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5. SOUND GENERATION

5. SOUND GENERATION

5.2. Oscillator (VCO) / Mixer

The VCO is MAGMA´s main signal source. It provides the basic waveforms to the module next in line, the 

mixer. The VCO section is endowed with a sub oscillator which derives its output from the VCO´s square-

wave. A closer look at all the controls will explain the functions of both VCO and mixer.

5.2.1. Mixer

The mixer is the output stage of MAGMA´s oscillator. All 

signals provided by the VCO are summed together into one 

audio-signal.

: Level of 

SAW

 wave signal.

 

: Level of 

SQUARE

 wave signal.

 

: Level of 

SUB

 oscillator signal. 

 

: Level of the 

NOISE

 signal.

Cranking up all four signals fully will cause saturation and 

distortion. This can be very useful to fatten up MAGMA´s 

sound. If you want a clean sound, we recommend you kee-

ping the level knobs below the 3 o‘clock setting.

All four signal levels can be individually modulated by  

LFO 2. 

Hit 

SHIFT

 and keep it depressed while moving one of the 

WAVEFORM

 knobs as this will apply a specific modulation 

depth to the selected waveform level.

 

5.2.1. VCO

TUNE: 

Global tune. Tunes the VCO and the sub-oscillator within the range of one semitone.

The tune setting will not be stored as part of a preset. 

OCTAVE: 

Controls the octave setting of both the VCO and the sub oscillator. 

The three LEDs around the octave button display the octave setting of 

the VCO.  

The LED in the central button displays the octave setting of the sub-

oscillator, depending on the setting of the VCO.  

 

Hit the button eight times to cycle through all possible settings. 

 

 

 

 

 

PW: 

Controls the PULSE-WIDTH of the square-wave manually from 50% to 95%.

When the pulse-width of the square-wave is modulated (see below), this knob controls the modulation 

depth applied by LFO 1 or envelope 2.

SYNC / PWM: 

This button has two related functions. Firstly, it synchronises the 

sub-oscillator to the VCO which will result in interesting timbres when 

changing the pitch of the VCO.  

Secondly, it selects the modulation source for the pulse-width modu-

lation (PWM) of the square-wave.

The three LEDs around the sync button display the PWM source. The 

LED in the button displays the state of the oscillator-sync function.  

 

Hit the button six times to cycle through all possible settings.

 

GLIDE: 

Adjusts the glide time when the glide function is active. Please refer to section 4.6.3. on page 29 how to 

enable / disable the glide function.

LFO: 

Adjusts the modulation depth of LFO 1, modulating VCO pitch.

5.3. Filter (VCF)

MAGMA´s filter is a classic 24 dB / four-pole low-pass design with resonance and great sonic potential. 

Let‘s have a closer look at it:

CUTOFF: 

Adjusts the cut-off frequency. When turned fully counter-clockwise, there 

might be no signal audible (no-pass, so to speak…).

RESO: 

Adjusts the resonance intensity of the filter. Higher settings will cause the 

filter to self-oscillate which results in feedback. Please handle the reso-

nance pot (here it is again!) with care – feedback might reach excessive 

levels, depending on the cut-off frequency setting. Do not blow your twee-

ters or your ear-drums!

The lower three knobs are used to modulate the filter cut-off frequency:

LFO: 

Adjusts the modulation depth of LFO 1 modulating the VCF cut-off frequen-

cy.

ENV:  

Adjusts the modulation depth of envelope 2 modulating the VCF cut-off 

frequency.

Pressing SHIFT while moving the ENV knob will yield an inverted modulati-

on curve.

KEYB: 

Adjusts the keyboard tracking value of the VCF frequency. Keyboard tra-

cking makes higher notes sound increasingly brighter.

You can run an external audio signal (e.g. a drum machine) into MAGMA´s filter for processing sound. 

Connect this signal (line level) to the Input socket on MAGMA´s rear panel. Adjust the input level with the 

trimmer found next to the input socket.

Please note that the external signal has to have line level. The signal is fed directly into the filter input, thus 

it will only be attenuated, not amplified.

+1

+2

+3

Octaves

OFF

: SUB-Osc. 

-1

 Octave

ON

:   SUB-Osc. 

-2

 Octave

Octaves

Octave

Manual (PW Knob)

Sync ON / OFF

LFO 1

ENV 2

Summary of Contents for EOwave

Page 1: ...A N A L O G U E B A S S L I N E S Y N T H E S I Z E R TRANSPA SHUFFLE B SWING RST OWNERS MANUAL VERS 1 0...

Page 2: ...beer crates trucks or mothers in law on the instrument Before moving place with MAGMA make sure the unit is disconnected from other devices external controllers mixers etc If not watch for cables and...

Page 3: ...14 4 PROGRAMMING SECTION 15 4 2 Programming a preset 17 4 3 Saving Presets 25 4 4 Save Patterns 26 4 5 Clearing Notes Presets Patterns 27 4 6 Transpose Menu 28 4 7 Clock Divider 30 4 8 Chaining Patter...

Page 4: ...to build a new synthesiser which marries the best of today s analogue and digital technology We wanted to build a synthesiser with a very special timbral footprint that would conjure up images of som...

Page 5: ...e All you need to use MAGMA is the power supply and a suitable audio system or a headphone respectively a little love can t do any harm either Make use of the additional connection terminals and you w...

Page 6: ...le level When it hurts it is probably a tad too much When running MAGMA together with a mixer turn MAGMA s VOLUME up to the max and adjust the input level on your mixer This will yield the best signal...

Page 7: ...combinations A N A L O G U E B A S S L I N E S Y N T H E S I Z E R VCA VOLUME Output Modulation from ENV1 Velocity LFOs 1 2 LFO 1 to VCO VCF PWM LFO 2 to waveform mixer 8 waveforms at 3 stages each E...

Page 8: ...e ENV 3 AD ENV 2 ADSR ENV 1 ADSR Inv Inv LFO 2 LFO 1 MIDI Velocity MIDI Note Pitch PWM Audiosignal Modulation Control 4 PROGRAMMING SECTION Here you will learn all about MAGMAs programming section int...

Page 9: ...ead of hitting a button in the upper row Convenience you know 4 2 Programming a preset Let s have a closer look at MAGMA s on board sequencer it is pretty powerful and it is lots of fun And with a lit...

Page 10: ...ote which means the sequence is divided into 16 1 16 notes 1 16 is the shortest available note length It is easy to program longer notes Let s assume you have already entered the note track and set so...

Page 11: ...the beginning of this section The three other tracks provide control over MAGMA s sound parameters They dynamically change value settings of assigned parameters To program these tracks please Hit SHI...

Page 12: ...ld NOTE to enter the note track the same goes for mod tracks M1 M3 Hit a STEP hold hit ENTER In the example above the note track now runs from step 1 to step 8 Step 9 is not the last played step but t...

Page 13: ...w preset to the current location Please note This will overwrite the preset previously stored in this place Make sure that this is really your intention there is NO undo function on MAGMA If you accid...

Page 14: ...elected memory location this step is not shown in the picture 4 5 Clearing Notes Presets Patterns Shuffle M1 M3 Not all of your creations might have had your Master s Touch Do not fear you can easily...

Page 15: ...rrent sequence 4 6 2 Single Multi Trigger Hit PRESET to toggle between single and multiple triggering when receiving MIDI notes from an external MIDI device Multi Trigger PRESET LED off Every incoming...

Page 16: ...ern or preset Without storing the randomised sequence will be lost after changing to a new preset pattern or after powering MAGMA down You will find all about the store functions on pages 25 26 4 7 Cl...

Page 17: ...get confused You cannot cause damage this way but unwanted effects and erratic behaviour might ensue Always a good thing when experienced five minutes before a live show on TV 4 9 MIDI Channel Use th...

Page 18: ...rms into the mixer and further on into the voltage controlled filter VCF as well as the voltage controlled amplifier VCA There is also an external input fed into the filter amplifier section for proce...

Page 19: ...changing the pitch of the VCO Secondly it selects the modulation source for the pulse width modu lation PWM of the square wave The three LEDs around the sync button display the PWM source The LED in t...

Page 20: ...rd sequencer or receives external MIDI data 5 7 LFOs MAGMA provides you with two LFOs Low Frequency Oscillators for even more com plex modulation madness Both LFOs generate several waveforms and can b...

Page 21: ...anions from time to time In order to ensure a proper communication with the outside world MAGMA is equipped with a MIDI interface MAGMA s MIDI interface boasts the following features USB port for MIDI...

Page 22: ...clude an explanatory note CE norm FCC information 1 Important notice do not modify this unit This product when installed as indicated in the instructions contained in this manual is compatible with th...

Page 23: ......

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