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13.

SPEAKER CALIBRATION

1.

Your speakers should now be in their final positions.

2.

Remove all EQ and signal processing from the monitor path.

3.

Turn all volume controls in the signal chain to their “reference level” position. These volume controls
include the console main monitor pot, submaster faders and power amplifier volume pots. The “reference
level” position is your defined reference playback level, which is typically 85dB SPL for film, video and
music. For the purposes of this discussion, we will assume that 85dB SPL is your reference level. If you
use a different reference level, then substitute the level that you use whenever you see 85dB SPL.

4.

Transfer one channel only (left or right) of the M&K Professional test CD onto your audio storage medium
(Pro Tools, open reel recorder, etc.). It is important that the tones be played back from your source through
the normal routing of your console or Pro Tools system so that the system calibration is conducted through
the same signal path that your audio goes through.

5.

Select track three on the test CD and use the 1kHz tone to level-set your console for 0VU on an analog
console, or –18 FSD if working digitally. Do not move the faders once you have level-set your monitor path.

6.

Select track one on the test CD and route it to the speaker that you want to calibrate (for example:
left front).

7.

Set your SPL meter for C weighting (flat) and slow (average) response. Set the scale to 80dB. Hold the
meter at about a 45 degree angle to vertical and at arm’s length to avoid a false reading from sound
bouncing off your body and into the microphone. Point the meter at the center speaker at about ear height.
Play track one of the test CD through the selected speaker and read the SPL. Adjust the level to 85dB
using a small screw driver on the trim pot on the selected channel of the LFE-4.

8.

Do the same for all front (or main) speakers and point the meter at each speaker in turn. The meter’s
microphone is directional.

9.

Do the same for the surround speakers (Note: the film community prefers to use 82dB as the reference
level for surround speakers while DVD authors, broadcasters and music mixers prefer to set all their
speakers, including the surrounds, to the 85dB standard.) 

(NOTE 1: If you are using a Martinsound MultiMax, connect the LFE-4 to the output of the MultiMax and

disengage the Cinema low-end reinforcement program on the MultiMax as this program is not a bass
management system.)

(NOTE 2: If your speakers are moved, it is recommended that the whole system be re-calibrated.)  

14.

SUBWOOFER CALIBRATION

1.

Set your SPL meter for C weighting and slow response. Set the scale to 80dB. Point the meter at the
center speaker at ear height with the meter at a slightly up-turned angle. Play track two of the test CD
through the selected speaker and read the SPL  (Remember that the LFE-4 will re-route all frequencies
below 80 Hz to the subwoofer.)  Adjust the subwoofer level using a small screw driver to 85dB on the
subwoofer trim pot on the LFE-4.

2.

Next, route track two on the TEST CD to each of the 5 channels. Make sure that the subwoofer level is
exactly 85dB SPL for all channels. If they are not, you may have a frequency response problem in the
signal path that will have to be corrected before proper calibration can be achieved.

Bass Management Controller

14

Summary of Contents for LFE-4

Page 1: ...LFE 4 Miller Kreisel Sound Inc 9351 Deering Avenue Chatsworth CA 91311 5858 USA 818 701 7010 fax 818 701 0369 www mkprofessional com 2003 Miller Kreisel Sound Inc bass management operation manual...

Page 2: ...FOR STEREO 8 7 CONNECTING FOR DOLBY DIGITAL 9 8 CONNECTING FOR DTS 10 9 CALIBRATING YOUR M K PROFESSIONAL SYSTEM 11 THE M K PROFESSIONAL TEST DISC 11 10 SPEAKER PLACEMENT 12 ITU R BS 775 1 RECOMMENDAT...

Page 3: ...his product from the wall outlet and refer servicing to qualified personnel under the following conditions When the power supply cord or plug is damaged If liquid has been spilled or objects have fall...

Page 4: ...DTS and other surround sound formats are faced with numerous challenges when trying to accurately monitor complex and dynamic material and determine how this material will sound in its intended playb...

Page 5: ...e Bass management is equally suited to all formats from 2 channel stereo to 5 1 and beyond Indeed existing control rooms that are doing stereo 2 channel mixes especially with smaller nearfield monitor...

Page 6: ...way it will ultimately be played back The LFE 4 together with a properly set up and calibrated M K monitor system allows the mixer to hear his work with more accuracy than might otherwise be possible...

Page 7: ...of the mixer and power amplifiers through the XLR cables In order to minimize the grounding problems between the LFE 4 and equipment racks the internal audio signal ground can be separated from the ch...

Page 8: ...ower amplifiers 5 Locate the external power supply for the LFE 4 and plug it into the 4 pin power connector on the back of the LFE 4 Secure it in place by turning the outer ring clockwise Plug the ext...

Page 9: ...to plus and set the gain switch to the THX position 5 If you are using passive speakers with external amplifiers connect your speaker system to the power amplifiers 6 Locate the external power supply...

Page 10: ...E 4 2 Connect the outputs of LFE 4 to the inputs of your power amplifiers or directly to your powered loudspeakers 3 Connect the mixer output assigned to the low frequency effects channel LFE to the 0...

Page 11: ...el of 4dB with 20dB of headroom the maximum signal level from the source console etc can be 24dB Therefore at very high signal levels you can only add around 3dB of gain with the trim pots before the...

Page 12: ...dation is based on placing the speakers at equal distances around a 2 5 meter circle with the height of each speaker at 1 2 meters The center speaker is placed directly in front of the listener with t...

Page 13: ...eaking it is not a good idea to place the subwoofer directly in the center between the left and right speakers There s usually a null in this location which absorbs low frequencies rather than reinfor...

Page 14: ...off your body and into the microphone Point the meter at the center speaker at about ear height Play track one of the test CD through the selected speaker and read the SPL Adjust the level to 85dB usi...

Page 15: ...ut clipping level 27 dBu Gain Adjustment 12dB THD 1kHz 4 dBu 0 002 LFE Inputs Input impedance 20K ohm balanced Nominal input level 4 dBu Maximum input level 24 dBu Gain Adjustment 12dB Gain 10dB input...

Page 16: ...LFE 4 manual PN 70360 7 08 2003 rev 1 pt qrk...

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