TRACK EFFECTS
34
FIGURE 5.
The function of the delay
•
For using the delay for delay-line style sound sculpturing, try setting DTIM very
low together with a DFB value above 32. Then play around with the delay filter set-
tings.
•
Try applying an LFO to DTIM for interesting speed-modulating effects!
•
Using the DBAS and DWID parameters you can make the delay “echoes” sound
sequentially different as the sound goes round the delay loop. Good for dub-
inspired delays.
•
Watch your tweeters and ears! Feedback values below 64 will cause the sound in
the delay loop to diminish over time, but values above 64 will cause the sound to
grow until maximum audio level is reached and then distort!
DELAY FILTER:
DBAS=FILTER BASE
DWID=FILTER WIDTH
DELAY FEEDBACK:
DFB=DELAY FEEDBACK
%&-":-001
%5*.%&-":5*.&
5"1&41&&%
DELAY SEND LEVEL:
DSND=DELAY SEND
53"$,&''&$5%&-":
"6%*04*(/"-1"5)
Summary of Contents for SFX-6
Page 1: ......
Page 8: ...6 of 6 ...
Page 24: ...MONOMACHINE OVERVIEW 16 FIGURE 1 Monomachine sound synthesis overview ...
Page 68: ...THE PATTERN SEQUENCER 60 FIGURE 7 Trig track illustrations ...
Page 135: ...Appendix A MACHINE REFERENCE A 11 ...
Page 140: ...A 16 Appendix A MACHINE REFERENCE ...
Page 152: ...C 6 Appendix C SYSEX REFERENCE ...
Page 156: ...4 INDEX ...
Page 157: ......
Page 158: ...ElektronMusicMachinesAB ErikDahlbergsgatan3 41126Gothenburg Sweden www elektron se ...