Tuning or Voicing your equipment and making sure it can handle the levels of the music you want to record, is similar to selecting and
assembling an Audio “playback” system.
My
fi
rst recording in 1987 with my Stellavox SM8 and a pair of B&K 4133 mics convinced me that it could be the basis of a “reference”
recording system with a performance beyond the best existing vinyl playback systems. I made up my mind very early on to ignore the
pro-industry approach and instead focus on an almost Hi-End playback approach using the best recordings from the 60’s as examples of
what was possible - recordings from Bob Fine [Mercury], Ken Wilkinson [DECCA] and Lewis Layton [RCA], and of course a lot of
experimenting during real recording sessions [mostly at the rehearsals].
The
fi
rst experimentation was with microphones. Although I liked some of the colourations I could hear with AKGs, NEUMANNS, SCHOEPS
etc, some were adversely a
ecting the soundstage width and depth of a performance. I found that the faster 1/4” or 1/2” diaphragm
microphones soundstaged better than the traditional 1” capsules . So I started with a B&K 4133 which is predominantly used for
instrumentation testing. It was transparent enough that I could start to hear some of the limitations of the Stellavox SM8.
Georges Quellet is one of my heroes. His machine is mechanically the equivalent of a Patek Phillipe watch. He has picked his
compromises well in terms of the sound quality of this machine. His very simple two-stage single-ended, battery operated [13V] modules are
exceptional when you remove all the “unecessary” compensations, limiters, etc needed for normal professional use.
Earthworks, B&K 4135 , Neumann TLM50
3 modi
fi
ed Stellavox SM8’s & AMI48 Mixer
Pair Neumann TLM50
Summary of Contents for solitaire
Page 1: ...metaxas sins solitaire depuis 1981 ...
Page 3: ...solitaire metallic automotive paint option ...
Page 5: ......
Page 7: ......
Page 9: ......
Page 11: ......
Page 14: ...future proof modular construction the heart of the solitaire two updateable modules ...
Page 16: ......
Page 18: ...integrated or stereo version ...
Page 20: ......
Page 21: ...history 4 decades of design 1980 s in Brunswick Street North Fitzroy ...
Page 22: ......
Page 24: ......
Page 25: ...our master tapes ...
Page 26: ......
Page 31: ......
Page 33: ......
Page 37: ...solitaire anodised option any color you like ...
Page 38: ......
Page 43: ......