hall All features and content might be changed without prior notice Photocopying translation or reproduction of any part of this manual without written permission is forbidden Copyright 2007...

Page 2: ...erating this unit for the first time All rights reserved to Adam Hall GmbH All features and content might be changed without prior notice Photocopying translation or reproduction of any part of this m...

Page 3: ...lt in fire Keep product away from naked flames Read these instructions Follow all instructions Keep these instructions Do not discard Heed all warnings Only use attachments accessories specified by th...

Page 4: ...1 kHz 0 dB to 50 dB Main Phones 106 dBu 10 Hz to 200 kHz Distortion 20 Hz to 20 kHz Noise CMRR Crosstalk High 15 dB 12 kHz Low 15 dB 80 Hz Maximum Rated Output 22 dBu Maximum Input Levels Mic Input 12...

Page 5: ...RS sockets A 2 Band EQ for the mono input 2 track in and outputs Balanced output with TRS sockets 3 GETTING STARTED 3 1 Please check the AC voltage available in your country before connecting your LAX...

Page 6: ...eeve Tip Sleeve Tip Sleeve Cent e r Cent e r Centre Screen Screen Screen 1 2 3 Tip Ring Sleeve 1 2 3 1 2 3 TIP SLEEVE TIP SLEEVE TIP RING SLEEVE TIP RING SLEEVE 1 2 3 2 1 3 2 1 3 Tip Ring Sleeve 1 2 3...

Page 7: ...e following examples on how to wire up your sys tem LD Systems Page 7 4 1 THE MONO CHANNEL You can connect balanced low impedance mirophones or a low level signal to the XLR socket On the 1 4 line jac...

Page 8: ...g device such as a tape deck in order to record the mix The signal is the same as that of the main mix 4 13 TAPE TO PHONES SWITCH Pressing this switch will route the CD TAPE INPUT signal to the headph...

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