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©2008 Logitech 

Squeezebox Boom Audio Design  

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The difference between with and without bass-extension was surprising to me. At low listening 
levels, with significant extension, the listener can easily be fooled into thinking a subwoofer is 
attached.  

Subwoofer/Headphone Output 

The Squeezebox Boom has a subwoofer/headphone output. A Wolfson WM8501 DAC, the 
same chip that is use in Squeezebox Receiver, drives this output. It is in a slightly different 
configuration optimized for headphone and subwoofer output, as opposed to line out. It is 
capable of driving about 1V RMS into 16-ohm load, or about 1.7V into a high impedance load. 
The WM8501 DAC is driven from the same DSP chip that drives the speaker DACs, and it can 
be controlled completely independently. This means that in headphone mode, the output will get 
full stereo output with full frequency response.  

When the device is configured for a subwoofer, we automatically slide the low frequency cutoff 
filter for the woofers up to 100 Hz, and create a complementary low pass filter at 100 Hz for the 
subwoofer output. Both filters are also 4

th

-order Linkwitz-Riley filters, which create a very nice 

crossover between the Squeezebox Boom and the stand-alone subwoofer. The beauty here is 
that the user only needs to turn the ‘frequency’ knob of the subwoofer up all the way – no need 
to fine-tune the frequency knob since the Squeezebox already knows the optimal cutoff 
frequency and will automatically implement the best possible filter.  

Line-In 

The Squeezebox Boom has a line-level input that can be put to many uses. Since it goes into 
the built-in ADCs in the DSP, we can perform virtually any processing on it we want and sent it 
back out the speakers, or headphone/sub-output. Some potential uses are: 

 Play music from a friend’s portable MP3 player. 

 Connect to a computer’s audio output and use the Squeezebox Boom as a PC speaker 

system. This allows you to play streaming music and simultaneously mix in the PC 
sounds.  

 Connect an amplified microphone to it, install the community-developed Karaoke plugin 

and use the Squeezebox Boom as a karaoke machine.  

Conclusion 

Does it all really work? The short answer is yes! By taking into account and managing the many 
factors that push and pull on a product design (cost, size, time-to-market, features, and 
performance), we believe we have built the best streaming audio system available in its class.  

There are several future enhancements that we would like to make to the Squeezebox Boom in 
future software releases. Some of the future enhancements could include: automatic loudness 
filter for low-volume listening; dynamic range compression for low-volume listening; multi-band 
equalization; dynamic range compression for high-noise environments; and whatever else we 
can think up to help improve the overall experience. 

Most importantly, feedback from our customers will guide us toward what enhancements, fixes, 
or corrections need to be implemented, and these can be added in regular software updates. 
For some changes, there won’t be any DSP or firmware related changes necessary, since DSP 
configuration commands can be sent directly from the streaming server.  

Summary of Contents for Squeezebox Boom

Page 1: ...f contained high performance network audio system With advanced digital signal processing a high quality bi amplified speaker design an easy to use user interface line input and subwoofer output Squee...

Page 2: ...AJ7 8 L Q CQ6 O R 3 J 3 SMMID R 6 R 3 J 3 SMSID D D 2 6 9 76 2 6 R 6 9 76 R 6 0 1 Figure 1 Squeezebox Boom Block Diagram This paper will discuss the audio design starting at the I2S I2C interface bet...

Page 3: ...mize risk yet maintain top notch audio performance in an attractive package The basic configuration is a sealed enclosure consisting of a rear cup shaped case and a front panel assembly where the spea...

Page 4: ...eezebox Boom doesn t compete in bass performance with high end studio monitors but because of its advanced signal processing capabilities combined with very high quality drivers we believe we have cre...

Page 5: ...can produce great sound through the entire audio spectrum Without a subwoofer the Squeezebox Boom goes from a 3 dB response at 50 Hz at low volume settings to about 85 Hz at high volume settings all...

Page 6: ...18 L 4G L P L K QE 4G K QE P L 2 Figure 8 Block diagram of the Squeezebox Boom DSP flow with other components for reference Volume Control Regular DACs implement digital volume control by simply chan...

Page 7: ...erdone and the quality depends on the track used and the encoding used In order to allow for varying user preferences and track encodings there are 3 settings for StereoXL The best one is typically in...

Page 8: ...crossovers and eliminated the DSP processing all together instead we chose to build the best system we could while meeting our industrial design and budget requirements Bass Extension To make the Sque...

Page 9: ...e the tradeoff is that as the bass response extends lower it s necessary to drive much more power into the speakers at low frequency risking distortion At low volumes this can be done very effectively...

Page 10: ...section of this paper By applying the compensation of Figure 12 in series with a variable frequency 4th order Linkwitz Riley filter we can choose any low frequency cutoff frequency we desire as seen...

Page 11: ...ssible filter Line In The Squeezebox Boom has a line level input that can be put to many uses Since it goes into the built in ADCs in the DSP we can perform virtually any processing on it we want and...

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