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802-

VLZ3

80-VLZ3

•  Includes Tracktion 3 Project Bundle, music 

production software for Mac/PC

•  Optional mic stand adapter (see p.24)

How To Use This Manual 

Since many of you folks will want to hook up your 

802-VLZ3 immediately, the first pages you will encounter 
after the table of contents are the ever-popular hookup 
diagrams. These show typical mixer setups for various 
applications.

After this section is a detailed tour of the entire 

mixer, where you will find illustrations with each feature 
numbered. If you’re curious about a feature, simply 
locate it on the appropriate illustration, notice the num-
ber attached to it, and find that number in the nearby 
paragraphs.

This icon marks information that is critically 
 important or unique to the 802-VLZ3. We recom-
mended that you read these important notes.

This icon will lead you to in-depth explana-
tions of features and some practical tips. It is 
possible these may even be helpful.

Appendix A is a section on troubleshooting and 

service information.

Appendix B is a section on connectors.

Appendix C shows the technical specifications, and a 

handy block diagram.

Tracktion

Not only do you get a shiny new 802-VLZ3 mixer, but 

you also get a copy of our wonderful Tracktion 3 soft-
ware. Tracktion is not required to run the mixer, but 
once you start using it, you will just love it. 

Tracktion is a powerful audio production and MIDI 

sequencing application, designed with simplicity and 
ease of use in mind. It can be easily loaded onto your PC 
or Mac, and configured for your system. It is capable of 
delivering professional results that only a few years ago 
would have required a significant investment in ex-
pensive hardware. When you open Tracktion, you have 
at your disposal all of the tools necessary to turn your 
musical ideas into great sounding mixes.

The Tracktion authorization code is supplied with 

your 802-VLZ3. See www.mackie.com for system require-
ments and more Tracktion details.

Entire audio civilizations have grown up around 

Tracktion, so we hope that you will enjoy it and your 
new 802-VLZ3 mixer.

Introduction

Thank you for choosing a Mackie professional com-

pact mixer. The 802-VLZ3 is equipped with three of our 
precision-engineered XDR2

TM

 Extended Dynamic Range 

premium studio-grade microphone preamplifiers.

The small size of this mixer and the quality of its 

design make it an ideal choice for recording, sound re-
inforcement, multimedia use, or post-production work. 
Tuck it away in your home studio and use the included 
Tracktion software to record your wonderful talent.

The Mackie VLZ3 series of mixers consist of the 402, 

802, 1202, 1402, 1642, and 1604-VLZ3. The 802-VLZ3 
mixer has more channels than a four channel mixer, but 
not as many as a 12 channel mixer. Some of the features 
of the 802-VLZ3 include:

•  Ultra-compact 8-channel mixer 
•  3 studio-grade XDR2™ Extended Dynamic 

Range mic preamps

•  8 high-headroom line inputs
•  2 mono mic/line channels
•  1 mono-mic/stereo-line hybrid channel
•  2 stereo line-level channels
•  Tape input and output with RCA connectors
•  XLR main output with switchable mic-level 

output for direct connection to stage snake

•  1/4" TRS main outputs
•  3-band active EQ on each channel
•  Aux send per channel, with master pre/post 

switch and dedicated stereo aux return

•  Instrument input switches on channels 1 and 2 

– no DI box is needed 

•  Inserts on channels 1 and 2
•  Pan control on each channel
•  Low-cut filter on mic input channels
•  Phantom power for studio condenser mics  
•  Separate main, control room, and phones out-

puts with independent volume controls

•  Control room/phones source matrix allows 

monitoring of any combination of main mix and 
tape input

•  Pre-Fader solo on each channel  
•  ALT 3/4 stereo bus for added versatility  
•  High-resolution 12-segment stereo meters
•  Sealed rotary controls to resist dust, grime and 

anchovies  

•  Sleek, rugged steel chassis

Summary of Contents for 802-VLZ3

Page 1: ...UNBAL GAIN 15dB 45dB GAIN INSERT LINE IN 2 MIC 2 MIC 3 XDR2 MIC PRE XDR2 MIC PRE XDR2 MIC PRE MAIN OUTPUT LEVEL PHANTOM POWER CR OUTPUT TAPE IN TAPE OUT L R L R PHONES MAIN OUT BALANCED L R AUX SEND B...

Page 2: ...ealer or an experienced radio TV technician for help CAUTION Changes or modifications to this device not expressly approved by LOUD Technologies Inc could void the user s authority to operate the equi...

Page 3: ...re Message to seasoned pros do not set levels using the old Turn the gain up until the clip light comes on then back off a hair trick When a Mackie mixer clip light comes on you really are about to cl...

Page 4: ...ion authorization code is supplied with your 802 VLZ3 See www mackie com for system require ments and more Tracktion details Entire audio civilizations have grown up around Tracktion so we hope that y...

Page 5: ...INPUT 14 14 TAPE OUTPUT 15 15 AUX SEND 15 16 1 4 MAIN OUTS 15 17 XLR MAIN OUTS 15 18 XLR MAIN OUTPUT LEVEL SWITCH 15 19 POWER CONNECTION 15 20 POWER SWITCH 15 CHANNEL STRIP DESCRIPTION 16 21 LEVEL 16...

Page 6: ...O O 15 U 15 15 15 15 15 15 L R U U U O O 15 U 15 15 15 15 15 15 L R U U U O O 15 U U U U U U U U U U 10dBV M IC GAIN 0 U 60 10dBV M IC GAIN 0 U 60 M IC GAIN 0 60 2 iPodTM Docking Station Microphone Ac...

Page 7: ...microphone Acoustic Guitar Amplifier modeler Electric Guitar HR624mkII studio monitors Synth Headphones Headphone amp Laptop Electronic Drum Kit This diagram shows a condenser microphone connected to...

Page 8: ...O O 15 U U U U U U U U U U 10dBV M ICGAIN 0 U 60 10dBV M ICGAIN 0 U 60 M ICGAIN 0 60 2 Headphones Keyboard submix to front of house mixer Mono synth 1 Stage monitor mix from FOH mixer Main mix to FOH...

Page 9: ...12dB 12dB O O AUX MUTE ALT 3 4 PRE FADER SOLO HI 12kHz MID 2 5kHz LOW 80Hz EQ PAN LEVEL O O AUX MUTE ALT 3 4 PRE FADER SOLO 5 6 7 8 O O MAX 15 15 15 15 15 15 L R U U U O O 15 U 15 15 15 15 15 15 L R...

Page 10: ...er modeler Electric Guitar HR624mkII studio monitors Synth Headphones Laptop TV Set DVD Player video 1 video 2 Cable box Effect Processor This system is useful if you are short on space or you are in...

Page 11: ...it anyway The 802 VLZ3 s phantom power is globally controlled by the phantom power 12 switch This means the phantom power for the mic inputs of channels 1 3 is turned on and off together Never plug si...

Page 12: ...s 3 4 5 6 and 7 8 These fully balanced inputs are designed for stereo or mono balanced or unbalanced signals They can be used with just about any professional or semi pro instrument effect or tape pla...

Page 13: ...ALLEL The next sections toss the terms serial and parallel around like hacky sacks Here s what we mean by them Serial means that the entire signal is routed through the effects device Examples compres...

Page 14: ...to these outputs see source matrix 30 on page 19 The level is adjusted with the phones knob 31 and the source is whatever the control room output is playing such as the main mix the alt 3 4 stereo bu...

Page 15: ...des 48V phantom power 19 POWER CONNECTION This is where you plug in the connector from the AC adapter supplied with your mixer Only use the AC adapter that came with your mixer or a factory authorized...

Page 16: ...two are for individual mics or mono instruments and have more gain available The next strip controls mic or stereo line level sources and the last two are for either stereo or mono line level sources...

Page 17: ...ving next to an all night disco As you turn the pan 24 knob from left to right thereby causing the sound to move from the left to the center to the right the sound will appear to remain at the same vo...

Page 18: ...gh unity the center position on up to 15 dB of extra gain when turned fully clockwise Chances are you ll never need this extra gain but it s nice to know it s there if you do The channel 3 8 aux knobs...

Page 19: ...9 knob this control room submix knob and the phones knob 31 This way you can send a nice healthy level to the main output main mix knob at U and a quiet level to the control room or phones control roo...

Page 20: ...e tape inputs and that never gets to the main outs Oh but it does Simply engage this switch and your control room source selection after going through the control room submix 32 knob will feed into th...

Page 21: ...audience The levels of each are independent of each other With the switch in the aux send becomes an ordinary effects send post fader level and post mute alt 3 4 This is a must for effects sends sinc...

Page 22: ...nel Is the gain set correctly Is the level knob turned up Is the instrument switch set correctly Chan nels 1 2 only Try the same source signal in another channel set up exactly like the suspect channe...

Page 23: ...which are plugged into the two mic preamps You can cook up your own adapter for a stereo microphone Y two cables out of a female 1 4 TRS jack to two male XLR plugs one for the Right signal and one for...

Page 24: ...then 1 4 as these could damage the circuit boards Do not use any shorter screws or the adapter will not be securely fixed to the mixer TRSSend ReceiveInsertJacks Mackie s single jack inserts are the t...

Page 25: ...z 20 kHz mic input to insert send out max gain 150 ohm termination 129 5 dBu Common Mode Rejection Ratio CMRR Mic in to insert send out max gain 1 kHz better than 60 dB Maximum Levels Mic in 21 dBu Ta...

Page 26: ...in L R RUDE SOLO LED Line Line Bal Bal Alt3 4 CD Tape Main C R Source 3 Band EQ Alt 3 4 Main L R Alt 3 4 Main L R post pre C R to Main off Low Cut bypass NOTE Switches are shown in the default out pos...

Page 27: ...ice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www...

Page 28: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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