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15

Owner’s Manual

Owner’

s Manual

28.  Main Mix

This knob controls the levels of signals sent to the 

main and tape outputs. All channels and aux returns 
that are not turned fully down will wind up in the main 
mix.

Fully counterclockwise is off, the center is unity gain, 

and fully clockwise  provides 10 dB  of additional gain. 
This additional gain will typically never be needed, but 
once again, it’s nice to know it’s there. This is the knob 
to turn down at the end of the song when you want   
"The Great Fade-Out."

NOTE: 

Mix12FX users, you probably noticed 

that there is no main mix knob, but rather a 
main mix fader. It works exactly the same as 

listed above except you raise and lower the fader. Trying 
to turn it clockwise and counterclockwise would be 
counterintuitive to what you are trying to accomplish.  
It would damage the mixer, too, and you don't want that!

29. Meters

Mix Series mixers peak metering system – say that 

five times fast! – should be made up of two columns of 
four LEDs. If you happen to see more than that, post a 
picture to Instagram and/or Twitter with the hashtag 
#LEDsGalore. The threshold ranges from –20 dBu on up 
to +18 dBu (OL = overload).

The 0 dB LED corresponds to an output level of 0 

dBu (0.775 V RMS). The OL LEDs illuminate when the 
output r18 dBu. There is a fair margin of safety 
before actual clipping distortion occurs, but turn things 
down if the OL LEDs illuminate.

The meters typically display the level of the main mix 

after the main mix level. However, if the tape to control 
room / phones switch is engaged, the meters will display 
that level instead of the main mix.

You can get a good mix with peaks flashing anywhere 

between –20 and +6 dB on the meter display. Most 
amplifiers clip at about +10 dB, and some recorders 
aren’t so forgiving either. For best real-world results, try 
to keep peaks between “0” and “+6.”

If the meters are too high, there will be distortion. 

If they are too low, the signal-to-noise ratio will suffer. 
Use the meters to help adjust the mixer for optimum 
performance without distortion or noise. Then adjust 
the amplifier's level controls for good overall volume. 
The result: the best overall signal-to-noise ratio!

Please remember: Audio meter displays are just tools 

to help assure you that your levels are “in the ballpark.” 
You don’t have to stare at them (unless you want to). 
If you find that staring at the meters sends you into a 
hypnotic trance, please do not be alarmed. Just mow my 
lawn and polish my car every Tuesday.

FX [Mix12FX only]

The Mix12FX features an internal effects processor 

with 12 presets. Signals to this effects processor comes 
from adjusting the FX send on each channel. The output 
from the processor may be added to the main mix by 
adjusting the FX to main knob.

Very careful thought and lots of audio love has gone 

into the design of the 12 presets. The engineers spent  
a lot of time lounging about in warm halls, visiting 
bright halls and small stages and going to concerts  
just to get these sounds right for you. Initially, they 
wanted to investigate "warm beach in Hawaii," but had 
to make do with "cold forest in Washington" instead...

30.  Preset Select [Mix12FX only]

Rotate this detented switch to select the desired 

preset effect. 

Please refer to Appendix C: Table of Effects Presets 

on page 22 for more details about the presets and 
examples.

31.  FX to Main [Mix12FX only]

Signals from the internal effects (FX) processor make 

their way through this knob and continue on to the main 
mix fader. They contain the effects’ “wet” signals and are 
mixed together with the channels’ “dry” original signals. 
Turned fully up, it provides 15 dB of additional gain, the 
center “U” mark is unity gain, and fully down is off.

32.  FX Sig / OL LED [Mix12FX only]

This dual-colored LED will illuminate green when the 

FX signal is present, indicating FX signal. It will remain 
lit so long as there is an FX signal above –20 dBu.

This dual-colored LED will illuminate red when the 

FX signal is too high, indicating a signal overload. This 
should be avoided, as distortion will occur. If the OL 
LED comes on regularly, check that each channel's FX 
knob is set correctly for the input device and/or turn the 
FX to main knob down.

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Summary of Contents for Mix5

Page 1: ...L R R R R MAIN OUT AUX RETURN AUX SEND 5 6 L R CR OUT PHONES 1 2 U MIC GAIN 50 20dB 30dB GAIN U MIC GAIN 50 20dB 30dB GAIN L R IN OUT TO CR PHONES TO MAIN 20 0 6 OL OO MAX U 15 AUX MASTER OO LEVEL OO...

Page 2: ...ce to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television receptio...

Page 3: ...9 2 Mic Ins 9 3 Phantom Power 9 4 Line Ins 9 5 Gain 10 6 Hi EQ 10 7 Mid EQ 10 8 Low EQ 10 9 Low Cut Switch 11 10 4 10 Switch 11 11 Aux 11 12 FX 11 13 Pan Bal 12 14 OLD LEDs 12 15 Level 12 16 Main Out...

Page 4: ...oise design preamps Mix Series mixers sound great and maintain audio quality from any source Plus with their rugged metal chassis and high quality components throughout they are a solid investment in...

Page 5: ...e that the volume of the input is the same as it would be during normal use 9 Turn up that channel s level knob to the U unity gain position 10 Slowly bring up the main mix to a comfortable listening...

Page 6: ...hythm guitar to the channel 2 mic input via Direct Injection DI the lead guitar plays through a stereo effects processor plugged into the channel 5 6 line inputs and a synth is connected to the channe...

Page 7: ...pe inputs and outputs are connected to a laptop It s an easy way to get a stereo recording for posterity and use the same setup as playback of that very recording EQ AUX U 15 OO 80Hz LOW 12kHz HI 2 5k...

Page 8: ...B 30dB GAIN U MIC GAIN 50 20dB 30dB GAIN L R IN OUT TO CR PHONES TO MAIN 20 0 6 OL OO MAX U 15 AUX MASTER OO LEVEL OO 10 EQ AUX U 15 OO 80Hz LOW 12kHz HI 2 5kHz MID 15 U 15 15 U 15 15 U 15 LEVEL OO 10...

Page 9: ...nd impedance matching They also let you send your gifted guitar renditions over long cables or audio snakes with minimum interference or high frequency signal loss Ask your dealer or guitar maker abou...

Page 10: ...e low EQ without injecting a ton of subsonic debris into the mix 20Hz 100Hz 1kHz 10kHz 20kHz 15 10 5 0 5 10 15 High EQ 20Hz 100Hz 1kHz 10kHz 20kHz 15 10 5 0 5 10 15 Mid EQ 20Hz 100Hz 1kHz 10kHz 20kHz...

Page 11: ...inputs to either 4 dB balanced input switch disengaged or 10 dB unbalanced input switch engaged Use the 4 dB setting for professional equipment operating at the 4 dBu standard and use the 10 dB setti...

Page 12: ...or a headphone distribution amplifier The volume is adjustable with the CR phones knob SLEEVE TIP SLEEVE TIP RING RING TIP SLEEVE RING Balanced 1 4 TRS Connector SLEEVE TIP TIP SLEEVE TIP SLEEVE Unbal...

Page 13: ...wet signal moves up and down along with the dry signal maintaining a balance between them 20 Aux Return Mix8 only This is where you connect the outputs of your parallel effects devices They can also b...

Page 14: ...V MAIN MIX 20 0 6 OL OO MAX U 15 AUX MASTER OO OO 10 26 28 27 29 22 Tape In Connect computer audio outputs or tape recorder s outputs here using standard hi fi RCA cables Use these jacks for convenien...

Page 15: ...mixer for optimum performance without distortion or noise Then adjust the amplifier s level controls for good overall volume The result the best overall signal to noise ratio Please remember Audio me...

Page 16: ...associated level knob if any turned up If it s one of the main outs try unplugging all the others For example if it s the left main out unplug the RCA and CR left outputs If the problem goes away its...

Page 17: ...k Phones 22 All other outputs 120 unbalanced 240 balanced EQ High Shelving 15 dB 12 kHz Mid Peaking 15 dB 2 5 kHz Low Shelving 15 dB 80 Hz Low Cut Filter 18 dB octave 3 dB 75 Hz Power Requirements Pow...

Page 18: ...ix8 Mix12FX Dimensions Mix5 Mix8 Mix12FX WEIGHT 1 4 lb 0 6 kg 1 7 in 43 mm 5 5 in 140 mm 7 7 in 196 mm WEIGHT 2 5 lb 1 1 kg 2 1 in 53 mm 7 8 in 198 mm 9 6 in 244 mm WEIGHT 3 7 lb 1 7 kg 2 1in 53 mm 9...

Page 19: ...VING EQ PEAK MONO CHANNEL GAIN HIGH 80 12K LOW PAN LEVEL LEVEL MAIN MIX STEREO CHANNELS 2 3 and 4 5 L L R R PAN L R S U B N I A M T F E L S U B N I A M T H G I R HEADPHONE OUTPUT LEFT RIGHT METERS TAP...

Page 20: ...MID 80 12K 2 5K LOW EQ HIGH MID 80 12K 2 5K LOW PAN LEVEL LEVEL AUX MAIN MIX STEREO CHANNELS AUX RETURNS 3 4 and 5 6 L L R R PAN AUX L R L R LEFT MAIN BUS RIGHT MAIN BUS AUX BUS AUX SEND HEADPHONE OUT...

Page 21: ...ASS HIGH MID 80 12K 2 5K LOW 4 10 PAN LEVEL LEVEL FX MAIN MIX STEREO CHANNELS 5 6 7 8 9 10 and 11 12 L L R R PAN FX L R S U B N I A M T F E L S U B N I A M T H G I R S U B X F FX SEND PHONES OUT LEFT...

Page 22: ...that was generated with a metal plate Its sound is characterized by lots of early reflections and no pre delay Perfect for thickening percussive instruments such as a snare drum or tight vocal arrang...

Page 23: ...ervice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at w...

Page 24: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www 720trees com...

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