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19

slowest repeats at 

10

DAMPING/DEPTH

 

controls the damping, with the darkest tone at

0

 and the brightest tone at 

10

. Since the delay

effect is not stereo, it is not affected by the

WIDE

 

 switch.

DELAY 1:

 One repeat. Works best for

slapback delay used in country and swing gui-
tar, and for rockabilly and some country vocals.
Delay range is adjustable from 5 ms to 524 ms.

DELAY 2:

 Two repeats. Provides a fuller, more

dramatic effect for rock and gospel vocals, acous-
tic guitar, and wind instruments such as flute.
Especially effective for some finger-picking styles.
Delay range is adjustable from 5 ms to 524 ms.

DELAY 3:

 Three repeats. An excellent delay

for slow, bluesy vocals and melodic flute music.
This delay usually works best when the chan-
nel 

EFX

 send is set at less than halfway. Delay

range is adjustable from 5 ms to 524 ms.

DELAY 4:

 Four repeats. This is for very dra-

matic delay effects, particularly for enhancing
long vocal notes and dramatic instrumental
note-chopping effects. Be sure to set the chan-
nel 

EFX

 send at about halfway. Delay range is

adjustable from 5 ms to 524 ms.

Modulation Effects

These include Chorus, Flange, and Phaser,

and are generally used for enhancement of
instrumental music. However, Chorus adds a
dramatic effect to vocals as well. The 

WIDE

 switch is very effective at dramatically

increasing the strength and thickness of a
modulation effect. For example, using 

WIDE

 on

Chorus mimics a multi-voiced chorus effect.

TIME/RATE

 

 controls the effect Rate,

which is the speed of the sweeping effect. Fully
counter-clockwise produces the slowest sweeps
and fully clockwise produces the fastest.

DAMPING/DEPTH

 

 controls the effect

depth, which is the strength of the sweeping
effect. Fully counter-clockwise produces the
lightest sweeping effect and fully clockwise
produces the thickest.

CHORUS:

 Provides a soft, ethereal sweeping

effect. Perfect for enhancement of electric and
acoustic guitar and bass. Also adds a dramatic
effect to vocals, particularly group harmonies
and choirs. The channel’s 

EFX 2 (INT)

 

should be set halfway or higher. Rate is adjust-
able from 0.5 Hz to 30 Hz. Depth is adjustable
from 0% to 100%.

FLANGE:

 Creates a strong sweeping effect,

particularly effective on rock electric guitar,
lead and rhythm. The channel’s 

EFX 2 (INT)

 

should be set halfway or higher. Rate is adjust-

able from 0.5 Hz to 20 Hz. Depth is adjustable
from 0% to 100%.

PHASER:

 This effect is perfect for enhanc-

ing strummed acoustic guitar or electric guitar
power chords. The 

PHASER

 effectively dupli-

cates the popular 70’s phase shift effect used for
guitar. Rate is adjustable from 0.5 Hz to 35 Hz.
Depth is adjustable from 50% to 100%.

TIME/RATE

If you have a reverb effect selected, this

control adjusts how long the reverberation
lasts, with 

0

 being a short reverb time and 

10

being the longest.

If you have a delay effect selected, this adjusts

the amount of time between the original signal
and the delayed signal, with 

0

 being a short delay

time and 

10

 being the longest delay time.

If you have a chorus, flange, or phaser effect

selected, this control adjusts the rate or speed
of the modulation of the effect.

DAMPING/DEPTH

If you have a reverb or delay effect selected,

this control adjusts how fast the higher fre-
quencies roll off in the reverberation or delay,
with 0 having little roll off and 10 having the
most roll off.

If you have a chorus, flange, or phaser effect

selected, this control adjusts the depth of the
modulation of the effect.

WIDE

Depending on the effect selected, this

switch adds more width or depth to the effect.
Note that it doesn’t work with the 

DELAY

 and

PHASER

 effects because they are monophonic.

BYPASS

Pushing in this button causes the adjacent

EFX BYPASS

 indicator to light and mutes the

effects’ output signal. It affects only the internal

EMAC

 effects, not any external effects processor

you may have connected to the 

STEREO EFX

RETURN 2

 

 jack.

CLIP

This indicates when the 

EMAC

 is 6 dB below

clipping. Just like the channels’ 

ZERO LEVEL

 LED, this LED should only light occasion-

ally. If it blinks frequently, you should turn
down 

EFX 2 SEND

 

 a little.

Summary of Contents for CFX 12

Page 1: ...O 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 O O 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 O O 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 O O 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 O O 40 50 5 5 U 60 10 SOLO PF...

Page 2: ...amplifiers that produce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two bla...

Page 3: ...s like this Every feature on the CFX mixer has one of these numbers assigned to it Whenever a feature is mentioned described or illustrated its number will be right next to it Thank you for choosing a...

Page 4: ...Info 20 Warranty Service 20 Troubleshooting 20 Repair 21 APPENDIX B Technical Info 21 Specifications 21 Block Diagram 22 Contributors and Colophon 23 CFX MKII SERIES LIMITED WARRANTY 23 IMPORTANT SAFE...

Page 5: ...trip GAIN AUX EFX and Fader down 3 STEREO GRAPHIC EQ sliders centered 4 MASTER AUX and EFX SENDS and EFX RETURNS down 5 Channel strip EQ and PAN controls centered 6 Channel strip ASSIGN 1 2 and MUTE s...

Page 6: ...n up the MAIN MIX Fader to a comfortable listening level 5 If the overall mix has an equalization problem make adjustments to the STEREO GRAPHIC EQ If an individual channel is the problem use its EQ i...

Page 7: ...t Reverb Digital Delay Mono Power Amplifiers Digital Multitrack Recorder Guitar Effects Direct Box 5 6 7 8 9 10 11 12 13 14 15 16 20 19 18 17 2 1 1 2 R L R L R L R L 2 1 CHANNEL INSERTS STEREO EFX RET...

Page 8: ...3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 At the risk of stating the obvious this is where you plug everything in microphones line level instruments effects headphones and the ultimate destination for your sou...

Page 9: ...signal enters the real world The XLR balanced outputs will add 6 dB when connected to balanced inputs thereby elevating signal from the noise floor by that amount The TRS balanced outputs offer the a...

Page 10: ...TRS outputs is post fader only so they cannot be used as traditional stage monitor cues They re in tended to patch into effects device inputs hence the name EFX See EFX 1 EXT and EFX 2 INT for more in...

Page 11: ...levels Walkperson type phones can also be used with an appropriate adapter Note Please see the Safety Instructions on page 2 for information on hearing protection EFX FOOT SWITCH You can connect a nor...

Page 12: ...ges from off through unity the center detent position on up to 15 dB of extra gain fully clockwise The line level stereo channels AUX knobs control a mono sum of the channel s stereo sig nals For inst...

Page 13: ...ou can also screw things up If you max the EQs on every channel you ll get mix mush not to mention driving your mix levels near or beyond clipping So equalize subtly use the left sides of the knobs cu...

Page 14: ...dependently of the rest of the mix SUB Faders SUB ASSIGN and MAIN MIX Fader will explain this further FADER Although the most self explanatory item on a mixer we ll explain it anyway The fader is the...

Page 15: ...results try to keep your peaks between 0 and 7 You may already be familiar with 4 4 dBu 1 23V and 10 10 dBV 0 32V operating levels Basically what determines the operat ing level is the relative 0 dB...

Page 16: ...e mixer via its TRS jacks and SUB ASSIGN sends it to the MAIN MIX Fader LEFT RIGHT SUB ASSIGN As discussed in ASSIGN the only way to get channel outputs to the main mix is via the sub mixes and this s...

Page 17: ...e EMAC EFFECTS PROCESSOR FOR THE IMPATIENT Set EFX 2 SEND and TO MAIN MIX at the center U mark As suming you have your basic mix up and run ning turn up the EFX 2 INT per channel This feeds in individ...

Page 18: ...ng pre delay and late reflections Tails are very warm with some additional high end reflections imitating the stone walls of a cathedral A very dramatic effect that works well with wind instruments su...

Page 19: ...a dramatic effect to vocals particularly group harmonies and choirs The channel s EFX 2 INT should be set halfway or higher Rate is adjust able from 0 5 Hz to 30 Hz Depth is adjustable from 0 to 100...

Page 20: ...S AND CONSIDERATIONS When setting up for a show oftentimes you are plugging into an AC power distribution sys tem you know nothing about You may even be faced with 2 wire outlets that are missing the...

Page 21: ...surance for all forms of cartage 8 We ll try to fix the mixer within five business days Once it is repaired we ll ship it back the same way in which it was received This paragraph does not neces saril...

Page 22: ...EFX BYPASS EFX FOOT SWITCH 5 VDC GLOBAL PHANTOM POWER WOODINVILLE EXIT BOTHELL MONROE EMAC DSP EFX LEVEL SET L R SOLO CONTROL ACTIVE LOW SOLO OFF SOLO ON SUB 2 OUT LEFT ASSIGN RIGHT ASSIGN LEFT ASSIGN...

Page 23: ...location within the boundaries of the USA G LOUD Technologies warrants all repairs performed for 90 days or for the remainer of the warranty period This warranty does not extend to damage resulting fr...

Page 24: ...Red Road NE Woodinville WA 98072 USA US and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail sales m...

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