Quick Start Guide
7
This diagram shows an electric guitar connected directly to the channel 1 input (hi-z switch in), a bass
guitar connected directly to channel 2 (hi-z switch in), an acoustic guitar mic connected to the channel 3
mic input, studio mics connected to channel 4-8 mic inputs, an electronic drum set connected to channel
9-10 line inputs, and a keyboard connected to channel 11-12 line inputs. A CD player connects to the
tape input for referencing pre-recorded material.
A multi-FX processor is connected to the insert jack of channel 1 to work its magic on your guitar.
A dynamics processor is connected to insert 2 for your bass, and an additional dynamics processor
connects to insert 3 for your acoustic guitar. Compressors are connected to inserts 6-8 for your vocals.
A stereo compressor is connected to the main inserts.
Mackie HR824mk2 powered reference monitors are used for your control room listening. The
engineer's headphones are used to monitor levels.
In this example, auxes 1-2 feed the inputs of multi-FX processors, whose stereo outputs enter the aux
1-2 returns, to be added to the main mix by adjusting the master return knob for auxes 1-2. Auxes 3-6
are set up to provide the feed to separate headphone amplifi ers and the bands' headphones. Each
member may set the levels to their liking.
A desktop computer connects to a FireWire port allowing any number of the 16 individual channels to
be tracked at one time using audio production software.
Mixer channels 15/16 can play the 2-channel signals from your computer if the FW 15/16 switches
at the top of the 15/16 channel strips are engaged. This makes for easy playback for any overdubs that
may be necessary.
Typical Recording System
48V
48V
48V
48V
48V
48V
48V
48V
48V
48V
48V
48V
48V
48V
48V
48V
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE
SUB
ASSIGN
MAIN
MIX
1-2
3-4
dB
30
20
10
40
50
5
5
U
60
10
O
O
5
GAIN
CR/PHONES
ONLY
SUBS
1-2
3-4
SEND
TO
4
CONTROL
ROOM
PHONES
MAIN MIX
L
R
SUB ASSIGN
MAIN MIX
L
R
MAIN MIX
L
R
MAIN MIX
L
R
TO AUX 5
MAIN
SUBS
TO AUX 6
SENDS
RETURNS
PRE
POST
PRE
POST
PRE
POST
PRE
POST
PRE
POST
PRE
POST
EFX TO
MON
RUDE
SOLO
20
15
10
6
3
0
2
4
7
10
20
30
SUB 3-4
FW 1-2
SUB 1-2
TAPE
ASSIGN TO
MAIN MIX
MAIN MIX
LEVEL
SET
CLIP
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
MAIN
MIX
SUB1
SUB4
SUB3
SUB2
SUB1
SUB4
SUB3
SUB2
4
3
2
2
1
1
6
4
2
1
5
6
3
PAN
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
12V 0.5A
LAMP
CTRL ROOM/PHONES
SOURCE
ASSIGN TO
FW 15-16
LEVEL
MIC
EXTERNAL
MIC
LINE
FW 1
LINE
FW 2
LINE
FW 16
LINE
FW 15
LINE
FW 14
LINE
FW 13
LINE
FW 12
LINE
FW 11
LINE
FW 10
LINE
FW 9
LINE
FW 8
LINE
FW 7
LINE
FW 6
LINE
FW 5
LINE
FW 4
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
LINE
FW 3
DESTINATION
AUX MASTER
SENDS 1-6
TO FW 9-14
TALKBACK
PHONES
AUX 1-6
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
+
15
O
O
+
15
O
O
+
15
O
O
+
10
O
O
+
10
O
O
+
10
O
O
+
10
O
O
+
10
O
O
+
10
O
O
+
15
O
O
+
15
O
O
+
15
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUBS 1-4
TO FW 5-8
SOLO
LEVEL
PFL
AFL
TAPE TO
MAIN MIX
TAPE IN
MAX
O
O
MAX
O
O
SOLO
MODE
L
R
0dB=0dBu
POWER
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OL
+
10
0
-
20
SUB
ASSIGN
MAIN
MIX
1-2
3-4
GAIN
4
2
1
5
6
3
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
8k
400
2k
2k
100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+
40dB
U
-20dB
U
20
30
40
60
L
R
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
MAX
O
O
SEND
PRE
POST
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OL
+
10
0
-
20
AUX MASTERS
R
1
2
3
1
2
3
4
5
6
L
4
MAIN MIX
A LT E R N AT E F I R E W I R E A S S I G N M E N T S
SUBGROUPS
TALKBACK
RECORDING OUTS
POST GAIN PRE INSERT
BALANCED
1-8
9-16
O
O
+6
SUB OUT
FIREWIRE
CTRL-RM OUT
TAPE
MAIN INSERT
IN
OUT
AUX SEND
AUX RETURN
3
3
R
L
MONO
R
R
L
R
L
R
L
R
L
R
L
1
4
2
5
1
2
4
3
1
6
4
2
(MONO)
R
L
(MONO)
(MONO)
(MONO)
R
L
MAIN OUT
POWER
ON
(TIP=SEND
RING=RTN)
BAL/UNBAL
BAL/UNBAL
BALANCED
MIC
+48v
HI-Z
L
BAL/UNBAL
MIC
+4dB
MAIN OUTPUT
LEVEL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
1
INSERT
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
ON
YX MIC PR
E
HI-Z
BAL/UNBAL
INSERT
ON
YX MIC PR
E
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
ON
YX MIC PR
E
Engineer’s
Headphones
Electric
Guitar
Bass
Guitar
press HI-Z
button
Keyboard
Send
Return
Send
Return
Send
Return
Stereo Compressor
press FW button ( ) to receive
audio playback from computer
Acoustic
Guitar
mic’d up
Multi FX Processor (Aux Send 1)
Multi FX Processor (Aux Send 2)
CD Player
Mackie HR824mk2
Powered Reference
Monitor for Control
Room (Left)
Mackie HR824mk2
Powered Reference
Monitor for Control
Room (Right)
Electronic
Drum Kit
Headphone Amp
(Aux Send 5)
Headphone Amp
(Aux Send 6)
Headphone Amp
(Aux Send 3)
Headphone Amp
(Aux Send 4)
Dynamics Processor (Acoustic)
Dynamics Processor (Bass)
Multi FX Processor (Guitar)
Compressor (Vocals)
Compressor (Vocals)
Compressor (Vocals)
Send
Return
Send
Return
Send
Return
Sends
Right Return
Left Return
Computer with
audio production
software
Studio
Microphones
Studio
Microphones
Headphones
press FW button ( ) to send
main mix to computer via
FireWire channels 15 and 16
Right Return
Left Return
