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PPM608

PPM608

Appendix D: Table of Effects Presets

No. Title

Description

Example of its use

01

Plate Reverb

This preset emulates vintage mechanical reverberation 

that was generated with a metal plate. Its sound is char-

acterized by lots of early reflections and no pre-delay.

Perfect for thickening percussive instruments, such 

as a snare drum, or tight vocal arrangements.

02

Vocal Plate

This vintage plate emulation is warmer than your 

standard plate, with a long reverberant tail, lots of fast 

reflections and a very short pre-delay. 

Particularly suited for vocal signals, but can also 

be used for extra-thick drum tracks.

03

Warm Room

This preset is characterized by lots of fast early reflections 

with a short pre-delay to simulate the sound of a small, 

wood paneled room. 

Useful for adding a tight and controlled 

ambient effect to vocals and acoustic instruments.

04

Bright Room

This room has a bright tone with lots of scattered reflec-

tions to simulate harder, more reflective surfaces. 

Useful on vocals that require a brighter reverb to 

cut through the mix, or for giving acoustic instru-

ments a livelier vibe. 

05

 Warm Lounge

This preset features a medium sized room sound, with 

just enough enhancement of the lower mids to produce a 

warm tone. 

Useful for vocals on songs that require a larger, 

more “wet” sound, or for giving dimension to 

bright horns without adding harshness. 

06

Small Stage

This preset simulates the sound of a small concert stage, 

with a medium reverb time and reverberant space. 

Useful for vocals or guitars in fast paced, high-

energy songs that call for a “live” sounding 

reverberation.

07

Warm Theater

This reverb has a warm bodied tone and medium long 

reverb time to simulate the live acoustics of a theater 

space. 

Perfect for vocals, drums, acoustic and electric 

guitars, keyboards, and more. 

08

Bright Stage

This preset emulates the sound of a large performance 

stage, characterized by medium long reverb time and 

pre-delay, plus a touch of sizzle. 

Great for adding life and dimension to drums and 

other acoustic instruments, and for that big live 

vocal sound.

09

Warm Hall

This reverb simulates the sound of a spacious, yet cozy, 

heavily draped and carpeted concert hall with an espe-

cially warm tone. 

Perfect for adding natural concert hall ambience 

to close-mic’ed orchestral instruments. 

10

Concert Hall

This hall reverb is characterized by its large, spacious 

sound, long pre-delay, and vibrant tone. 

Adds life to acoustic instruments and vocals from 

solos to full-on symphonies and choirs. 

11

Cathedral

This reverb emulates the extremely long tails, dense dif-

fusion and long pre-delays and reflections that would be 

found in a very large, stone walled house of worship. 

Gives amazing depth to choirs, wind instruments, 

organs, and soft acoustic guitars. 

12

Gated Reverb

This preset incorporates an age-old trick whereby an 

extremely dense reverb is processed through a fast gate 

for an interesting, albeit artificial, sound. 

Most often used to fatten snare drums and toms 

without clutter. 

13

Chorus

This preset provides a soft, ethereal sweeping effect that 

is useful for thickening and for making a particular sound 

pop out of the mix. 

Perfect for enhancement of electric and acoustic 

guitar and bass, or to add a dramatic effect to 

vocals, particularly group harmonies and choirs.

14

Reverb

This preset perfectly combines the chorus effect above 

with a large, roomy reverb. 

This lets you both thicken your sound with the 

chorus effect while adding warmth and spacious-

ness thanks to the smooth reverb.

15

Doubler

This effect simulates the sound of a vocal or instrument 

being recorded twice (double tracked) on a multi-track 

recorder. 

Provides a vibe that is similar to chorus without 

the subtle swirl. 

16

Tape Slap

This effect provides a single, relatively rapid delay of the 

original signal, with the added warmth that vintage tape-

based echo units provided.  

Often used on vocals for a 1950’s era feel, or on 

guitars for a surf-type tone. Often used by people 

whose favorite number is 16.

17

18

19

20

21

22

DLY 1 Bright (350ms)

DLY 1 Warm (300ms)

DLY 2 Bright (250ms)

DLY 2 Warm (200ms) 

DLY 3 Bright (175ms)

DLY 3 Warm (150ms)

These 6 delay presets provide one (delay 1), three (delay 

2), or six (delay 3) repeats of the original signal. The 

default delay time for each preset is shown in mS - the 

smaller the time, the faster the delay. Delay times can 

easily be customized to suit the moment by tapping the 

knob [49] more than once. 

These work best with full, up-beat music like rock 

where the delay needs to cut through the mix. 

Warm delays get progressively softer and warmer 

in tone with each repetition and work great with 

slow, mellow music. Bright delays have repeats 

that are consistent in tone with the original sound. 

23

DLY (300ms)

This effect combines the thickening effect of the chorus 

with the echoes of the 3-repeat delay effect. 

Delay times can easily be customized to suit the moment 

by using the Tap feature.

Useful on a clean electric guitar that needs a 

mildly swirling, ethereal tone. 

24

DLY (200ms)

This effect combines the Warm Theater reverb effect with 

the echoes of the 3-repeat delay effect. 

Delay times can easily be customized to suit the moment 

by using the Tap feature.

Perfect for thickening vocals while adding dimen-

sions, it can also be used as a spacey effect on 

electric guitars.

For presets 17 to 24, the delay can be entered by tapping the preset selector knob [49] more than once.

Summary of Contents for PPM608

Page 1: ...PPM608 OWNER S MANUAL 8 Channel 2 x 500 W Professional Powered Mixer...

Page 2: ...N Changes or modifications to this device not expressly approved by LOUD Technologies Inc could void the user s authority to operate the equipment under FCC rules 20 This apparatus does not exceed the...

Page 3: ...se read the safety instructions on page 2 and this page first Setup The PPM608 powered mixer is designed for ease of operation and to be set up quickly and easily Place the powered mixer in a position...

Page 4: ...th constant Q filters on the main and monitor outputs Tape CD stereo RCA outputs 12 segment stereo output meters on main mix and mono meter on monitor 1 Break switch mutes all mono channels Speakon an...

Page 5: ...2 SEND OUTPUT 14 16 FX FOOTSWITCH 15 17 MON 1 SEND 15 18 MAIN SUB 15 19 MAIN OUTPUTS 15 20 POWER AMP INPUTS 15 CHANNEL CONTROLS 21 MON 1 17 22 FX MON 2 17 23 HIGH EQ 17 24 MID EQ 17 25 LOW EQ 17 26 O...

Page 6: ...z switch pressed in and a keyboard attached to channel 7 s stereo inputs A portable recorder is attached to the stereo tape outputs to record the performance Mackie SRM450v2 powered speakers are conne...

Page 7: ...7 s stereo inputs and a drum machine to channel 8 A Mackie SRM150 powered monitor is connected to the monitor 1 send and acts as a personal stage monitor to the keyboard player The mon 1 knobs of eac...

Page 8: ...eceiver connected to the channel 1 line input a graphic EQ connected to channel 1 s insert jack to help control feedback in the wireless mic a microphone connected to channel 2 and an iPod docking sta...

Page 9: ...tar processor connected to ch 6 insert a keyboard attached to channel 7 s stereo inputs and an electronic drum kit attached to channel 8 Add vocal compression as required by tweaking the compression k...

Page 10: ...a heavy metal guitar solo might not be such a good time As a general guide you should turn on your mixer first before any external power amplifiers or powered speakers and turn it off last This will r...

Page 11: ...channel and a passive stage monitor system on the other Monitor 1 Monitor 2 Channel A is the monitor 1 mix and channel B is the monitor 2 mix In this setup the internal power amplifiers are powering t...

Page 12: ...phantom power is globally controlled by the phantom 42 switch on the front panel The phantom power for all channels is turned on and off together Patchbay section This is where you plug in things suc...

Page 13: ...lug single ended unbalanced micro phones or ribbon mics into the mic input jacks if phantom power is on Do not plug instrument outputs into the mic XLR input jacks with phantom power on unless you kno...

Page 14: ...mix levels are adjusted This is known as pre fader If they want more me and less Keith you can turn up their channel s FX mon 2 control and turn down Keith s If you were using monitor 1 to feed the s...

Page 15: ...er or directly to a powered subwoofer Whatever adjustments you make to the main mix will affect this output below 100 Hz The main mix still plays the full frequency range this sub output is just a mon...

Page 16: ...The stereo channel EQ is a 3 band design just like the mono channel EQ U like Unity gain Mackie mixers have a U symbol on almost every level control It stands for unity gain meaning no change in signa...

Page 17: ...specified frequency For example the low EQ boosts bass frequencies below 80 Hz and continues down to the lowest note you never heard Peaking means that certain frequencies form a hill around the cent...

Page 18: ...d be lost in noise The gain switch allows you to make the initial level adjustment appropriate for the connected device mic or line The channel level controls 27 are more for fine tuning to balance th...

Page 19: ...s off then the input output For example an input signal level of 5 dBu results in an output level of 5 dBu The diagonal line from lower left to upper right represents x y that is input output At the m...

Page 20: ...the amount of boost or cut and it has minimal effect on adjacent bands for all settings of the slider levels There s always some effect on adjacent bands to avoid too much variation or ripple between...

Page 21: ...s are 125 250 500 1k 2k 4k and 8kHz The EQ section comes after the monitor 1 level 39 and just before the monitor 1 meter 41 Therefore as you adjust the EQ keep an eye on the meter in case you over do...

Page 22: ...vely working The LED will pulse in time with how much the limiter is being used in the signal path If the Limiter LEDs come on and stay on for more than a second or two it means the power supply has o...

Page 23: ...X memory after about one second When the powered mixer is turned on the FX section will load up the last used preset 49 PRESET SELECTOR TAP DELAY and LED Rotate this endless control to select one of t...

Page 24: ...oblem stays with the same speaker check the speaker wiring or any speaker fuses Unplug anything from the main line level outputs or other line level outputs such as the sub out FX mon 2 send or mon 1...

Page 25: ...wn adapter for a stereo microphone adapter Y two cables out of a female 1 4 TRS jack to two male XLR plugs one for the Right signal and one for the Left Unbalanced Send Return circuits When wired as s...

Page 26: ...ls in one connector See Figure E The sleeve is the common ground earth for both signals The send from the mixer to the external unit is carried on the tip and the return from the unit to the mixer is...

Page 27: ...ono input 1 4 TRS balanced Line stereo input 1 4 TRS unbalanced Preamp main outputs 1 4 TRS balanced Monitor outputs 1 4 TRS balanced Inserts 1 4 TRS unbalanced Loudspeaker outputs 1 4 TS and Neutrik...

Page 28: ...ycling waste electrical and electronic equipment EEE Improper handling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous subs...

Page 29: ...n their default out position Comp Efx Global phantom power phtm phtm Efx 100Hz Low Pass Main Sub Out Efx sum Mon 1 HI Z LINE Hi Z Channel 5 6 only or 1 Meg Mics Mon 2 pre Efx post Mon 1 Mic Gain Mic 2...

Page 30: ...reflections that would be found in a very large stone walled house of worship Gives amazing depth to choirs wind instruments organs and soft acoustic guitars 12 Gated Reverb This preset incorporates...

Page 31: ...ice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www...

Page 32: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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