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5. SOUND GENERATION

5. SOUND GENERATION

5.4. Amplifier (VCA)

The VCA has only one single control – the 

VOLUME

 knob. It adjusts the output level of 

MAGMA´s audio output. Its setting is not saved as part of a preset.

Dynamic level control is achieved by envelope 1 and MIDI velocity data.

5.6. Envelope section

MAGMA is equipped with three envelope generators for modulation tasks. Envelopes 1 and 2 are fully-fea-

tured ADSR types, envelope 3 is of a more basic AD variety. Please refer to the following two figures to get 

an idea of what the envelope parameters are about.

The two envelopes are connected to different functions:

•  Envelope 1 controls the VCA, that is, the signal level.

•  Envelope 2 controls VCF cut-off frequency, that is, the brightness of the sound.

•  Envelope 3 controls VCO pitch.

The envelope controls are: 

• 

A

: Attack time (envelope 1,2,3) 

• 

D

: Decay time (envelope 1,2,3) 

• 

S

: Sustain level (envelope 1,2) 

• 

R

: Release time (envelope 1,2)

To connect each envelope with the ADSR controls, hit the 

ENV

 button up to 

three times. 

An ”active” ENV 3 is displayed by illuminated VCF and VCA LEDs.

When ENV 3 (VCO) is active, the 

D

 knob controls the modulation depth of 

ENV 3 modulating the VCO pitch. Pressing 

SHIFT

 while moving the 

D

 knob 

will yield an inverted modulation response. 

 

 

 

 

The LED in the button will light up as soon as MAGMA generates a trigger 

signal from the on-board sequencer or receives external MIDI data.

5.7. LFOs

MAGMA provides you with two LFOs (Low Frequency Oscillators) for even more com-

plex modulation madness. Both LFOs generate several waveforms and can be synced to 

MAGMA´s on-board sequencer / MIDI clock. Both LFOs have identical features but diffe-

rent modulation targets.

• 

LFO 1 modulates VCO pitch, VCF cut-off and PW (pulse-width of the VCO  

 

square wave).

• 

LFO 2 modulates the levels of the four oscillator waveforms.

Since all LFO functions are controlled by just one single button and a bunch of LEDs, ple-

ase read the following section carefully.

 

LFO 1 / LFO 2 access

Keep 

SHIFT

 depressed while performing any further LFO adjustments, controlling LFO 2.  

Releasing 

SHIFT

 routes the controls back to LFO 1.

 

LFO Waveforms

When having a closer look at the LEDs around the LFO 

button, you will notice little symbols on each one – if not, we 

advise you to go and see your optician (no pun intended)…

 

Each LED represents one of the eight waveforms available.

 

 

 

 

 

 

 

 

 

LFO Mode

Both LFOs can operate in three different modes:

•  Normal: The LFO oscillates constantly at a given rate.

•  Reset: The LFO starts its cycle with each new note-on command.

•  One shot: The LFO starts its cycle with each new note-on command but performs just one single  

cycle – just like a ”mini envelope”.

A

ttack

Time

D

ecay

Time

S

ustain 

Level

Level

Time

R

elease

Time

A

ttack

Time

D

ecay

Time

Level

Time

Triangle

Saw Up

LFO Speed

Saw Down

Staircase Up

Staircase Down

Square

Random

Digital Noise

One 

LED: 

Normal 

Mode

Active Waveform

Two 

LEDs: 

Reset 

Mode

Three 

LEDs: 

One Shot 

Mode

Summary of Contents for EOwave

Page 1: ...A N A L O G U E B A S S L I N E S Y N T H E S I Z E R TRANSPA SHUFFLE B SWING RST OWNERS MANUAL VERS 1 0...

Page 2: ...beer crates trucks or mothers in law on the instrument Before moving place with MAGMA make sure the unit is disconnected from other devices external controllers mixers etc If not watch for cables and...

Page 3: ...14 4 PROGRAMMING SECTION 15 4 2 Programming a preset 17 4 3 Saving Presets 25 4 4 Save Patterns 26 4 5 Clearing Notes Presets Patterns 27 4 6 Transpose Menu 28 4 7 Clock Divider 30 4 8 Chaining Patter...

Page 4: ...to build a new synthesiser which marries the best of today s analogue and digital technology We wanted to build a synthesiser with a very special timbral footprint that would conjure up images of som...

Page 5: ...e All you need to use MAGMA is the power supply and a suitable audio system or a headphone respectively a little love can t do any harm either Make use of the additional connection terminals and you w...

Page 6: ...le level When it hurts it is probably a tad too much When running MAGMA together with a mixer turn MAGMA s VOLUME up to the max and adjust the input level on your mixer This will yield the best signal...

Page 7: ...combinations A N A L O G U E B A S S L I N E S Y N T H E S I Z E R VCA VOLUME Output Modulation from ENV1 Velocity LFOs 1 2 LFO 1 to VCO VCF PWM LFO 2 to waveform mixer 8 waveforms at 3 stages each E...

Page 8: ...e ENV 3 AD ENV 2 ADSR ENV 1 ADSR Inv Inv LFO 2 LFO 1 MIDI Velocity MIDI Note Pitch PWM Audiosignal Modulation Control 4 PROGRAMMING SECTION Here you will learn all about MAGMAs programming section int...

Page 9: ...ead of hitting a button in the upper row Convenience you know 4 2 Programming a preset Let s have a closer look at MAGMA s on board sequencer it is pretty powerful and it is lots of fun And with a lit...

Page 10: ...ote which means the sequence is divided into 16 1 16 notes 1 16 is the shortest available note length It is easy to program longer notes Let s assume you have already entered the note track and set so...

Page 11: ...the beginning of this section The three other tracks provide control over MAGMA s sound parameters They dynamically change value settings of assigned parameters To program these tracks please Hit SHI...

Page 12: ...ld NOTE to enter the note track the same goes for mod tracks M1 M3 Hit a STEP hold hit ENTER In the example above the note track now runs from step 1 to step 8 Step 9 is not the last played step but t...

Page 13: ...w preset to the current location Please note This will overwrite the preset previously stored in this place Make sure that this is really your intention there is NO undo function on MAGMA If you accid...

Page 14: ...elected memory location this step is not shown in the picture 4 5 Clearing Notes Presets Patterns Shuffle M1 M3 Not all of your creations might have had your Master s Touch Do not fear you can easily...

Page 15: ...rrent sequence 4 6 2 Single Multi Trigger Hit PRESET to toggle between single and multiple triggering when receiving MIDI notes from an external MIDI device Multi Trigger PRESET LED off Every incoming...

Page 16: ...ern or preset Without storing the randomised sequence will be lost after changing to a new preset pattern or after powering MAGMA down You will find all about the store functions on pages 25 26 4 7 Cl...

Page 17: ...get confused You cannot cause damage this way but unwanted effects and erratic behaviour might ensue Always a good thing when experienced five minutes before a live show on TV 4 9 MIDI Channel Use th...

Page 18: ...rms into the mixer and further on into the voltage controlled filter VCF as well as the voltage controlled amplifier VCA There is also an external input fed into the filter amplifier section for proce...

Page 19: ...changing the pitch of the VCO Secondly it selects the modulation source for the pulse width modu lation PWM of the square wave The three LEDs around the sync button display the PWM source The LED in t...

Page 20: ...rd sequencer or receives external MIDI data 5 7 LFOs MAGMA provides you with two LFOs Low Frequency Oscillators for even more com plex modulation madness Both LFOs generate several waveforms and can b...

Page 21: ...anions from time to time In order to ensure a proper communication with the outside world MAGMA is equipped with a MIDI interface MAGMA s MIDI interface boasts the following features USB port for MIDI...

Page 22: ...clude an explanatory note CE norm FCC information 1 Important notice do not modify this unit This product when installed as indicated in the instructions contained in this manual is compatible with th...

Page 23: ......

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