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8

Setting Up the Signal Level

In order to get a good signal, first be sure that the CV4 is connected to a mixer or recorder input that is microphone level   
As explained in the previous section “Powering the CV4”, be sure that the PS4 power supply is connected properly and 
turned on    Most quality mixers, mic pre’s and DAW’s provide microphone inputs with a mic trim (“trim” is jargon  the 
control is usually called Mic Gain or Level) control  The purpose of the mic trim control is to set a good signal level and 
minimize any noise associated with the mic inputs electronics  A good mic pre will also have a Clip or Peak LED to show 
you when the input is at overload, the level which distortion begins to occur   To set a good clean level, set the CV4 up 
in front of the desired sound source and slowly turn up the mic trim until you see the Clip LED light up   Then, turn the 
trim control down until the LED does not light any more   On most microphone inputs, the best setting is when the trim 
control is turned up as high as possible without lighting the PEAK LED  

Microphone Placement

To help maximize the quality of your recording, you must pay careful attention to the placement of your CV4, and 
specifically, how it is positioned for the instrument or vocalist that you’re miking  Remember, the front side of the 
microphone is the same side as the Miktek logo  As you become more experienced in miking techniques, you’ll quickly 
realize the microphone placement is critical to getting the sound you want  For more information on typical miking, 
see the Application Notes section of this manual  But remember, these examples are at best an approximation of where 
you should place the microphone to get the best sound  While placing the mic around any instrument or sound source, 
monitor  the signal through a set of good quality closed-back headphones and take notice to how just a slight adjustment 
can make a huge change in frequency response  As you’re changing the microphone’s position, be sure to check that the 
mic input is still set to a good level without clipping, as described in the previous section 

Operating the CV4

Summary of Contents for CV4

Page 1: ...CV4 Large Diaphragm Multi pattern Tube Condenser Microphone ...

Page 2: ...Miktek LLC 348B Valeria St Nashville TN 37210 tel 615 250 2434 fax 615 346 9298 2010 All Rights Reserved Miktek LLC Printed May 2010 v1 www miktekaudio com ...

Page 3: ...g Up the Signal Level 8 Microphone Placement 8 The Proximity Effect 9 Stand Mounting the CV4 9 Installing the SMS 1 Shockmount 10 Applications Guide 11 19 Vocal 11 Acoustic Guitar 12 Piano 13 Overhead Drum Kit 14 Stereo Miking Techniques 15 Coincidental XY or Crossed pairs 16 Near Coincidental 18 Spaced Pairs 19 Baffled 19 Specifications 20 21 ...

Page 4: ...d specifications In addition we ve also included some basic miking techniques for typical recording and live sound applications Most of us who ve purchased the CV4 are already experienced engineers so these may seem quite basic However at Miktek we want to encourage young or new engineers to use our microphones or at least to read our manuals and learn something about recording and live sound We k...

Page 5: ...ckplates and set back to back to create the final capsule Tight tolerances and special attention to precise machining of the backplate produce a linear off axis response that ensures the accuracy of the microphone The CV4 s electronic circuit design is unique and features the AMI BT4 transformer together with the implementation of high quality hand selected exotic components Together with an origi...

Page 6: ...e sure to complete the included warranty registration card or visit miktekaudio com to register on line In the unlikely instance that your microphone would ever require service please contact us at 615 250 2434 for a Return Authorization number If you purchased the microphone outside of the US please contact your local distributor for service Please feel free to call us with any questions you may ...

Page 7: ...ble Pick up Patterns Omni Cardioid Figure 8 and transitional 7 7 patterns in between each of those AMI BT4 Transformer 7 7 Original NOS Telefunken EF800 Tube 7 7 Individual serialized Frequency Response Graph 7 7 External Power Supply and 7 pin XLR Cable 7 7 Wood Presentation Case with swivel mount shock mount and rugged 7 7 aluminum Carrying Case ...

Page 8: ... in the same place in front of the mic using the omni pattern can be extremely useful since the off axis change will have less of an effect on the frequency response When the CV4 is set to the figure eight pattern the microphone picks up sound directly from the front and back while rejecting the sound at the sides When miking an acoustic guitar a great way to capture same natural ambience is set t...

Page 9: ... up the 7 Pin connectors so that you do not accidently bend them Now connect the Mic Output on the CV4 power supply to your mixer s mic pre s or DAW s Digital Audio Workstation mic input using a standard XLR microphone cable In order to ensure the proper phase response please note the PS4 s output connecter is wired as Pin 1 Ground Pin 2 hot or positive and Pin 3 cold or negative Important Note It...

Page 10: ...t setting is when the trim control is turned up as high as possible without lighting the PEAK LED Microphone Placement To help maximize the quality of your recording you must pay careful attention to the placement of your CV4 and specifically how it is positioned for the instrument or vocalist that you re miking Remember the front side of the microphone is the same side as the Miktek logo As you b...

Page 11: ...s lift is caused by the amount of pressure present at the ports that are used to create the directional pattern Since omnidirectional microphones do not normally use these ports they do not have proximity effect Stand Mounting the CV4 The CV4 can be mounted to any standard microphone stand using the included mic stand holder or the SM7 shock mount If you are using a US standard 5 8 inch mic stand ...

Page 12: ...solid mic stand If you are using a US standard 5 8 inch mic stand remove the Euro adapter by unscrewing it from the shockmount Once the shockmount is mounted to the stand line up the bottom threaded section of the CV4 to the holder and slowly rotate the bottom thumbscrew clockwise until it screws on hand tight Be careful not to cross thread the screws You can loosen the bottom thumbscrew slightly ...

Page 13: ...ce to start Vocals When using the CV4 on vocals position the microphone with the logo facing in front of the artist and so that the microphone grill is approximating 4 to 10 inches away To avoid unwanted p popping use of an external pop filter is strongly recommended If no pop filter is available try to set the microphone at a slight angle which will also help reduce p pops When the CV4 s pattern ...

Page 14: ...c try positioning the microphone above the bridge to emphasize more of the attack from the sound of the finger picking or for less move the mic closer to the sound hole If you have a pair of CV4 s try one positioned at the fingerboard and the second over the sound hole Try positioning one mic in the front of the guitar pointed towards the fingerboard and another over the right shoulder right hande...

Page 15: ...chieve a more realistic sound it s a good idea to leave some space between the instrument and the microphone especially if you are recording a solo instrument Also keep in mind how the track ultimately needs to fit into the mix For example if you are recording a solo performance of Chopin you would likely want a very even response and you d want to capture the left hand sostenuto However if you ar...

Page 16: ...nse capture the entire kit making them awesome on overheads You can position one CV4 on a boom mic stand directly above the kit pointing from front to back For stereo miking use two CV4 s placed over the drum set at a distance of two to three feet depending on the size of the kit You can experiment with the exact placement depending on the size of the room and whether you re looking for an ambient...

Page 17: ...strument You ll also capture an image that translates the distance between the ensemble and the listener and you capture the sound of the acoustic space surrounding the instrument or ensemble When recording ensembles in stereo you have better chance of faithfully reproducing the balance between the instruments that was originally intended by the composer For most stereo miking applications you nee...

Page 18: ... little or no delay difference Therefore the stereo image is created by the level difference of the left and right microphones Since there is no appreciable delay there is less of a chance for phase cancelation and comb filtering so you can good results when the stereo signal is combined to a mono signal MS Mid side The Mid side technique makes use of two microphones with one figure 8 and a second...

Page 19: ...wo and three hard left and hard right respectively Channels two and three should be at equal level and always adjusted the same amount as if they were grouped together Now use the balance between channel one and the grouped channels two and three to adjust the width stereo spread If you want to create the Mid side stereo effect after you ve recorded into your DAW record the mid mic on track one an...

Page 20: ...ronym given to the French Broadcasting Organization which stands for Office de Radiodiffusion Television Française The ORTF standard specifies the capsules to be spaced 17cm apart and set at a 110 degree opposing angle In this setup the stereo image is created by the differences between level and time The stereo image is sharp however it tends not to be mono compatible Spaced Pairs The spaced pair...

Page 21: ...fled In a baffled stereo set up two omni directional microphones are placed roughly the distance between your left and right ears with a physical hard or foam baffle placed in between the two mics It uses time differences at low frequencies and level differences at high frequencies to create the stereo image The baffle creates a difference in frequency response between the two microphones with les...

Page 22: ...20 Specifications CV4 Typical Frequency Response 7 7 CV4 Polar Response 7 7 ...

Page 23: ...gure 8 and a transitional patterns in between each of those Frequency Response 7 7 20 20000Hz Sensitivity 7 7 35 dBV Pa Equivalent Noise Level 7 7 16 dB Dynamic range 7 7 117dB S N Ratio 7 7 78dB Max SPL 7 7 133 dB Power Supply 7 7 Miktek PS4 Specifications Specifications are subject to change without notice ...

Page 24: ...www miktekaudio com 348B Valeria St Nashville TN 37210 tel 615 250 2434 fax 615 346 9298 2009 All Rights Reserved Miktek Printed May 2010 v1 ...

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