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17

Owner’s Manual

Owner’

s Manual

Appendix B: Technical Information

Specifications

Noise Characteristics

(20 Hz – 20 kHz bandwidth, 150   source impedance, EIN)
All outputs, master levels and channel levels off 

–100 dBu

All outputs, master levels unity, all channel levels off  –90 dBu
All outputs, master levels unity, 1 channel level unity  –85 dBu

Distortion (THD+N)

(20 Hz – 20 kHz bandwidth)
Mic Input to Main Output 

 

<0.01% @+4 dBu output

 

Attenuation and Crosstalk

(20 Hz – 20 kHz bandwidth)
Inputs to Outputs @1 kHz   

 

–90 dBu

Main Mix Off @1 kHz 

  

 

–82 dBu

 

Frequency Response

Mic Input to Any Output (Gain at Unity)
             

 

+0, –1 dB, 20 Hz to 30 kHz

 

Equivalent Input Noise (EIN)

(Mic in to Insert Send out, max gain.)
150    termination  

 

–125 dBu [Mix5, Mix8] 

    –122 

dBu 

[Mix12FX]

 

Common Mode Rejection Ratio (CMRR)

(Mic in to Insert Send out, max gain.)
1 kHz    

 

 

better than –70 dB

 

Maximum Levels

All inputs  

 

 

 

+25 dBu

Main 

output 

   +25 

dBu

All other outputs    

 

 

+26 dBu

Impedances

Mic in    

 

 

2 k  [Mix5] 

    3.8 

k  [Mix8, Mix12FX]

All other inputs    

 

10 k  or greater

Tape out    

 

 

1 k

Phones 

 

   22 

All other outputs    

 

120   unbalanced,  

    240 

 balanced

EQ

High Shelving  

 

 

±15 dB @ 12 kHz

Mid Peaking 

 

±15 dB @ 2.5 kHz

Low Shelving  

 

 

±15 dB @ 80 Hz

Low Cut Filter 

 

18 dB/octave, –3 dB @ 75 Hz

 

 

Power Requirements

Power Connection   

 

2-pin DC connector [US] 

    3-pin 

DC 

connector 

[EU]

Input 

 

 

 

120 VAC, 60 Hz [US] 

 

 

 

 

230 VAC, 50/60 Hz [EU]

Output   

 

18 VAC, 600mA [Mix5, Mix8] 

 

 

 

18 VAC, 1000mA [Mix12FX]

 

 

Dimensions (H x W x D)

Mix5 
 Height 

   1.7" 

43 

mm 

 Width 

   5.5" 

140 

mm 

 Depth 

   7.7" 

196 

mm

Mix8 
 Height 

   2.1" 

53 

mm 

 Width 

   7.8" 

198 

mm 

 Depth 

   9.6" 

244 

mm

Mix12FX 
 Height 

   2.1" 

53 

mm 

 Width 

   11.7" 

297 

mm 

 Depth 

   9.6" 

244 

mm

 

 

Weight 

Mix5 

 

 

 

 

1.4 lb / 0.6 kg

Mix8 

 

 

 

 

2.5 lb / 1.1 kg

Mix12FX  

 

 

 

3.7 lb / 1.7 kg

Since we are always striving to improve our products by 
incorporating new and improved materials, components, and 
manufacturing methods, we reserve the right to change these 
specifications at any time without notice.
The “Running Man” figure is a registered trademark of  
LOUD Technologies Inc. All other brand names mentioned  
are trademarks or registered trademarks of their respective 
holders, and are hereby acknowledged.
Please check our website for any updates to this manual: 
www.720trees.com. Batteries not included.
©2014 LOUD Technologies Inc. All Rights Reserved.

Summary of Contents for Mix5

Page 1: ...L R R R R MAIN OUT AUX RETURN AUX SEND 5 6 L R CR OUT PHONES 1 2 U MIC GAIN 50 20dB 30dB GAIN U MIC GAIN 50 20dB 30dB GAIN L R IN OUT TO CR PHONES TO MAIN 20 0 6 OL OO MAX U 15 AUX MASTER OO LEVEL OO...

Page 2: ...ce to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television receptio...

Page 3: ...9 2 Mic Ins 9 3 Phantom Power 9 4 Line Ins 9 5 Gain 10 6 Hi EQ 10 7 Mid EQ 10 8 Low EQ 10 9 Low Cut Switch 11 10 4 10 Switch 11 11 Aux 11 12 FX 11 13 Pan Bal 12 14 OLD LEDs 12 15 Level 12 16 Main Out...

Page 4: ...oise design preamps Mix Series mixers sound great and maintain audio quality from any source Plus with their rugged metal chassis and high quality components throughout they are a solid investment in...

Page 5: ...e that the volume of the input is the same as it would be during normal use 9 Turn up that channel s level knob to the U unity gain position 10 Slowly bring up the main mix to a comfortable listening...

Page 6: ...hythm guitar to the channel 2 mic input via Direct Injection DI the lead guitar plays through a stereo effects processor plugged into the channel 5 6 line inputs and a synth is connected to the channe...

Page 7: ...pe inputs and outputs are connected to a laptop It s an easy way to get a stereo recording for posterity and use the same setup as playback of that very recording EQ AUX U 15 OO 80Hz LOW 12kHz HI 2 5k...

Page 8: ...B 30dB GAIN U MIC GAIN 50 20dB 30dB GAIN L R IN OUT TO CR PHONES TO MAIN 20 0 6 OL OO MAX U 15 AUX MASTER OO LEVEL OO 10 EQ AUX U 15 OO 80Hz LOW 12kHz HI 2 5kHz MID 15 U 15 15 U 15 15 U 15 LEVEL OO 10...

Page 9: ...nd impedance matching They also let you send your gifted guitar renditions over long cables or audio snakes with minimum interference or high frequency signal loss Ask your dealer or guitar maker abou...

Page 10: ...e low EQ without injecting a ton of subsonic debris into the mix 20Hz 100Hz 1kHz 10kHz 20kHz 15 10 5 0 5 10 15 High EQ 20Hz 100Hz 1kHz 10kHz 20kHz 15 10 5 0 5 10 15 Mid EQ 20Hz 100Hz 1kHz 10kHz 20kHz...

Page 11: ...inputs to either 4 dB balanced input switch disengaged or 10 dB unbalanced input switch engaged Use the 4 dB setting for professional equipment operating at the 4 dBu standard and use the 10 dB setti...

Page 12: ...or a headphone distribution amplifier The volume is adjustable with the CR phones knob SLEEVE TIP SLEEVE TIP RING RING TIP SLEEVE RING Balanced 1 4 TRS Connector SLEEVE TIP TIP SLEEVE TIP SLEEVE Unbal...

Page 13: ...wet signal moves up and down along with the dry signal maintaining a balance between them 20 Aux Return Mix8 only This is where you connect the outputs of your parallel effects devices They can also b...

Page 14: ...V MAIN MIX 20 0 6 OL OO MAX U 15 AUX MASTER OO OO 10 26 28 27 29 22 Tape In Connect computer audio outputs or tape recorder s outputs here using standard hi fi RCA cables Use these jacks for convenien...

Page 15: ...mixer for optimum performance without distortion or noise Then adjust the amplifier s level controls for good overall volume The result the best overall signal to noise ratio Please remember Audio me...

Page 16: ...associated level knob if any turned up If it s one of the main outs try unplugging all the others For example if it s the left main out unplug the RCA and CR left outputs If the problem goes away its...

Page 17: ...k Phones 22 All other outputs 120 unbalanced 240 balanced EQ High Shelving 15 dB 12 kHz Mid Peaking 15 dB 2 5 kHz Low Shelving 15 dB 80 Hz Low Cut Filter 18 dB octave 3 dB 75 Hz Power Requirements Pow...

Page 18: ...ix8 Mix12FX Dimensions Mix5 Mix8 Mix12FX WEIGHT 1 4 lb 0 6 kg 1 7 in 43 mm 5 5 in 140 mm 7 7 in 196 mm WEIGHT 2 5 lb 1 1 kg 2 1 in 53 mm 7 8 in 198 mm 9 6 in 244 mm WEIGHT 3 7 lb 1 7 kg 2 1in 53 mm 9...

Page 19: ...VING EQ PEAK MONO CHANNEL GAIN HIGH 80 12K LOW PAN LEVEL LEVEL MAIN MIX STEREO CHANNELS 2 3 and 4 5 L L R R PAN L R S U B N I A M T F E L S U B N I A M T H G I R HEADPHONE OUTPUT LEFT RIGHT METERS TAP...

Page 20: ...MID 80 12K 2 5K LOW EQ HIGH MID 80 12K 2 5K LOW PAN LEVEL LEVEL AUX MAIN MIX STEREO CHANNELS AUX RETURNS 3 4 and 5 6 L L R R PAN AUX L R L R LEFT MAIN BUS RIGHT MAIN BUS AUX BUS AUX SEND HEADPHONE OUT...

Page 21: ...ASS HIGH MID 80 12K 2 5K LOW 4 10 PAN LEVEL LEVEL FX MAIN MIX STEREO CHANNELS 5 6 7 8 9 10 and 11 12 L L R R PAN FX L R S U B N I A M T F E L S U B N I A M T H G I R S U B X F FX SEND PHONES OUT LEFT...

Page 22: ...that was generated with a metal plate Its sound is characterized by lots of early reflections and no pre delay Perfect for thickening percussive instruments such as a snare drum or tight vocal arrang...

Page 23: ...ervice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at w...

Page 24: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www 720trees com...

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