background image

LOOPTROTTER

AUDIO ENGINEERING

Contact:
www.looptrotter.com.pl
looptrotter@looptrotter.com.pl

Distribution:

www.mjadiolab.pl

office@mjaudiolab.pl

B

Y

PA

S

S

B

Y

PA

S

S

T

R

U

BY

P

A

S

S

D

E

S

Y

M

.

S

Y

M

.

G

.R

.

GAIN

REDUCTION

L

E

V

E

L

TUBE

2nd

SA

TURA

TION

BYP

ASS

PROCESS

BOOST

0

1

2

3

4

5

6

7

8

9

1

0

A

TT

ACK

RELEASE

0

1

2

3

4

5

6

7

8

9

1

0

OUTPUT

INPUT

FET  COMPRESSOR

COMP

.

LIMITER

BYP

ASS

PROCESS

0

1

2

3

4

5

6

7

8

9

1

0

.5

1

5

25

50  

70

1

00

1

50

.2

.3

1

1

.5

ms/sec

.1

.2

.5

1

2

5

7

1

5

30

50

1

00

ms

0

1

0

20

30

40

50

60

70

80

90

1

00

MAIN

5

4

3

2

1

0

1

2

3

4

5

MIX

OUTPUT

dB

%

-

+

O

U

T

IN

P

U

T

OU

TP

UT

20

20

L

IM

IT

E

C

O

M

P

R

E

S

S

O

R

0

40

35

5

1

0

30

25

1

5

0

40

5

35

1

0

30

1

5

25

V

U

7

5

3

20

1

0

1

0

3

5

+

-

L

IN

K

D

U

A

L

IN

P

U

T

O

U

T

P

U

T

O

T

H

E

C

H

.

B

Y

PA

S

S

B

Y

PA

S

S

T

R

U

BY

P

A

S

S

D

E

S

Y

M

.

S

Y

M

.

G

.R

.

GAIN

REDUCTION

L

E

V

E

L

TUBE

2nd

SA

TURA

TION

BYP

ASS

PROCESS

BOOST

0

1

2

3

4

5

6

7

8

9

1

0

A

TT

ACK

RELEASE

0

1

2

3

4

5

6

7

8

9

1

0

OUTPUT

INPUT

FET  COMPRESSOR

COMP

.

LIMITER

BYP

ASS

PROCESS

0

1

2

3

4

5

6

7

8

9

1

0

.5

1

5

25

50  

70

1

00

1

50

.2

.3

1

1

.5

ms/sec

.1

.2

.5

1

2

5

7

1

5

30

50

1

00

ms

0

1

0

20

30

40

50

60

70

80

90

1

00

MAIN

5

4

3

2

1

0

1

2

3

4

5

MIX

OUTPUT

dB

%

-

+

O

U

T

IN

P

U

T

OU

TP

UT

20

20

L

IM

IT

E

C

O

M

P

R

E

S

S

O

R

0

40

35

5

1

0

30

25

1

5

0

40

5

35

1

0

30

1

5

25

V

U

7

5

3

20

1

0

1

0

3

5

+

-

L

IN

K

D

U

A

L

IN

P

U

T

O

U

T

P

U

T

O

T

H

E

C

H

.

Summary of Contents for Monster compressor

Page 1: ...LOOPTROTTER AUDIO ENGINEERING Contact www looptrotter com pl looptrotter looptrotter com pl Distribution www mjadiolab pl office mjaudiolab pl OWNER S MANUAL FET COMPRESSOR with TUBE SATURATION ...

Page 2: ...sing It is intended to sound transparent but gives perfect functionality when using MONSTER as an insert device when 100 processing is unwanted Monster Compressor is a device with analog character It was designed to either complement super clean digital technology or expand sonic possibilities in your analog studio The compression module treats the signal in a very musical way before the tube satu...

Page 3: ... 2 3 4 5 MIX OUTPUT dB OUT INPUT O U T P U T 20 20 LIMITER COMPRESSOR 0 40 35 5 10 30 25 15 0 40 5 35 10 30 15 25 V U 7 5 3 20 10 1 0 3 5 L I N K DUAL INPUT OUTPUT OTHER CH BYPASS BYPASS TRUE BYPASS DESYM SYM G R GAIN REDUCTION LEVEL TUBE 2nd SATURATION BYPASS PROCESS BOOST 0 1 2 3 4 5 6 7 8 9 10 ATTACK RELEASE 0 1 2 3 4 5 6 7 8 9 10 OUTPUT INPUT FET COMPRESSOR COMP LIMITER BYPASS PROCESS 0 1 2 3 ...

Page 4: ...MITER S I D E C H A I N O U T P U T I N P U T The FET compressor is fed by INPUT knob There is no threshold or ratio setting so the more signal gets into the compressor the more gain reduction occurs However there are traditional attack release setting knobs allowing you to set fast to slow attack time 0 1 ms 100 ms and release time between 15ms to 1 5 sec This is useful to shape the compressor s ...

Page 5: ...nd BOOST switch brings up even harmonics introduced by the tube circuit The process bypass switch allows the signal to bypass tube circuit completely Mix and Output Stage 0 10 20 30 40 50 60 70 80 90 100 MAIN 5 4 3 2 1 0 1 2 3 4 5 MIX OUTPUT dB 0 10 20 30 40 50 60 70 80 90 100 MAIN 5 4 3 2 1 0 1 2 3 4 5 MIX OUTPUT dB This section allows you to mix completely dry signal from the input of the device...

Page 6: ... BYPASS switches MONSTER s channels into fully operational circuit or completely bypasses the unit s circuits the input signal is led directly to it s output Connectors Rear Panel 1 3 2 1 3 2 1 3 2 1 3 2 Channels 1 and 2 has input and output connectors based on XLR sockets There are additional TRS unbalanced outputs for each channel marked as Monitor Output Sidechain Input and Output This circuit ...

Page 7: ... engage the tube saturation circuit and check how it works with the processing you ve already achieved The most natural warmth and tube style distortion can be obtained with Saturation at 4 and 2dBoost switch to off More overdrive may be obtained by switching the 2d Boost and turning the saturation knob over 6 Adding very fast attack and release time and switching compressor to limit mode gives mo...

Page 8: ...LOOPTROTTER AUDIO ENGINEERING Contact www looptrotter com pl looptrotter looptrotter com pl Distribution www mjadiolab pl office mjaudiolab pl ...

Reviews: