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Glossary

 

This Glossary contains brief definitions of 
many of the audio and electronic terms and 
acronyms used in discussions of sound mixing 
and recording. Many of the terms have other 
meanings or nuances or very rigorous technical 
definitions, which we have sidestepped here 
because we figure you already have a lot on 
your mind. 

If you’d like to get more information, there are 
plenty of useful textbooks out there. We recom-
mend the following titles: 

 

The Audio Dictionary

 

 

by Glenn White, 

 

Tech Terms

 

 by Peterson & 

Oppenheimer, 

 

Handbook for Sound Engineers

 

 by 

Glen Ballou, 

 

Mackie Mixer Book

 

 by Rudy Tru-

bitt, 

 

Pro Audio Reference

 

 by Dennis Bohn, and 

 

Sound Reinforcement Handbook

 

 by Gary Davis.

 

A

 

ACRONYM

 

An acronym for A Contrived Reduction Of 
Nomenclature Yielding Mnemonics

 

adiabatic

 

Literally, it means "not to pass through." In 
describing the high-density foam used inside 
the HR Series studio monitors, it means that 
internal reflections within the cabinet are 
absorbed by the foam. In physical terms, it 
means the mechanical energy of the sound 
wave is converted into heat energy.

 

A/D converter (ADC)

 

Analog-to-digital converter, a device that trans-
forms incoming analog signals into digital 
form.

 

AFL

 

An acronym for After Fade Listen, which is 
another way of saying post-fader solo function.

 

aliasing

 

This is a type of distortion caused during the 
analog-to-digital conversion process. If the fre-
quency of the analog signal exceeds one-half 
the sampling rate, spurious signals and harmon-
ics not present on the original signal may be 
created (see Nyquist Theorem). Careful design 
and filtering before the sampling stage can 
reduce this aliasing to a minimum.

 

assign

 

In sound mixers, assign means to switch or 
route a signal to a particular signal path or com-
bination of signal paths.

 

attenuate

 

To reduce or make quieter. 

 

aux

 

Short for Auxiliary.

 

auxiliary

 

In sound mixers, supplemental equipment or 
features that provide additional capabilities to 
the basic system. Examples of auxiliary equip-
ment include: serial processors (equalizers, 
compressors, limiters, gates) and parallel pro-
cessors (reverberation and delay). 

 

aux send

 

A mixer bus output designed to send a signal to 
an auxiliary processor or monitor system.

 

aux return

 

A mixer input (sometimes a pair of inputs) with 
limited control capabilities, intended for bring-
ing the output of an auxiliary processor or 
other line-level source into the main mix bus. 
Aux returns can sometimes be assigned to other 
buses in the mixer.

Summary of Contents for 1642-VLZ PRO

Page 1: ...Glossary of pro audio terms...

Page 2: ...that trans forms incoming analog signals into digital form AFL An acronym for After Fade Listen which is another way of saying post fader solo function aliasing This is a type of distortion caused du...

Page 3: ...the voltage of an individual output by connecting the speaker between the two posi tive output terminals the negative output ter minals are not used bus An electrical connection common to three or mor...

Page 4: ...s higher than the RMS value The larger the tran sient peaks the larger the crest factor cueing In broadcast stage and post production work to cue up a sound source a record a sound effect on a CD a so...

Page 5: ...nvert dBV to dBu add 2 2 dB decibel dB The dB is a ratio of quantities measured in sim ilar terms using a logarithmic scale Many audio system parameters measure over such a large range of values that...

Page 6: ...lifier that routes a single input to both channels but still allows independent level control over each amplifier output dynamic microphone The class of microphones that generate electri cal signals b...

Page 7: ...ertain frequencies for sound enhancement to remove extraneous sounds or to create completely new and differ ent sounds Bass and treble controls on your stereo are EQ so are the units called parametric...

Page 8: ...its boost cut controls with its operating frequencies evenly spaced through the audio spectrum In a perfect world a line drawn through the centers of the control shafts would form a graph of the frequ...

Page 9: ...imary sound reinforcement in a given hall building arena or house Hence we have the house mixer or house engineer the house mix the house mix amps the main house speakers and so on Hz Short for Hertz...

Page 10: ...from a microphone A mic level signal usually but not always com ing from a microphone is generally lower than 30 dBu With a very quiet source a pin drop ping the signal can be 70 dBu or lower Some mi...

Page 11: ...audio work a mult is a parallel connection in a patch bay or with spe cially built cables or wiring used to feed an output to more than one input A Y cable is a type of mult connection Also used a ve...

Page 12: ...d gain i e they have a fixed bandwidth but vari able center frequency and gain peaking The opposite of dipping of course A peak is an EQ curve that looks like a hill or a peak Peak ing with an equaliz...

Page 13: ...he male counterpart to the phone jack right above phono jack Short for RCA phono jack phono plug Short for RCA phono plug post fader A term used to describe an aux send or other output that is connect...

Page 14: ...nt panel of many effects units or you can route the delay return back into itself on your mixer Can be a great deal of fun at parties Regeneration is also a fancy name for feedback Feedback makes osci...

Page 15: ...y used for foldback monitors headphone monitors or effects devices Mackie mixers call it an Aux Send shelving A term used to describe the shape of an equal izer s frequency response A shelving equal i...

Page 16: ...e frequency of one or more sections symmetrically balanced See balanced T tinnitus The ringing in the ears that often results from prolonged exposure to very loud sound levels A sound in the ears such...

Page 17: ...s are so minuscule Ther mal noise is generated in all real world elec tronic components that have impedance By keeping the impedances within the mixer cir cuitry low Mackie keeps internal noise to a m...

Page 18: ...ved LOUD Technologies Inc 16220 Wood Red Road NE Woodinville WA 98072 USA US and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 48...

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