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©2008 Logitech 

Squeezebox Boom Audio Design  

are going to use. 

Power Amplifiers 

High-performance class-D amplifiers power the woofers and tweeters and can easily deliver full 
power to the speaker drivers with minimal distortion. We chose high-quality class-D amplifiers 
for both woofers and tweeters. It may be a bit atypical to use class-D amplifiers for tweeters, but 
we found there to be no significant sonic difference between the class-D and class-AB 
amplifiers we tested.  

Hardware/Mechanical Design 

We designed Squeezebox Boom, working closely with our industrial and mechanical designers, 
to simplify the assembly process and minimize risk, yet maintain top-notch audio performance in 
an attractive package. The basic configuration is a sealed enclosure consisting of a rear cup-
shaped case and a front panel assembly, where the speaker wires pass from inside to outside 
through a single rubber grommet. 

 

Figure 2: Exploded schematic view of Squeezebox Boom assembly 

Loudspeaker Drivers 

The drivers we chose were custom developed by Logitech’s audio engineers to produce the 
best sounding products while maintaining reasonable costs. The woofers are 3” long-throw 
drivers with woven cloth cone and a rubber surround. They have a flat frequency response of 
between 100 Hz and 4 kHz. The tweeters are 

!

” soft-dome drivers that have a flat response of 

between 1200 Hz and 20 kHz. There is almost no signal loss all the way to 20 kHz. The woofer-
tweeter crossover is set at 2 kHz.  

 

Summary of Contents for Squeezebox Boom

Page 1: ...f contained high performance network audio system With advanced digital signal processing a high quality bi amplified speaker design an easy to use user interface line input and subwoofer output Squee...

Page 2: ...AJ7 8 L Q CQ6 O R 3 J 3 SMMID R 6 R 3 J 3 SMSID D D 2 6 9 76 2 6 R 6 9 76 R 6 0 1 Figure 1 Squeezebox Boom Block Diagram This paper will discuss the audio design starting at the I2S I2C interface bet...

Page 3: ...mize risk yet maintain top notch audio performance in an attractive package The basic configuration is a sealed enclosure consisting of a rear cup shaped case and a front panel assembly where the spea...

Page 4: ...eezebox Boom doesn t compete in bass performance with high end studio monitors but because of its advanced signal processing capabilities combined with very high quality drivers we believe we have cre...

Page 5: ...can produce great sound through the entire audio spectrum Without a subwoofer the Squeezebox Boom goes from a 3 dB response at 50 Hz at low volume settings to about 85 Hz at high volume settings all...

Page 6: ...18 L 4G L P L K QE 4G K QE P L 2 Figure 8 Block diagram of the Squeezebox Boom DSP flow with other components for reference Volume Control Regular DACs implement digital volume control by simply chan...

Page 7: ...erdone and the quality depends on the track used and the encoding used In order to allow for varying user preferences and track encodings there are 3 settings for StereoXL The best one is typically in...

Page 8: ...crossovers and eliminated the DSP processing all together instead we chose to build the best system we could while meeting our industrial design and budget requirements Bass Extension To make the Sque...

Page 9: ...e the tradeoff is that as the bass response extends lower it s necessary to drive much more power into the speakers at low frequency risking distortion At low volumes this can be done very effectively...

Page 10: ...section of this paper By applying the compensation of Figure 12 in series with a variable frequency 4th order Linkwitz Riley filter we can choose any low frequency cutoff frequency we desire as seen...

Page 11: ...ssible filter Line In The Squeezebox Boom has a line level input that can be put to many uses Since it goes into the built in ADCs in the DSP we can perform virtually any processing on it we want and...

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