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11

FX

22

1. BRIGHT HALL

These are bright HALL Reverbs, full of harmonics at the top end of the spectrum and suitable for wide
general use. These PRESETS are particularly suitable for vocals, wind instruments and percussion. The
variations regard room size, reflecting surfaces, pre-delay and filtering.

Preset

Pre-delay

Rev Time

Room Size

HF filter

Large Hall

22

2.4

54

6.94

Mid Hall

14

1.5

38

6.94

Small Hall

12

0.7

20

8.98

Concert Hall

35

0.9

45

3.21

Brass Hall

40

1.7

50

8.98

Crystal Mid

22

1.7

35

thru

Crystal Small

22

1

27

thru

Choir Large

40

2.4

50

11.6

Choir Mid

16

1.7

38

11.6

10 Percussion Mid

16

1.7

35

8.98

11 Percussion Small

20

1.7

5

8.98

2. WARM HALL

This is a warmer HALL than the previous ones and more pronounced in the mid-low spectrum range.
These PRESETS are also suitable for vocals, wind instruments, strings and piano. Here again, the
variations regard room size, reflecting surfaces, pre-delay and filtering.

No. Preset

Pre-delay

Rev Time

Room Size

HF filter

Large Hall

23

2.9

55

1.49

Mid Hall

14

1.7

38

1.92

Small Hall

11

0.7

22

1.49

Large Acoustic

20

1.7

45

1.92

Small Acoustic

15

1.5

25

2.49

Concert Hall

35

0.9

45

1.15

Horn Hall

50

2.1

40

5.37

Cathedral

50

6.1

55

1.49

Jazz Club

12

0.6

22

1.92

10 Stadium

50

2.4

55

0.53

11 Theatre

50

1.5

55

0.53

PRESETS

Summary of Contents for FX22

Page 1: ......

Page 2: ...as radiators hest register or other product that produce heat The product may be connected a a power supply only of the type described on the operating instructions or as marked on the product 8 The p...

Page 3: ...1 FX22 Warnings and installation 2 Introduction 3 Getting started 4 Front panel 7 Rear panel 9 PRESETS 10 Connection examples 17 Technical specifications 20 Contents Contents...

Page 4: ...light pressure and could be damaged if used with excessive force Take care of your connector cables a very frequent cause of small big problems Always grip them by the connector avoid pulling them fo...

Page 5: ...percussion string and wind instruments etc 11 different variations are available for each PRESET BANK giving a total of 121 121 PRESETS In this way you can find stored in the unit s memories the most...

Page 6: ...ows 1 Connect the mixer s EFF SEND or your instrument s output to the FX 22 input A 2 Connect the OUTPUT of the FX 22 to the mixer s EFF RETURN or the amplifier 3 Set the MODE selector at DUAL 4 Adjus...

Page 7: ...as for the first experiment but set the MODE selector at COMBI the effects of the two FX A and FX B sections are now summed on the same signal Select two different effects for example Reverb and Delay...

Page 8: ...the FX A input 2 Connect send 2 of the mixer or the output of the second instrument to the FX B input 3 Connect the OUTPUT of the FX 22 to the mixer s EFF RETURN or to the amplifier 4 Set the MODE se...

Page 9: ...ected to the FOOTSWITCH connector back panel FX A VARIATIONS Rotary selector for choosing the variations of section FX A s presets Each effect has 11 variations The variations can modify some of the e...

Page 10: ...A MIX Potentiometer for adjusting the balance between the original signal and effect s signal of the FX A section Turning it completely to the left DRY only the original signal is fed out and complet...

Page 11: ...effect return use only the LEFT MONO socket FX B FX B section input connector FX B INPUT LEVEL Adjusts the input level of the FX B section The amount of signal is shown by the PEAK LED on the front pa...

Page 12: ...ONS Each PRESET then has 11 VARIATIONS that enable you to adapt the effect to the characteristics of the signal to be processed The variations are different in the various PRESETS and regard the value...

Page 13: ...ge 40 2 4 50 11 6 9 Choir Mid 16 1 7 38 11 6 10 Percussion Mid 16 1 7 35 8 98 11 Percussion Small 20 1 7 5 8 98 2 WARM HALL This is a warmer HALL than the previous ones and more pronounced in the mid...

Page 14: ...37 6 SD Room 1 4 1 7 35 1 15 7 SD Room 2 6 0 9 35 1 15 8 Small Wood 9 1 30 3 21 9 Bright Room 9 1 2 30 8 98 10 Dark Room 12 1 2 25 0 53 11 Studio 8 0 8 15 1 49 4 VOCAL A series of reverbs suitable for...

Page 15: ...8 Vocal Mid 33 2 1 45 6 94 9 Vocal Large 70 3 6 60 5 37 10 Choir Small 14 1 20 6 94 11 Choir Large 35 2 1 45 6 94 6 GATE All the classic GATE Reverbs able to be used on drums particularly kick drum an...

Page 16: ...0 8 Tape Back 35 75 0 1 0 1 9 R R 70 81 0 19 0 18 10 Robotica 20 10 0 5 0 58 11 Tube 35 35 0 53 0 52 8 CHORUS FLANGER Variations 1 6 have CHORUS effects for vocals guitar and keyboards Variations 7 1...

Page 17: ...0 10 REV DELAY This section of so called COMBO effects combines Reverbs and Delays on the same section of the unit The variations are ideal for a wide range of uses from vocals to percussion and guit...

Page 18: ...oom Combo 15 0 8 30 1 49 8 9 0 475 0 9 New Gothic 5 2 9 40 1 49 1 5 0 475 0 755 10 Ambience 50 2 1 20 8 98 2 4 0 63 0 11 Reflections 125 1 2 10 8 98 0 6 0 835 0 475 NB COMBO PRESETS are particularly e...

Page 19: ...17 FX22 Connection examples Connection examples The LEM FX 22 can be connected using normal unbalanced jack connectors Connection to the mixer DUAL mode UNBALANCED JACK connector...

Page 20: ...18 FX22 Connection to an instrument amplifier Connection examples Connection to the mixer COMBI mode...

Page 21: ...19 FX22 Connection to a keyboard Connection examples...

Page 22: ...it Sampling frequency 48 kHz Configurations DUAL STEREO COMBI Type of effects Hall Room Vocal Plate Gate Reverbs Delay Chorus Flanger Phaser Rotary Presets 121 121 Controls PRESET BANK VARIATIONS sele...

Page 23: ...ventuali inesatezze Tutti i diritti sono riservati e in questo documento non pu essere copiato fotocopiato riprodotto per intero o in parte senza previo consenso scritto della GENERALMUSIC S p A GENER...

Page 24: ...Sales Division 47842 S Giovanni in Marignano RN Via delle Rose 12 tel 39 0541 959511 fax 39 0541 957404 Internet http www lemaudio com...

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