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Owner’

s Manual

1

Owner’s Manual

14.  TAPE OUTPUT

These unbalanced RCA connections tap the main 

mix output to make simultaneous recording and PA 
work more convenient. Connect these to your recorder’s 
inputs. (See also main mix [29] on page 19.)

Mono Out: If you want to feed a mono signal to your 

tape deck or other device, simply use an RCA Y-cord to 
combine these outputs. Do not attempt this with any 
other outputs on the 802-VLZ3.

15.  AUX SEND

This is a TRS 1⁄4" balanced/unbalanced output, com-

monly used to feed stage monitors (with aux set to pre) 
or an external effects processor (with aux set to post).

The aux send [28] knobs tap a portion of each chan-

nel's signal to provide an output here, allowing you to 
set up a nice stage monitor mix, or to set up an external 
effect from different channels. See the aux send details 
on page 18.

16. 

1

4

" MAIN OUTS

These 1⁄4" TRS balanced/unbalanced outputs feed the 

main mix out into the waiting world. You can feed your 
amplifiers or powered speakers this way, or through the 
XLR main outs [17].

To use these outputs to drive balanced inputs, con-

nect 1⁄4" TRS (Tip–Ring–Sleeve) phone plugs like this: 

Tip = + (hot)
Ring = –(cold)
Sleeve = Ground

For most music recording and PA applications, unbal-

anced lines are fine. To drive unbalanced inputs, con-
nect 1⁄4" TS (Tip–Sleeve) phone plugs like this: 

Tip = + (hot)
Sleeve = Ground

17.  XLR MAIN OUTS 

Use these to send the main mix out into the line-level 

balanced inputs of your amplifier or powered speakers.

These low-impedance outputs are fully balanced, and 

this output is 6 dB hotter than other outputs.

18.  XLR MAIN OUTPUT LEVEL SWITCH

Engaging this switch reduces the level of the balanced 

XLR main outputs, so you can feed the microphone 
input of, say, another mixer. (You can safely connect the 
XLR outputs into an input that provides 48V phantom 
power.)

19.  POWER CONNECTION

This is where you plug in the connector from the AC 

adapter supplied with your mixer.

Only use the AC adapter that came with your 
mixer, or a factory-authorized power supply.

20.  POWER SWITCH

Press the top of this rocker switch inwards to turn on 

the mixer. The power LED [39] on the top surface of 
the mixer will glow with happiness, or at least it will if 
you have the AC adapter plugged in to a suitable live AC 
mains supply.

Press the bottom of this switch to put the mixer into 

standby mode. It will not function, but the circuits are still 
live. To remove power, either turn off the mains supply, or 
unplug the power cord from the mixer and the mains sup-
ply. 

As a general guide, you should turn on your mixer 

first, before the power amplifier or powered speakers, 
and turn it off last. This will reduce the possibilities of 
any turn-on, or turn-off thumps in your speakers. 

LINE IN 7-8

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

1

PAN

LEVEL

POWER

RUDE

SOLO

LEVEL

SET

CONTROL

ROOM

SOURCE

ALT 3-4

TAPE

MAIN MIX

LEFT RIGHT

0dB=0dBu

ASSIGN

TO MAIN MIX

MAIN MIX

+12dB

O

O

+10dB

O

O

SEND

O

O

+10

 802

+12dB

O

O

CTL ROOM/SUBMIX 

PHONES

AUX

3

4

0

15

20

10

6

30

10

7

20

1

MUTE

ALT 3-4

PRE FADER

SOLO

LINE IN 5-6

MONO

BAL

OR

UNBAL

L

R

BAL

OR

UNBAL

MONO

BAL

OR

UNBAL

L

R

MONO

BAL

OR

UNBAL

L

R

L

R

ST RETURN

BAL/UNBAL

L

3

ALT OUTPUT

R

4

BAL/UNBAL

L

R

BAL/UNBAL

L

R

PRE

POST

+4

MIC

AUX 

MASTER 

O

O

+20

STEREO

RETURN 

LOW CUT

100 Hz

18dB/OCT

GAIN

+15dB - 45dB 

INSERT

LINE IN 1

LINE IN 3

LINE IN 4

MIC 

1

BAL

OR

UNBAL

GAIN

+15dB - 45dB 

GAIN

INSERT

LINE IN 2

MIC 

2

MIC 

3

   X

DR2 MIC PRE 

   X

DR2 MIC PRE 

   X

DR2 MIC PRE 

MAIN

OUTPUT 

LEVEL

PHANTOM

POWER

CR OUTPUT

TAPE IN

TAPE OUT

L

R

L

R

PHONES

MAIN OUT BALANCED

L

R

AUX SEND

BAL/UNBAL

MAIN OUT

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

PAN

LEVEL

+12dB

O

O

AUX

MUTE

ALT 3-4

PRE FADER

SOLO

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

PAN

LEVEL

+12dB

O

O

AUX

3-4

MUTE

ALT 3-4

PRE FADER

SOLO

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

PAN

LEVEL

+12dB

+12dB

O

O

AUX

MUTE

ALT 3-4

PRE FADER

SOLO

HI

12kHz

MID

2.5kHz

LOW

80Hz

EQ

PAN

LEVEL

O

O

AUX

MUTE

ALT 3-4

PRE FADER

SOLO

5-6

7-8

O

O

MAX

+15

-15

+15

-15

+15

-15

L R

U

U

U

O

O

+15

U

+15

-15

+15

-15

+15

-15

L R

U

U

U

O

O

+15

U

+15

-15

+15

-15

+15

-15

L R

U

U

U

O

O

+15

U

+15

-15

+15

-15

+15

-15

L R

U

U

U

O

O

+15

U

+15

-15

+15

-15

+15

-15

L R

U

U

U

O

O

+15

U

U

U

U

U

U

U

U

U

U

  -10

dBV 

 M

IC GAIN 

0

U

60

  -10

dBV 

 M

IC GAIN 

0

U

60

  

 M

IC GAIN 

0

60

2

POWER

ON

POWER

 802

20

19

Summary of Contents for 802-VLZ3

Page 1: ...UNBAL GAIN 15dB 45dB GAIN INSERT LINE IN 2 MIC 2 MIC 3 XDR2 MIC PRE XDR2 MIC PRE XDR2 MIC PRE MAIN OUTPUT LEVEL PHANTOM POWER CR OUTPUT TAPE IN TAPE OUT L R L R PHONES MAIN OUT BALANCED L R AUX SEND B...

Page 2: ...ealer or an experienced radio TV technician for help CAUTION Changes or modifications to this device not expressly approved by LOUD Technologies Inc could void the user s authority to operate the equi...

Page 3: ...re Message to seasoned pros do not set levels using the old Turn the gain up until the clip light comes on then back off a hair trick When a Mackie mixer clip light comes on you really are about to cl...

Page 4: ...ion authorization code is supplied with your 802 VLZ3 See www mackie com for system require ments and more Tracktion details Entire audio civilizations have grown up around Tracktion so we hope that y...

Page 5: ...INPUT 14 14 TAPE OUTPUT 15 15 AUX SEND 15 16 1 4 MAIN OUTS 15 17 XLR MAIN OUTS 15 18 XLR MAIN OUTPUT LEVEL SWITCH 15 19 POWER CONNECTION 15 20 POWER SWITCH 15 CHANNEL STRIP DESCRIPTION 16 21 LEVEL 16...

Page 6: ...O O 15 U 15 15 15 15 15 15 L R U U U O O 15 U 15 15 15 15 15 15 L R U U U O O 15 U U U U U U U U U U 10dBV M IC GAIN 0 U 60 10dBV M IC GAIN 0 U 60 M IC GAIN 0 60 2 iPodTM Docking Station Microphone Ac...

Page 7: ...microphone Acoustic Guitar Amplifier modeler Electric Guitar HR624mkII studio monitors Synth Headphones Headphone amp Laptop Electronic Drum Kit This diagram shows a condenser microphone connected to...

Page 8: ...O O 15 U U U U U U U U U U 10dBV M ICGAIN 0 U 60 10dBV M ICGAIN 0 U 60 M ICGAIN 0 60 2 Headphones Keyboard submix to front of house mixer Mono synth 1 Stage monitor mix from FOH mixer Main mix to FOH...

Page 9: ...12dB 12dB O O AUX MUTE ALT 3 4 PRE FADER SOLO HI 12kHz MID 2 5kHz LOW 80Hz EQ PAN LEVEL O O AUX MUTE ALT 3 4 PRE FADER SOLO 5 6 7 8 O O MAX 15 15 15 15 15 15 L R U U U O O 15 U 15 15 15 15 15 15 L R...

Page 10: ...er modeler Electric Guitar HR624mkII studio monitors Synth Headphones Laptop TV Set DVD Player video 1 video 2 Cable box Effect Processor This system is useful if you are short on space or you are in...

Page 11: ...it anyway The 802 VLZ3 s phantom power is globally controlled by the phantom power 12 switch This means the phantom power for the mic inputs of channels 1 3 is turned on and off together Never plug si...

Page 12: ...s 3 4 5 6 and 7 8 These fully balanced inputs are designed for stereo or mono balanced or unbalanced signals They can be used with just about any professional or semi pro instrument effect or tape pla...

Page 13: ...ALLEL The next sections toss the terms serial and parallel around like hacky sacks Here s what we mean by them Serial means that the entire signal is routed through the effects device Examples compres...

Page 14: ...to these outputs see source matrix 30 on page 19 The level is adjusted with the phones knob 31 and the source is whatever the control room output is playing such as the main mix the alt 3 4 stereo bu...

Page 15: ...des 48V phantom power 19 POWER CONNECTION This is where you plug in the connector from the AC adapter supplied with your mixer Only use the AC adapter that came with your mixer or a factory authorized...

Page 16: ...two are for individual mics or mono instruments and have more gain available The next strip controls mic or stereo line level sources and the last two are for either stereo or mono line level sources...

Page 17: ...ving next to an all night disco As you turn the pan 24 knob from left to right thereby causing the sound to move from the left to the center to the right the sound will appear to remain at the same vo...

Page 18: ...gh unity the center position on up to 15 dB of extra gain when turned fully clockwise Chances are you ll never need this extra gain but it s nice to know it s there if you do The channel 3 8 aux knobs...

Page 19: ...9 knob this control room submix knob and the phones knob 31 This way you can send a nice healthy level to the main output main mix knob at U and a quiet level to the control room or phones control roo...

Page 20: ...e tape inputs and that never gets to the main outs Oh but it does Simply engage this switch and your control room source selection after going through the control room submix 32 knob will feed into th...

Page 21: ...audience The levels of each are independent of each other With the switch in the aux send becomes an ordinary effects send post fader level and post mute alt 3 4 This is a must for effects sends sinc...

Page 22: ...nel Is the gain set correctly Is the level knob turned up Is the instrument switch set correctly Chan nels 1 2 only Try the same source signal in another channel set up exactly like the suspect channe...

Page 23: ...which are plugged into the two mic preamps You can cook up your own adapter for a stereo microphone Y two cables out of a female 1 4 TRS jack to two male XLR plugs one for the Right signal and one for...

Page 24: ...then 1 4 as these could damage the circuit boards Do not use any shorter screws or the adapter will not be securely fixed to the mixer TRSSend ReceiveInsertJacks Mackie s single jack inserts are the t...

Page 25: ...z 20 kHz mic input to insert send out max gain 150 ohm termination 129 5 dBu Common Mode Rejection Ratio CMRR Mic in to insert send out max gain 1 kHz better than 60 dB Maximum Levels Mic in 21 dBu Ta...

Page 26: ...in L R RUDE SOLO LED Line Line Bal Bal Alt3 4 CD Tape Main C R Source 3 Band EQ Alt 3 4 Main L R Alt 3 4 Main L R post pre C R to Main off Low Cut bypass NOTE Switches are shown in the default out pos...

Page 27: ...ice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www...

Page 28: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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