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In order to verify the Input/Output Max Levels of the CLP160, need first to make 
sure that 

NO

 RMS compression or Sub Harmonic Synthesis are active.

In order to do that need to proceed with the following steps (the details about 
the  RMS  compressor  and  Sub  Harmonic  Synthesizer  use  are  in  the  dedicated 
and following section of the manual):

Sub Harmonic Synthesizer NOT Active: 

 

  1.  Press the “Atk/Re/ Select” button so to turn ON the related green Led.  
  2.  Make sure the “Atk/Re/ Confirm” is OFF
  3.  Move to the MIN position the THR/VAR potentiometer
  4.  press again the “Atk/Re/ Select” button so to turn OFF the related green    
        Led.

RMS Compressor NOT Active: 

  1.  Make sure the “Atk/Re/ Select” and “Atk/Re/ Confirm” are both OFF
  2.  Move to the MIN position the THR/VAR potentiometer

Max  Analog  Input

:  in  order  to  understand  what  can  be  the  maximum  Analog 

Input level to the unit, which is the one before the clipping of the Op-Amps in 
front of the A/D converters, need to make sure that no Digital clip (DSP process) 
is occurring.
The output will never clip unless the clip is coming from the digital process.
This means that if the D/A output isn't clipped, then no clipping will come from 
the Analog Op-Amp output section.
From  this  point  of  view,  any  position  of  the  Output  potentiometer  for 
evaluating the Max Input level, can be set.
Let's  consider  to  set  the  output  potentiometer  to  the  position  5  of  the  grid  in 
Fig B.
Now, to define what is the Max Analog Input level, need to set the Input Level 
potentiometer  to  a  position  granting  enough  attenuation  of  the  signal  before 
the A/D, so to make sure no clip is occurring on the A/D side.
Let's set the Input potentiometer to the position 3 of the grid of Fig. A.
Done this, we can increase progressively the Input signal level until the output 
will start to clip.
In  this  way,  can  be  found  that  the  Max  Input  level,  before  to  get  the  Input  Op 
amps clipping is 

+15dBu.

7

Summary of Contents for CLP-160

Page 1: ...19 482mm DIGITAL USB...

Page 2: ...Instructions Page 2 Controls and Parameters Page 3 RMS Compressor Notes Page 4 Sub Harmonic Synthesizer Notes Page 5 Input and Output Level Considerations Page 6 8 RMS Compressor Page 9 14 Sub Harmoni...

Page 3: ...nit Refer all servicing to qualified service personnel To prevent the risk of shock do not attempt to service this equipment yourself because opening or removing covers may expose you to dangerous vol...

Page 4: ...On Off RMS Compressor Active Bypass Pot Input Level Analog Input Gain Left Right Pot Output Level Analog Output Volume Left Right TECHNICAL DATA Inputs Balanced 2 TRS 2 XLR Outputs Balanced 2 TRS 2 X...

Page 5: ...signal of a Unit in order to maintain the amplitude of the OUTPUT signal at a defined level when input level is exceeding a defined intervention Threshold The Compressor implemented in the CLP160 is...

Page 6: ...pression smoothly before the Threshold In addition to the RMS Compression process in the CLP160 is also available a powerful Sub Harmonic synthesizer The Sub Harmonic Synthesizer is working generating...

Page 7: ...hat are the Max Absolute Input level which cannot be exceeded without getting an Op Amp clip no longer recoverable by any Digital operation In order to help the user in understanding clearly the follo...

Page 8: ...the unit which is the one before the clipping of the Op Amps in front of the A D converters need to make sure that no Digital clip DSP process is occurring The output will never clip unless the clip i...

Page 9: ...Max Output GND Floor Noise 9 8dBu 90 3dBu 100dBu Analog Bypass de pressing the On Off Process button the Analog Bypass can be activated In this condition the CLP160 is bypassing the Digital section a...

Page 10: ...l Potentiometer set to 7 with reference to the Fig B Any different condition on the Input Signal can bring to the same output results if the Input Level Potentiometer will be Adjusted in order to be c...

Page 11: ...erence to the Fig D picture The following table describes the relation between the Encoder position and the RMS Compression Ratio and Knee type HARD White Area the Knee of the RMS Compressor is HARD t...

Page 12: ...k Rel Select and Atk Rel Confirm buttons TAB 1 Where the Led can be turned On or Off with a simple pressure or made Blinking or Un blinking maintaining them pressed for at least 3 seconds The RMS Comp...

Page 13: ...g a 0dBu Output level as Maximum Output Level the Table relating the Threshold and the Output Level is TAB 2 THR VAR Pot Threshold set at MAX 0dBu Bypass Grid 9 Grid 8 Grid 7 Grid 6 Grid 5 Grid 4 Grid...

Page 14: ...osition on the base of the following Table and considering the Threshold set at 17dBu and the Input level going from OFF to 0dBu TAB 3 THR VAR Pot Threshold set at MAX 200ms Grid 9 Grid 8 Grid 7 Grid...

Page 15: ...tion on the base of the following Table and considering the Threshold set at 17dBu and the Input level going from 0dBu to 20dBu TAB 4 THR VAR Pot Threshold set at MAX 1 7sec Grid 9 Grid 8 Grid 7 Grid...

Page 16: ...nics on the low frequencies can help in improving the quality of the background music and to gain a heavier or more vibrant sound The Sub Harmonic Synthesizer is a process synthesizing the first lower...

Page 17: ...e music that much sought after punch The Sub Harmonic Synthesizer is working on the base of a single control used for deciding the amount of Sub Harmonics in terms of Amplitude Gain To access the Sub...

Page 18: ...lip Led blinking IMPORTANT NOTE Once the CLP160 is configured by the user in all its parameters when the unit will be turned OFF the all values of the parameters will be retained and recalled when the...

Page 19: ...China Office 4 5Floor Building B No 885 Shenzhou Road Science City Guangzhou China Tel 86 20 62845258 59 60 Fax 86 20 62845256 Http www marani com cn MAINS...

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