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satellite speakers

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in this diagram due to an optical illusion).

Try to follow the formula as close as you can.  You can fine tune the placement by listening to a source with an

image (such as a vocalist) centered between the speakers.  When listening in stereo (no Center Channel speaker),
move the speakers closer together or farther apart in small increments until you hear the sharpest and most cohesive
image, especially in the phantom center.  You may also want to angle (or "toe-in") the speakers slightly.  This often
improves the sharpness of the stereo image, reduces room colorations, and provides a wider seating area.

D. CABINET ORIENTATION (HORIZONTAL OR VERTICAL)

The performance of the S-90 or S-80 Satellites is essentially identical whether they are oriented horizontally or

vertically.  The performance of the S-100B and S-1C, however, does change according to their orientation.

The S-90 and S-80 cabinets are trapezoidal in shape (their front baffles are narrower than their rear baffles), so

when they are placed on their sides (horizontally), they point down.  If your Satellites will be placed above the main
listening position, this should require no compensation.  If they are level or below the main listening position, you will
need to put a wedge or spacer underneath the speaker so that it points up towards you.

The S-100B and S-1C Satellites are designed for controlled vertical dispersion and wide horizontal dispersion.

By controlling the vertical dispersion, we limit the amount of sound that would otherwise be reflected with a time delay
from the floor and ceiling (for the reasons discussed in B. above).

For the S-1C Satellites, this means that they should always be vertically oriented (with the tweeters either on the

top or the bottom).  When they are vertical, the controlled dispersion is in the correct plane.  If they are oriented
horizontally (on their sides), listeners right or left of a direct line from the center of the speaker will hear a compromised
sound quality, an irregular frequency response, and other problems.   While this may be acceptable for background
listening, we strongly recommend that you do not place them on their sides for careful listening.

For the S-100B Satellites, the best orientation is with the tweeters in a vertical line, to the outside, so that the 5"

woofers are towards the center.  This provides wide horizontal dispersion and limited vertical dispersion, giving you the
best stereo imaging and overall sound.  However, the vertical dispersion of the S-100B is not controlled to the degree
of the S-1C, so it is acceptable to place it with the tweeters in a horizontal line either above or below the 5" woofers.
The best S-100B sound, however, is with the tweeters vertical.

8.  HOME THEATRE USAGE

TIMBRE-MATCHING

One of the most important factors in achieving excellent Home Theatre performance is known as timbre-matching.

This is important because on film soundtracks, specific sounds are frequently moved from left to right or from front to
back in the room.  When the speakers reproducing these sounds do not have similar characteristics, there will be an
audible discontinuity when the sound shifts from one speaker to another.

Timbre-matched speakers have very similar tonal characteristics and sound, which are achieved through three

critical elements: similar or identical drivers; similar or identical crossovers; and similar or identical frequency response.
If you have only M&K speakers in your system, these elements have been addressed and you can be assured that your
system can achieve the full potential of Home Theatre sound.

If your other speakers are not M&Ks, don't worry; M&K's unique Variations of Sound allow you to adjust your M&K

speakers to match your other speakers.  Read the Variations of Sound section for your Satellite speakers (S-100B, page
4; S-90, page 6; S-80, page 8; S-1C, page 10) for details.

First, set up a listening comparison between your new M&K speaker and your existing speaker.  Connect one

speaker as the front right channel speaker and the other as the front channel left speaker.  Place them as close together
as possible, and compare their sound by alternately rotating the balance control fully to the right and left.

Set the controls on the back panel of the M&K speaker so that it sounds as similar as possible to the other speaker.

Set the other M&K speaker identically (unless you are adding just one as a center channel) and proceed with hooking
up your system.  If you have any questions, please give us a call and we'll be happy to discuss this with you.

CHANNEL BALANCING

The other factor critical to achieving excellent Home Theatre performance is level-matching the three front and

two surround channels.  This is actually even more important than timbre-matching.  If your dealer has calibrated your
system on installation, you don't need to worry about this step.  We just ask that you PLEASE don't try to readjust it.

But if you are doing the calibration yourself, a small investment will allow you to do the same job as a professional

and get superb surround sound performance.  We strongly recommend that you purchase a Radio Shack Sound Level

Summary of Contents for S-100B

Page 1: ...ferson Boulevard Culver City CA 90232 USA 310 204 2854 FAX 310 202 8782 1995 MILLER KREISEL SOUND CORP S 100B S 1C S 90 S 80 SX 7 operation manual satellite speakers satellite speakers satellite speak...

Page 2: ...PLACEMENT 13 8 HOME THEATRE USAGE 15 9 SATELLITE SUBWOOFER PHASING TEST 17 10 SPEAKER DAMAGE HOW TO AVOID IT 18 11 BI AMPLIFICATION WITH M K HIGH PASS FILTERS 18 12 IF YOU NEED SERVICE 18 13 CABINET...

Page 3: ...oor M K speaker stands are designed to set M K Satellite speakers at the right height for the average person and chair and they also allow you to use spiked feet and to add mass to the stand to improv...

Page 4: ...The switch choices however can help you create the ideal response in your room Therefore set the switches for the best sound balance for your ears and your room giving you maximum enjoyment from your...

Page 5: ...e MID and LOW position These carefully shaped contours minimize brightness due to room conditions other electronics or the source material It does more than a simple tweeter level control The LOW posi...

Page 6: ...switch to HIGH TWEETER or set the MIDRANGE CONTOUR switch to NORMAL or SPECIAL It is not possible to tell in advance which settings will produce the ideal response which is a flat frequency response...

Page 7: ...dio and audio video program material varies widely in terms of high frequency level and distortion For example many recordings and film soundtracks have artificially boosted excessive high frequencies...

Page 8: ...ead from your amplifier or receiver should be connected to one BLACK INPUT terminal HIGH EFFICIENCY LOW EFFICIENCY See Figure 3 page 9 VERY IMPORTANT NEVER CONNECT THE AMPLIFIER LEADS TO BOTH RED TERM...

Page 9: ...IN USA TWEETER LEVEL EFFICIENCY AMPLIFIER _ _ one channel only is shown SATELLITE SPEAKER CONNECT AMPLIFIER TO ONLY ONE RED AND ONE BLACK TERMINAL see instructions HIGH HIGH LOW LOW MADE IN USA TWEETE...

Page 10: ...ossible sound The second pair of terminals is provided to allow you to bi wire the S 1C The bi wiring technique is discussed below Sound quality can be affected by the type of speaker wire that you us...

Page 11: ...TOUR SWITCH The MIDRANGE CONTOUR switch is the primary control for altering the tonal balance of your Satellites Its major effect is in the midrange but it does shift the balance over the entire audib...

Page 12: ...requency level and distortion For example many recordings and film soundtracks have artificially boosted excessive high frequencies that will be clearly reproduced by the exacting and extended high fr...

Page 13: ...should be connected to the upper set of terminals on the S 1C backplate labelled BI WIRE TWEETER INPUT The toggle switch located between both pairs of terminals must be set to the BI WIRE position In...

Page 14: ...r ear with a slight time delay compared to the direct sound reaching your ear This time delay will blur the sonic imaging and interfere with transient performance The delay is very slight so instead o...

Page 15: ...l sound However the vertical dispersion of the S 100B is not controlled to the degree of the S 1C so it is acceptable to place it with the tweeters in a horizontal line either above or below the 5 woo...

Page 16: ...then just to the left or the right of the screen is next best If the television is not in the center of the room or not centered between the Left and Right speakers the proper location for the Center...

Page 17: ...t the subwoofer to the front Left and Right channel amplifier outputs do not use the Center channel VERY IMPORTANT When the Subwoofer is connected to the Left and Right amplifier outputs and the contr...

Page 18: ...hness and break up especially at high volume levels and turn down the volume when needed If you cannot get enough volume you may need to consider a higher powered amplifier If you have any questions a...

Page 19: ...mnimounts varies according to production date Some S 90s have the inserts on the back baffle of the cabinet and other S 90s have the inserts on the bottom of the cabinet See page 20 for which bracket...

Page 20: ...OmniMount Series 75 mounting bracket S 90 when threaded inserts are on the bottom of the S 90 USES OMNIMOUNT 75 WB Four threaded inserts are located on the bottom or top when the speaker is inverted o...

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