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PPM1008

PPM1008

Appendix D: Table of Effects Presets

No. Title

Description

Example of its use

01

Plate Reverb

This preset emulates vintage mechanical reverberation 

that was generated with a metal plate. Its sound is char-

acterized by lots of early reflections and no pre-delay.

Perfect for thickening percussive instruments, such 

as a snare drum, or tight vocal arrangements.

02

Vocal Plate

This vintage plate emulation is warmer than your 

standard plate, with a long reverberant tail, lots of fast 

reflections and a very short pre-delay. 

Particularly suited for vocal signals, but can also 

be used for extra-thick drum tracks.

03

Warm Room

This preset is characterized by lots of fast early reflections 

with a short pre-delay to simulate the sound of a small, 

wood paneled room. 

Useful for adding a tight and controlled 

ambient effect to vocals and acoustic instruments.

04

Bright Room

This room has a bright tone with lots of scattered reflec-

tions to simulate harder, more reflective surfaces. 

Useful on vocals that require a brighter reverb to 

cut through the mix, or for giving acoustic instru-

ments a livelier vibe. 

05

 Warm Lounge

This preset features a medium sized room sound, with 

just enough enhancement of the lower mids to produce a 

warm tone. 

Useful for vocals on songs that require a larger, 

more “wet” sound, or for giving dimension to 

bright horns without adding harshness. 

06

Small Stage

This preset simulates the sound of a small concert stage, 

with a medium reverb time and reverberant space. 

Useful for vocals or guitars in fast paced, high-

energy songs that call for a “live” sounding 

reverberation.

07

Warm Theater

This reverb has a warm bodied tone and medium long 

reverb time to simulate the live acoustics of a theater 

space. 

Perfect for vocals, drums, acoustic and electric 

guitars, keyboards, and more. 

08

Bright Stage

This preset emulates the sound of a large performance 

stage, characterized by medium long reverb time and 

pre-delay, plus a touch of sizzle. 

Great for adding life and dimension to drums and 

other acoustic instruments, and for that big live 

vocal sound.

09

Warm Hall

This reverb simulates the sound of a spacious, yet cozy, 

heavily draped and carpeted concert hall with an espe-

cially warm tone. 

Perfect for adding natural concert hall ambience 

to close-mic’ed orchestral instruments. 

10

Concert Hall

This hall reverb is characterized by its large, spacious 

sound, long pre-delay, and vibrant tone. 

Adds life to acoustic instruments and vocals from 

solos to full-on symphonies and choirs. 

11

Cathedral

This reverb emulates the extremely long tails, dense dif-

fusion and long pre-delays and reflections that would be 

found in a very large, stone walled house of worship. 

Gives amazing depth to choirs, wind instruments, 

organs, and soft acoustic guitars. 

12

Gated Reverb

This preset incorporates an age-old trick whereby an 

extremely dense reverb is processed through a fast gate 

for an interesting, albeit artificial, sound. 

Most often used to fatten snare drums and toms 

without clutter. 

13

Chorus

This preset provides a soft, ethereal sweeping effect that 

is useful for thickening and for making a particular sound 

pop out of the mix. 

Perfect for enhancement of electric and acoustic 

guitar and bass, or to add a dramatic effect to 

vocals, particularly group harmonies and choirs.

14

Reverb

This preset perfectly combines the chorus effect above 

with a large, roomy reverb. 

This lets you both thicken your sound with the 

chorus effect while adding warmth and spacious-

ness thanks to the smooth reverb.

15

Doubler

This effect simulates the sound of a vocal or instrument 

being recorded twice (double tracked) on a multi-track 

recorder. 

Provides a vibe that is similar to chorus without 

the subtle swirl. 

16

Tape Slap

This effect provides a single, relatively rapid delay of the 

original signal, with the added warmth that vintage tape-

based echo units provided.  

Often used on vocals for a 1950’s era feel, or on 

guitars for a surf-type tone. Often used by people 

whose favorite number is 16.

17

18

19

20

21

22

DLY 1 Bright (350ms)

DLY 1 Warm (300ms)

DLY 2 Bright (250ms)

DLY 2 Warm (200ms) 

DLY 3 Bright (175ms)

DLY 3 Warm (150ms)

These 6 delay presets provide one (delay 1), three (delay 

2), or six (delay 3) repeats of the original signal. The 

default delay time for each preset is shown in mS - the 

smaller the time, the faster the delay. Delay times can 

easily be customized to suit the moment by tapping the 

knob [53] more than once. 

These work best with full, up-beat music like rock 

where the delay needs to cut through the mix. 

Warm delays get progressively softer and warmer 

in tone with each repetition and work great with 

slow, mellow music. Bright delays have repeats 

that are consistent in tone with the original sound. 

23

DLY (300ms)

This effect combines the thickening effect of the chorus 

with the echoes of the 3-repeat delay effect. 

Delay times can easily be customized to suit the moment 

by using the Tap feature.

Useful on a clean electric guitar that needs a 

mildly swirling, ethereal tone. 

24

DLY (200ms)

This effect combines the Warm Theater reverb effect with 

the echoes of the 3-repeat delay effect. 

Delay times can easily be customized to suit the moment 

by using the Tap feature.

Perfect for thickening vocals while adding dimen-

sions, it can also be used as a spacey effect on 

electric guitars.

For presets 17 to 24, the delay can be entered by tapping the preset selector knob [53] more than once.

Summary of Contents for PPM1008

Page 1: ...FOOT SWITCH FX OUTPUT POWER 4 OHMS 800 WATTS PEAK PER CH MINIMUM LOAD 4 OHMS PER CHANNEL 2 X 800W PROFESSIONAL POWERED MIXER 2 X 800W PROFESSIONAL POWERED MIXER PPM1008 8 Channel 2 x 800 W Professiona...

Page 2: ...ON Changes or modifications to this device not expressly approved by LOUD Technologies Inc could void the user s authority to operate the equipment under FCC rules 20 This apparatus does not exceed th...

Page 3: ...ad the safety instructions on page 2 and this page first Setup The PPM1008 powered mixer is designed to be easy to operate and to be set up quickly Place the powered mixer in a position where it is ea...

Page 4: ...on 24 built in Running Man 32 bit effects with input gain tap delay and footswitch mute unmute Independent 9 band graphic EQs with constant Q filters on main and monitor outputs Tape CD stereo RCA out...

Page 5: ...MAIN OUTPUTS 15 20 POWER AMP INPUTS 15 CHANNEL CONTROLS 21 MON 1 17 22 FX MON 2 17 23 HIGH EQ 17 24 MID EQ LEVEL CH 1 TO 6 17 25 MID EQ FREQUENCY CH 1 TO 6 17 26 HIGH MID EQ LEVEL CH 7 AND 8 17 27 LO...

Page 6: ...each channel allow you to set up a stage monitor mix that is independent of the main mix C300z passive speakers are connected to the speaker level power output of the powered mixer and they play the m...

Page 7: ...onitor 1 mix on ch B C300z passive speakers are connected to the channel A speaker level power output of the powered mixer and they play the main mono mix to your audience C300z passive stage monitors...

Page 8: ...control the mics and iPod The power amp mode switch is set to play the stereo main mix in the C300z passive speakers connected to the speaker level power outputs Passive subwoofers are powered by an a...

Page 9: ...nitors are connected to the channel B speaker level power output of the powered mixer These play the stage monitor mix 2 to your performers C300z passive stage monitors are connected to the channel A...

Page 10: ...e mixer whenever you feel that this would be a safe thing to do Half way through a heavy metal guitar solo might not be such a good time As a general guide you should turn on your mixer first before a...

Page 11: ...em on the other Monitor 1 Monitor 2 Channel A is the monitor 1 mix and channel B is the monitor 2 mix In this setup the internal power amplifiers are powering two independent passive stage monitor sys...

Page 12: ...y controlled by the phantom 46 switch on the front panel The phantom power for all channels is turned on and off together Patchbay section This is where you plug in things such as microphones line lev...

Page 13: ...lug single ended unbalanced micro phones or ribbon mics into the mic input jacks if phantom power is on Do not plug instrument outputs into the mic XLR input jacks with phantom power on unless you kno...

Page 14: ...levels are adjusted This is known as pre fader If they want more me and less Keith you can turn up their channel s FX mon 2 control and turn down Keith s If you were using monitor 1 to feed the stage...

Page 15: ...ive subwoofer or directly to a powered subwoofer Whatever adjustments you make to the main mix will affect this output below 100 Hz The main mix still plays the full frequency range this sub output is...

Page 16: ...EQ has shelving high shelving low peaking lo mid and hi mid U like Unity gain Mackie mixers have a U symbol on almost every level control It stands for unity gain meaning no change in signal level The...

Page 17: ...will occasionally need that But if you max the EQ on every channel you ll get mix mush Equalize subtly and use the left sides of the knobs cut as well as the right boost If you find yourself repeatedl...

Page 18: ...nce the channels appropriately for the song 29 LOW EQ The low EQ provides up to 15 dB of boost or cut below 80 Hz The circuit is flat no boost or cut at the center detent position This frequency repre...

Page 19: ...s off then the input output For example an input signal level of 5 dBu results in an output level of 5 dBu The diagonal line from lower left to upper right represents x y that is input output At the m...

Page 20: ...oost or cut The adjustment of one slider has minimal effect on adjacent bands for all settings of the slider levels There s always some effect on adjacent bands to avoid too much variation or ripple b...

Page 21: ...ter 0 dB position The frequency bands are 63 125 250 500 1k 2k 4k 8k and 16 kHz The EQ section comes after the monitor 1 level 43 and just before the monitor 1 meter 45 Therefore as you adjust the EQ...

Page 22: ...king The LED will pulse in time with how much the limiter is being used in the signal path If the limiter LEDs come on and stay on for more than a second or two it means the power supply has overheate...

Page 23: ...FX memory after about one second When the powered mixer is turned on the FX section will load up the last used preset 53 PRESET SELECTOR TAP DELAY and LED Rotate this endless control to select one of...

Page 24: ...lem stays with the same speaker check the speaker wiring or any speaker fuses Unplug anything from the main line level outputs or other line level outputs such as the sub out FX mon 2 send or mon 1 se...

Page 25: ...wn adapter for a stereo microphone adapter Y two cables out of a female 1 4 TRS jack to two male XLR plugs one for the Right signal and one for the Left Unbalanced Send Return circuits When wired as s...

Page 26: ...als in one connector See Figure E The sleeve is the common ground earth for both signals The send from the mixer to the external unit is carried on the tip and the return from the unit to the mixer is...

Page 27: ...or 1 15 dB 63 125 250 500 1k 2k 4k 8k and 16 kHz Connections Mic input XLR balanced Line mono input 1 4 TRS balanced Line stereo input 1 4 TRS unbalanced Preamp main outputs 1 4 TRS balanced Monitor o...

Page 28: ...cycling waste electrical and electronic equipment EEE Improper handling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous sub...

Page 29: ...witches are shown in their default out position The train now leaving platform 3 is the 10 30 to Upton Park LO MID 80 100 8K 12K HI Comp Efx Global phantom power phtm phtm Efx 100Hz Low Pass Main Sub...

Page 30: ...d reflections that would be found in a very large stone walled house of worship Gives amazing depth to choirs wind instruments organs and soft acoustic guitars 12 Gated Reverb This preset incorporates...

Page 31: ...ice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www...

Page 32: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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