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16-Channel Mic/Line Mixer

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Features

Applications

Introduction

The 1604-VLZ PRO

 is the latest update of our 

CR1604-VLZ, incorporating our new ultra-high quality 
XDR™ (Extended Dynamic Range) mic preamps with 
the best RFI rejection of any compact mixer design on 
the market and maximum freedom from ground loops. 

Like all Mackie mixers, the 1604-VLZ PRO is 

designed for rugged, 24-hour-a-day use. It is a 
supremely fl exible mixer, not just because of its mul-
tiple input/output confi gurations, but because of its 
true 4-bus architecture, 6 aux sends (with 3-4/5-6 shift 
switch), and extensive routing capabilities.

No matter what the application, the 1604-VLZ 

PRO can be confi gured for optimal use. As a table-
top mixer, input/output jacks can be positioned at 
the rear of the unit, or with the optional RotoPod Kit 
(RP1604-VLZ), positioned on the same plane as the 
controls. Placed in a rack system, the 1604-VLZ PRO 
can be set so that jacks are facing front (using the 
RotoPod kit) or facing the rear to keep wandering 
hands from playing with cords. Whether used in a 
permanent installation, or as a portable mixer, the 
1604-VLZ PRO is completely at home.

Built like a tank, the 1604-VLZ PRO is a team 

player that can stand up to vigorous use, day in 
and day out, any place it is installed. Its sturdy-yet-
light steel monocoque construction houses rugged, 
double-sided through-hole-plated fi berglass circuit 
boards, and 60mm faders with ultra-tight lip seals 
for keeping out dust and other contaminants. 
Impact-resistant knobs are mounted so they "ride" 
just above the steel chassis — they absorb impact 
without trouble. They’re designed to last, too, 
thanks to co-molded potentiometers that don’t get 
brittle and crack up.  Then, we use metal stand-offs 

RP1604-VLZ RotoPod bracket kit, 1604-VLZ Dirt Avert™ 

Ballistic Nylon Dust Cover, 1604-VLZ Fabric Mixer Bag and 

1604-VLZ Suede Mixer Bag for 1604-VLZ PRO. 12-inch 

and 18-inch Running Light Gooseneck lamps. 1202-VLZ 

PRO 12-Channel Mic/Line Mixer, 1402-VLZ PRO 14-Chan-

nel Mic/Line Mixer, 1642-VLZ PRO 16-Channel Mic/Line 

Mixer, SRM350/SRM450 Active 2-Way SR Loudspeakers, 

M•800/M•1400i/M•1400 Power Amplifi ers, C200/

C300z passive 2-way SR Loudspeakers

 

Live sound mixing for churches, clubs, 
schools, conference centers, board-
rooms, tradeshows, presentations

 

Keyboard, drum machine and DJ

 

Multitrack studio and fi eld recording

 

A/V presentations, video post produc-
tion, CD authoring, multimedia

 

Live broadcast remotes, ENG, ad production

  16 low noise/high headroom XDR™ (Extended 

Dynamic Range) XLR mic inputs with the best 
RFI rejection of any compact mixer design and 
maximum freedom from ground loops.

  16 balanced/unbalanced mono line inputs
  True 4-bus design
  Multi-way physical confi guration via rotatable 

I/O pod, or optional RotoPod Kit (RP1604-VLZ)

  Inserts on all channels
  Direct outs on channels 1–8
  3-band EQ with sweepable mids
  75Hz, 18dB/oct. Low Cut fi lter on each channel
  PFL/AFL (Solo In-Place) on all channels (global)
  Very Low Impedance (VLZ) architecture
  Control Room/Phones source matrix
  6 aux sends, 2 with master level controls
  Wide input gain range with “virtual pad”
  Stereo main outputs plus mono main output 

with separate level control

  Balanced inputs and outputs (except RCAs, 

phones & inserts)

  Level set LED and marker

Summary of Contents for 1604-VLZ PRO

Page 1: ...are mounted so they ride just above the steel chassis they absorb impact without trouble They re designed to last too thanks to co molded potentiometers that don t get brittle and crack up Then we use...

Page 2: ...ervals to mount thick fiberglass circuit boards inside the mixer Radio frequency interference from TV radio stations and cellular phone users is virtually eliminated thanks to Mackie s new XDR mic pre...

Page 3: ...ur knob per channel strip format with Aux Sends 1 2 switchable pre or post fader and the next two knobs switchable between Aux Sends 3 4 or 5 6 all four are post fader Solo has its own volume control...

Page 4: ...r s throw so choppy fade ins and fade outs are history These faders have a co polymer membrane that provides a continuously sealed barrier against dust and liquids without interfering with fader trave...

Page 5: ...17 3 442 0mm 6 6 167 6mm recessed normal 13 0 325 1mm 8 rack spaces 8 7 221mm 19 0 482 6mm 17 3 442 0mm 9 3 236 2mm recessed normal Input Output Pod mounted to front Input Output Pod mounted to back V...

Page 6: ...EFX TO MON SOLO TO SOLO LED SIP L SIP R PFL SOLO CR PHN L CR PHN R SOLO RELAY ASSIGN TO MIX MAIN MIX INSERT FADER L R MAIN MIX MONO OUT MAIN MIX LEFT OUT TAPE OUT LEFT TAPE OUT RIGHT MAIN MIX RIGHT O...

Page 7: ...t of 28dBu and using unbalanced RCA type phono jacks labeled TAPE OUT delivering nomi nal levels from 10dBV to 4dBu and the Main Mix Mono output shall be fitted with one symmetrically balanced also ac...

Page 8: ...Matrix and a solo condition shall replace the Source selection with the soloed channel s The meters shall be calibrated so that a 0dBu signal at the Control Room output shall be indicated as 0dB on th...

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