manualshive.com logo in svg

Mackie VLZ4, Owner'S Manual

The Mackie VLZ4 is a versatile and high-quality audio mixer perfect for any sound setup. Ensure you get the most out of your mixer by downloading the free Owner's Manual from 88.208.23.73:8080. This comprehensive manual will guide you through all the features and functions of your new mixer.

Share
Download
background image

25

Owner’s Manual

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

PAN

L

R

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

MID

200

2k

800

100

8k

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

1

MUTE

PAN

L

R

2

MUTE

PAN

L

R

3

MUTE

PAN

L

R

4

MUTE

PAN

L

R

5

MUTE

PAN

L

R

6

MUTE

PAN

L

R

7

MUTE

PAN

L

R

8

MUTE

PAN

L

R

9

MUTE

PAN

L

R

10

MUTE

PAN

L

R

11

MUTE

PAN

L

R

12

MUTE

PAN

L

R

13

MUTE

PAN

L

R

14

MUTE

PAN

L

R

15

MUTE

PAN

L

R

16

MUTE

 PAD

-20dB

1

LOW CUT

100 Hz

GAIN

 PAD

-20dB

2

LOW CUT

100 Hz

GAIN

 PAD

-20dB

3

LOW CUT

100 Hz

GAIN

 PAD

-20dB

4

LOW CUT

100 Hz

GAIN

 PAD

-20dB

5

LOW CUT

100 Hz

GAIN

 PAD

-20dB

6

LOW CUT

100 Hz

GAIN

 PAD

-20dB

7

LOW CUT

100 Hz

GAIN

 PAD

-20dB

8

LOW CUT

100 Hz

GAIN

 PAD

-20dB

9

LOW CUT

100 Hz

GAIN

 PAD

-20dB

10

LOW CUT

100 Hz

GAIN

 PAD

-20dB

11

LOW CUT

100 Hz

GAIN

 PAD

-20dB

12

LOW CUT

100 Hz

GAIN

 PAD

-20dB

13

LOW CUT

100 Hz

GAIN

 PAD

-20dB

14

LOW CUT

100 Hz

GAIN

 PAD

-20dB

15

LOW CUT

100 Hz

GAIN

 PAD

-20dB

16

LOW CUT

100 Hz

GAIN

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

1

2

SUBGROUPS

PUSH

TO TALK

MAIN

RIGHT

AUX 1-4

SOLO

STEREO

LEFT

RIGHT

SOLO

LEFT

RIGHT

SOLO

STEREO

LEFT

RIGHT

SOLO

LEFT

1

2

3

4

MAIN MIX

TALKBACK

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

LEVEL

PHONES

TO AUX 1

TO AUX 2

SOLO

MONITOR

TAP

DELAY

MUTE

TO AUX 1

TO AUX 2

TAP

DELAY

MUTE

FX MASTER

FX MASTER

TO LR

TO LR

FX

2

SIG/OL

FX

1

SIG/OL

SOLO

SOLO

1

2

3

4

SOLO

SOLO MODE

SOLO

SOLO

SOLO

SOLO

SOLO

PFL

AFL

AUX

AUX

AUX

AUX

CH 1-2

CH 3-4

AUX 5-6

PWR

RUDE SOLO

48V

USB OUT

SUBS 3-4

20

10

7

4

2

0

2

4

7

10

20

30

LEVEL

SET

SUBS 1-2

MAIN

TO LR

TAPE

USB

2-TRACK RETURN

SUCK

SOLO

12V

0.5A

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

OFF

MAX

COMP

LOW CUT

100 Hz

LOW CUT

100 Hz

LOW CUT

100 Hz

LOW CUT

100 Hz

FX 1

FX 2

USB

21

22

23

24

HI

12k

HI

MID

2.5k

LOW

MID

400Hz

HI

MID

2.5k

-15

+15

U

-15

+15

U

-15

+15

U

-15

+15

U

LOW

80Hz

LOW

MID

400Hz

LOW

80Hz

-15

+15

U

HI

12k

2

3

4

5

6

1

+15

U

+15

U

+20

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

+15

U

-15

+15

U

-15

+15

U

-15

+15

U

-20

+20

U

-20

+20

U

AUX MASTER

LR

STEREO RETURNS

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

FREQ

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

FREQ

MID

200

2k

800

100

8k

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

FREQ

MID

200

2k

800

100

8k

EQ

EQ

EQ

HI

12k

-15

+15

U

-15

+15

U

LOW

80Hz

-15

+15

U

FREQ

MID

200

2k

800

100

8k

PAN

L

R

17

MUTE

PAN

L

R

18

MUTE

PAN

L

R

19

MUTE

PAN

L

R

20

MUTE

BAL

L

R

21/22

MUTE

ALT 3-4

BAL

L

R

0 dB=0 dBu

LEFT RIGHT

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

1-2

3-4

LR

OL

-20

30

20

10

10

40
50

5

5

U

60

dB

O

O

SOLO

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

FX

AUX 5/6

PRE

PRE

FX1

FX2

PRE

1

2

+15

U

AUX

+15

U

3

4

5

6

+15

U

+15

U

+15

U

+15

U

23/24

MUTE

ALT 3-4

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

30

20

10

10

40
50

5

5

U

60

dB

O

O

17

GAIN

18

GAIN

19

GAIN

20

GAIN

LINE GAIN

LINE GAIN

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

30

-20dB

+40dB

U

60

U

40

20

50%

100%

0%

25%

75%

61

67

68

69

70

72

73

74

75

71

64

65

66

63

62

65. Preset Selector, Tap Delay and LED

Rotate these endless controls to select one of the  

24 preset effects. When the rotation stops, that preset 
will be loaded and become operational. The current 

 

preset number is shown in the display [64]. 

 

The different presets are shown in the table to the 

 

right and on the silkscreen in the upper right hand 

 

corner of each VLZ4 4•Bus mixer. Further details of 
each preset are explained in Appendix E on page 37.

1

Plate Reverb

13

Chorus

2

Vocal Plate

14

 Reverb

3

Warm Room

15

Doubler 

4

Bright Room

16

Tape Slap

5

Warm Lounge

17

Delay 1 Brt 350ms

6

Small Stage

18

Delay 1 Wrm 300ms

7

Warm Theater

19

Delay 2 Brt 250ms

8

Bright Stage

20

Delay 2 Wrm 200ms

9

Warm Hall 

21

Delay 3 Brt 175ms

10

Concert Hall

22

Delay 3 Wrm 150ms

11 Cathedral

23

 Dly 300ms

12 Gated Reverb

24

 Dly 200ms

The knob also offers a tap delay function for presets 

17-24. This works as follows:

1.  Use the knob to select a preset from 17 to 24.

2.  Press the knob in at least two times.

 

The DSP processor will calculate the time delay 
between the last two pushes, and it will assign 
this time interval to the echoes of the current 

digital delay.

 

The minimum tap delay is 50 ms and the  
maximum is 500 ms.
•  If your taps are faster than 50 ms, they will 

be set to 50 ms.

•  If taps are 500 ms to 1 second, they will be 

set to 500 ms.

•  If taps are greater than 1 second apart, 

they will be ignored. Try again a bit faster.

3.  The LED will flash in time with the new tap 

delay time.

66. Internal FX Mute

When engaged, the internal effects processor is 

muted, and its output will not appear on the main mix, 
monitor mix...or anywhere for that matter. The adjacent 
mute LED will come on as a reminder that the effects 
are muted. When power is first applied, these LEDs will 
illuminate and the FX will be muted for about 10  
seconds while the little FX gerbils inside settle down.

If this switch is not engaged, then the internal effects 

are set free and may be added as required to the main 
mix, monitor mix and last two stereo channels.

67. Solo Level

This knob is used to adjust the volume of the soloed 

signal as it is routed to the monitor [15, 16] and phones 
[17] outputs. This control is independent of, and prior 
to, the monitor [68] and phones [69] level controls.

Summary of Contents for VLZ4

Page 1: ...4 3 3 3 2 2 2 1 1 1 21 21 22 22 23 23 24 24 25 25 26 26 27 27 28 28 ONYX MIC PREAMPS LINE BAL UNBAL INSERTS TIP SEND RING RETURN LINE BAL UNBAL INSERTS TIP SEND RING RETURN ONYX MIC PREAMPS UNBALANCE...

Page 2: ...rence regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils num riques d...

Page 3: ...equency 19 34 Low EQ 19 35 High Mid EQ Level 19 36 Low Mid EQ Level 19 37 Pan 19 38 Mute 19 39 OL LED 19 40 Sig LED 20 41 Solo 20 42 Assign 20 43 Channel Fader 20 44 FX1 And FX2 20 45 USB Switch 20 2...

Page 4: ...5 6 Convenient stereo return to mains for music playback or return to channel to implement EQ auxes and more PFL AFL solo modes 60mm long wearing log taper faders High resolution 12 segment stereo me...

Page 5: ...upporttofind FAQs manualsandotherusefulinformation Emailusat techmail loudtechinc com Telephone1 800 898 3211tospeakwithoneofoursplendidtechnicalsupportchaps MondaythroughFriday normalbusinesshours Pa...

Page 6: ...x level and monitor level when making connections to the mixer Better yet turn off the power When shutting down turn off any power amplifiers or powered speakers first When powering up turn them on la...

Page 7: ...AL UNBAL 21 22 23 24 BAL UNBAL BAL UNBAL MONITOR MONO MONITOR L R 100 240 V 50 60 Hz 55W TALKBACK MIC RIGHT MAIN OUT INSERT LINE LEFT MAIN OUT INSERT LINE MONO MAIN OUT INSERT LINE LEVEL OUTPUT L USB...

Page 8: ...through a pair of MR8mk3 s and nod their collective heads to the beat POWER ON PHANTOM ON 3 2 1 2 1 2 1 6 5 4 3 2 1 6 5 4 3 2 1 4 SUBGROUP OUTS BAL UNBAL SUBGROUP INSERTS TIP SEND RINGRETURN AUX INSER...

Page 9: ...instance which don t need external power and aren t affected by it anyway Phantom power may be selected by pressing up on the mixer s phantom 21 switch Never plug single ended unbalanced micro phones...

Page 10: ...annel signal can go out of the insert jack to an external device be processed and come back in on the same insert jack To do this requires a standard insert cable that must be wired thusly Tip Send ou...

Page 11: ...nserts These 1 4 TRS jacks are for connecting serial effects such as compressors equalizers de essers or filters The insert point is after the mix amps but before the group send masters 74 and after t...

Page 12: ...e channel level or main level except in AFL mode therefore turn down the phones level first as soloed channels may be loud The phones output follows standard conventions Tip Left channel Ring Right ch...

Page 13: ...is set to L and subgroup 2 is set to R Any adjustments made to the subgroup drum levels during the show only pertain to the live show itself recording levels are not adjusted in the DAW unless they a...

Page 14: ...o the mic input jacks if phantom power is on Do not plug instrument outputs into the mic XLR input jacks with phantom power on unless you know for certain it is safe to do so Be sure the main level 75...

Page 15: ...15 15 U 15 15 U 20 20 U 20 20 U AUXMASTER LR STEREO RETURNS EQ HI 12k 15 15 U 15 15 U LOW 80Hz 15 15 U FREQ MID 200 2k 800 100 8k EQ HI 12k 15 15 U 15 15 U LOW 80Hz 15 15 U FREQ MID 200 2k 800 100 8k...

Page 16: ...Applying low cut removes all those problems so you can add low EQ without blowing your subwoofers 25 Pad 20 dB Switch In most cases the pad switch will be disengaged However microphones and balanced...

Page 17: ...e chance of distortion due to overloading the input signals Dynamic range is the difference in level between the quietest and loudest parts of a song A compressor squeezes the dynamic range resulting...

Page 18: ...ts or cuts all frequencies past the specified frequency For example the low EQ boosts bass frequencies below 80 Hz and continuing down to the lowest note you never heard Peaking means that certain fre...

Page 19: ...5 U 15 15 U 15 15 U 15 15 U AUXMASTER EQ HI 12k 15 15 U 15 15 U LOW 80Hz 15 15 U FREQ MID 200 2k 800 100 8k EQ HI 12k 15 15 U 15 15 U LOW 80Hz 15 15 U FREQ MID 200 2k 800 100 8k EQ HI 12k 15 15 U 15 1...

Page 20: ...37 they are used to determine the destination of the channel s signal With the pan knob at the center detent the left and right sides receive equal signal levels main mix L R group 1 2 and group 3 4...

Page 21: ...four signals may be recorded simultaneously and a stereo mix returned to the mixer for playback The six auxes receive signals from the channels via the channel aux sends 27 29 Auxes 1 4 may also be f...

Page 22: ...phantom power which lets the mixer send low current DC voltage to the mic s electronics through the same wires that carry audio Semi pro condenser mics often have batteries to accomplish the same thi...

Page 23: ...ase forgive its rudeness it is only trying to help and wants to be your friend 60 Solo Mode Engaging a channel s solo switch 41 will cause this dramatic turn of events Any existing source selection is...

Page 24: ...1 to aux 2 and to main knobs 62 fully counter clockwise to avoid double bussing The talkback feature allows the engineer to communicate with the talent either through the phones output 17 or the aux 1...

Page 25: ...1 Wrm 300ms 7 Warm Theater 19 Delay 2 Brt 250ms 8 Bright Stage 20 Delay 2 Wrm 200ms 9 Warm Hall 21 Delay 3 Brt 175ms 10 Concert Hall 22 Delay 3 Wrm 150ms 11 Cathedral 23 Chorus Dly 300ms 12 Gated Reve...

Page 26: ...e is no need to hold down the switch es when using the talkback feature Simply engage the switch es and begin talking But don t forget to disengage the switch when you re done talking to them or they...

Page 27: ...for example make sure that both group faders ride together to maintain the left right balance 75 Main Mix This stereo fader allows you to adjust the levels of the main mix signals sent to the XLR and...

Page 28: ...ise Turn the channel gains down one by one If the sound disappears it s either that channel or whatever is plugged into it so unplug whatever that is If the noise disappears it s from your whatever Po...

Page 29: ...two mic preamps 2 1 SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Output Connector SLEEVE TIP SLEEVE TIP RING RING TIP SLEEVE RING Balanced 1 4 TRS Connector You can cook up your own adapter fo...

Page 30: ...ll not activate the jack switch and will not open the insert loop in the circuit thereby allowing the channel signal to continue on its merry way through the mixer This allows you to tap out the chann...

Page 31: ...15 dB sweep 100 Hz 8 kHz High 15 dB 12 kHz Low Cut Filter 18 dB octave 3 dB 100 Hz 4 Band Equalization stereo channels Low 15 dB 80 Hz Low Mid 15 dB 400 Hz High Mid 15 dB 2 5 kHz High 15 dB 12 kHz USB...

Page 32: ...ch LED To Aux 2 Aux 6 Aux 3 Aux 4 Aux 5 Aux 6 Aux 1 Aux 2 HPF In bypass MID Phantom Power To All Mics Phantom Power L R Int FX 1 Out L FX 1 Line LO MID MID 80 400 2 5K 12K HI LO MID MID 80 400 2 5K 12...

Page 33: ...ect Aux 1 Level Preset select FX Preset Display 1 2 Solo Logic Solo USB Out FX 1 Bypass Logic In FX 1 Out L Out R R L Tap FX Mute Active L R Tape Out Main level Aux 3 pre post Aux 4 pre post 3 4 Aux 3...

Page 34: ...5 5 U 60 dB OO SOLO 1 2 3 4 LR OL 20 30 20 10 10 40 50 5 5 U 60 dB OO SOLO 1 2 3 4 LR OL 20 30 20 10 10 40 50 5 5 U 60 dB OO SOLO 1 2 3 4 LR OL 20 30 20 10 10 40 50 5 5 U 60 dB OO SOLO 1 2 3 4 LR OL 2...

Page 35: ...15 15 U FREQ MID 200 2k 800 100 8k EQ HI 12k 15 15 U 15 15 U LOW 80Hz 15 15 U FREQ MID 200 2k 800 100 8k EQ HI 12k 15 15 U 15 15 U LOW 80Hz 15 15 U FREQ MID 200 2k 800 100 8k EQ EQ EQ HI 12k 15 15 U...

Page 36: ...4 Bus Dimensions 6 U 6 0 in 153 mm 1 8 in 46 mm 29 4 in 748 mm 19 1 in 486 mm 6 0 in 153 mm WEIGHT 31 0 lb 14 1kg 6 0 in 153 mm 1 8 in 46 mm 38 0 in 964 mm 19 1 in 486 mm 6 0 in 153 mm WEIGHT 39 0 lb...

Page 37: ...tch to the right will select either Groups 3 4 or Aux 5 6 to feed USB output channels 3 4 For example with both USB ouput switches in the default position up true 4 track recording may be accomplished...

Page 38: ...eflections that would be found in a very large stone walled house of worship Gives amazing depth to choirs wind instruments organs and soft acoustic guitars 12 Gated Reverb This preset incorporates an...

Page 39: ...vice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www...

Page 40: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www 720trees com...

Reviews:

No comments

Related manuals for VLZ4

Calrec Zeta Operator'S Manual preview
Zeta
Brand: Calrec Pages: 144
DigiTech dirty robot Owner'S Manual preview
dirty robot
Brand: DigiTech Pages: 12
Randall MOR Operation Manual preview
MOR
Brand: Randall Pages: 2
Hama 00040510 Operating Instructions Manual preview
00040510
Brand: Hama Pages: 22
Hotone PRESS Series Schematic preview
PRESS Series
Brand: Hotone Pages: 2
Behringer FILTER MACHINE FM600 User Manual preview
FILTER MACHINE FM600
Brand: Behringer Pages: 3
Amek 51 Media User Manual preview
51 Media
Brand: Amek Pages: 104
Windmere togo MXB-5 Use And Care Book preview
togo MXB-5
Brand: Windmere Pages: 2
Russell Hobbs RHM500 Instructions And Warranty preview
RHM500
Brand: Russell Hobbs Pages: 54
Barnstead International Maxi-Mix 1329 Series Operation Manual preview
Maxi-Mix 1329 Series
Brand: Barnstead International Pages: 8
VADO eli Installation & Maintenance Instructions preview
eli
Brand: VADO Pages: 4
DAPAudio GIG-124CFX Manual preview
GIG-124CFX
Brand: DAPAudio Pages: 24
DAPAudio D2191 Product Manual preview
D2191
Brand: DAPAudio Pages: 19
PedalPCB Tone Vendor MKI Wiring Diagram preview
Tone Vendor MKI
Brand: PedalPCB Pages: 5
PedalPCB Monarch Distortion Quick Start Manual preview
Monarch Distortion
Brand: PedalPCB Pages: 5
CHEFOOK CHPLZ7 Instruction Manual preview
CHPLZ7
Brand: CHEFOOK Pages: 19
Dunlop CryBaby csp030 Q zone Manual preview
CryBaby csp030 Q zone
Brand: Dunlop Pages: 2
Dunlop CRY BABY Q ZONE QZ1 Quick Start Manual preview
CRY BABY Q ZONE QZ1
Brand: Dunlop Pages: 4

Brands by name

Popular brands

Load more brands