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Track three:

1 kHz sine wave recorded at –20dB FSD. Use this to set the reference level of your source
(console, etc.)  On an analog console this will be 0VU. On digital sources this will be either
–20dB FSD or –18dB FSD.

10.

SPEAKER PLACEMENT

There is considerable debate within the professional audio community as to the best speaker placement for

multichannel mixing. Some mixers use placement solutions that are understood and well accepted, while others
remain unconvinced about a speaker placement standard and prefer to try other options.

One of the biggest obstacles to accurate monitoring in the control room is the recording console. With its large,

flat surface and its placement in the middle of the room, it provides the largest reflective surface between you and
your speakers. Reflected sound coming off the console arrives later than direct sound. The combination of direct
and reflected sound creates distortion in the form of comb-filtering. For this reason, we recommend that you do
not place your speakers on the console itself, but rather on stands around the console or wall-mounted on
brackets above the console. M&K manufactures a full line of stands and brackets which are designed to solve
practically any installation problem. Check with your M&K dealer or log onto the M&K Professional website,
www.mkprofessional.com for details.

ITU-R BS.775-1 Speaker Placement

Many professionals find the ITU-R BS.775-1

recommendation useful as either a final placement
solution or as a starting point from which to work.
This recommendation is based on placing the
speakers at equal distances around a 2.5 meter
circle with the height of each speaker at 1.2 meters.
The center speaker is placed directly in front of the
listener with the left and right speakers placed 30
degrees on either side of the center speaker.
Placement of the surrounds is somewhat more
flexible. The ITU recommends that the surrounds
be placed anywhere between 100 and 120 degrees
from the location of the center speaker with 110
degrees being the most common solution. Placing
the surrounds farther behind the mixer (120 to 135
degrees) may cause the single enveloping sound
field to collapse leaving the listener with two distinct
and seemingly unrelated soundfields.

The ITU-R BS.775-1 placement solution works very well in critical listening environments where the listening

position is known and is especially effective for those working in applications like music composition and mixing,
sound design, broadcast and DVD authoring.

11.

M&K’S GENERAL GUIDELINES FOR SPEAKER PLACEMENT 

In a multi-channel listening environment, all speakers should be of the same model and placed equidistant

from the listener. This is to maintain coincidental arrival of all channels at the listening position. If the center chan-
nel must be a smaller speaker, we recommend using the MPS-1520 center channel speaker. It’s timbre is matched
to that of our other main monitors.

The speakers should be placed so that their tweeters are all on the same lateral plane, vertically oriented.

When using M&K’s multi-tweeter models, be sure to line up the center tweeters as these provide the majority of
the high frequency information.

Bass Management Controller

12

FIGURE 7: ITU-R BS.775-1 SPEAKER 

PLACEMENT RECOMMENDATION

Summary of Contents for LFE-4

Page 1: ...LFE 4 Miller Kreisel Sound Inc 9351 Deering Avenue Chatsworth CA 91311 5858 USA 818 701 7010 fax 818 701 0369 www mkprofessional com 2003 Miller Kreisel Sound Inc bass management operation manual...

Page 2: ...FOR STEREO 8 7 CONNECTING FOR DOLBY DIGITAL 9 8 CONNECTING FOR DTS 10 9 CALIBRATING YOUR M K PROFESSIONAL SYSTEM 11 THE M K PROFESSIONAL TEST DISC 11 10 SPEAKER PLACEMENT 12 ITU R BS 775 1 RECOMMENDAT...

Page 3: ...his product from the wall outlet and refer servicing to qualified personnel under the following conditions When the power supply cord or plug is damaged If liquid has been spilled or objects have fall...

Page 4: ...DTS and other surround sound formats are faced with numerous challenges when trying to accurately monitor complex and dynamic material and determine how this material will sound in its intended playb...

Page 5: ...e Bass management is equally suited to all formats from 2 channel stereo to 5 1 and beyond Indeed existing control rooms that are doing stereo 2 channel mixes especially with smaller nearfield monitor...

Page 6: ...way it will ultimately be played back The LFE 4 together with a properly set up and calibrated M K monitor system allows the mixer to hear his work with more accuracy than might otherwise be possible...

Page 7: ...of the mixer and power amplifiers through the XLR cables In order to minimize the grounding problems between the LFE 4 and equipment racks the internal audio signal ground can be separated from the ch...

Page 8: ...ower amplifiers 5 Locate the external power supply for the LFE 4 and plug it into the 4 pin power connector on the back of the LFE 4 Secure it in place by turning the outer ring clockwise Plug the ext...

Page 9: ...to plus and set the gain switch to the THX position 5 If you are using passive speakers with external amplifiers connect your speaker system to the power amplifiers 6 Locate the external power supply...

Page 10: ...E 4 2 Connect the outputs of LFE 4 to the inputs of your power amplifiers or directly to your powered loudspeakers 3 Connect the mixer output assigned to the low frequency effects channel LFE to the 0...

Page 11: ...el of 4dB with 20dB of headroom the maximum signal level from the source console etc can be 24dB Therefore at very high signal levels you can only add around 3dB of gain with the trim pots before the...

Page 12: ...dation is based on placing the speakers at equal distances around a 2 5 meter circle with the height of each speaker at 1 2 meters The center speaker is placed directly in front of the listener with t...

Page 13: ...eaking it is not a good idea to place the subwoofer directly in the center between the left and right speakers There s usually a null in this location which absorbs low frequencies rather than reinfor...

Page 14: ...off your body and into the microphone Point the meter at the center speaker at about ear height Play track one of the test CD through the selected speaker and read the SPL Adjust the level to 85dB usi...

Page 15: ...ut clipping level 27 dBu Gain Adjustment 12dB THD 1kHz 4 dBu 0 002 LFE Inputs Input impedance 20K ohm balanced Nominal input level 4 dBu Maximum input level 24 dBu Gain Adjustment 12dB Gain 10dB input...

Page 16: ...LFE 4 manual PN 70360 7 08 2003 rev 1 pt qrk...

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