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C O N T R O L S A N D C O N N E C T I O N S

Assign switches (38) are depressed) and the TAPE Input. The
level of signal routed to the L-R Master faders (24) from tape
decks, CD players, etc., input to the Tape Input (21) is determined
by the Tape In Level Control (33). The 10-stage LED Output
Meter (34) 
can be selected with the Meter Select Switches (35) to
display the Master Mix output level.

d. Monitor Function and Operation

(19) CONTROL ROOM OUTPUTS
(23) HEADPHONES OUTPUT
(28) PHONES/CONTROL ROOM CONTROL
(29) PFL MONITOR SELECT SWITCH
(30) L-R MONITOR SELECT SWITCH
(31) G1-2 MONITOR SELECT SWITCH 

The CMX-16A allows you to monitor singly the L-R Main Mix , the
G1-2 Group mix or the pre-fader PFL signal by selecting one of the
appropriate Monitor Select switches (29,30,31). The level of the
selected signals is adjusted with the Phones/Control Room con-
trol (28) 
and routed to both the Control Room (19) and
Headphones (23) outputs. The L-R Control Room Outputs (19)
can be connected to an amp to power stereo control room (or
other) monitor speakers and are 1/4" unbalanced phone jacks,
wired: Tip = positive (+), Sleeve = ground. The Phones Output will
feed headphones and is a 1/4" TRS jack, wired: tip = left signal,
ring = right signal, sleeve = ground. 

e. Power Switches

(40)

AC POWER IN SOCKET

(26)

MAIN POWER SWITCH

(26A) POWER ON LED INDICATOR

Once the external PSU is connected to the AC Power In Socket
(40) 
and then to the AC power source, you may switch on your
mixers with the Power On switch (26). The Power "ON" LED
(26A) 
will light up.  Allow 1 minute after powering up for the system
to reach equilibrium before setting inputs gains and other levels.

(27)

PHANTOM POWER SWITCH

(27A) PHANTOM POWER ON LED INDICATOR

When using condenser mics, +48VDC can be switched globally on
or off to the XLR mic inputs for all mono channels (also see MONO
INPUT SECTION, MIC INPUTS). When this switch is in the "ON"
position, The Phantom Power On LED Indicator (27A) will light,
and +48VDC will be provided between pins 2 and 3 of all the mono
Mic input XLR connectors (Ch 1-8). If you don’t need phantom
power, be sure to turn this switch to the "OFF" position. 

[Note: It is safe to connect balanced dynamic mics or line level
devices even if this switch is on, but connecting unbalanced
devices or devices whose transformers are center-grounded will
cause hum or malfunctions. Shorting the +48VDC can also dam-
age your mixer.  Also, mute the Monitor/PA speakers when turning
the phantom power on or off.]

(29)

(30)

(31)

(33)

(32)

(25)

(28)

(27A)

(27)

(26)

(26A)

11

BACK PANEL

(40)

Summary of Contents for CMX-16A

Page 1: ...CMX 16A 16 CHANNEL STEREO MIC LINE MIXER O W N E R S M A N U A L...

Page 2: ...ad this manual carefully to get the most out of your new unit Thanks for selecting NADY AUDIO as your choice in mixing consoles Date of Purchase Dealer s Name City State Zip Model Serial CONTENTS WARN...

Page 3: ...d should 1 be undamaged 2 never share an outlet or extension cord with other devices so that the outlet s or extension cord s power rating is exceeded and 3 never be left plugged into the outlet when...

Page 4: ...L L R and G1 2 mixes separately assignable to Headphone and Control Room outputs for versatile moni toring capability Input Trim controls on all channel inputs Balanced XLR and unbalanced 1 4 TRS Ster...

Page 5: ...t place the CMX 16A on high temperature devices such as power amplifiers etc or the unit may overheat in operation Although the unit s chassis is shielded against radio fre quency RF and electromagnet...

Page 6: ...ropriate Instead the signal is intercepted somewhere along the channel fed through the dynamics processor and or EQ then returned to the console at the same point where it left The insert point is nor...

Page 7: ...2 bus when G1 2 bus is selected with the G1 2 button 11 8 PEAK LED INDICATOR The Peak LED illuminates when a channel is going into over load It detects the peak level after the EQ and will light at 3d...

Page 8: ...nputs are designed for any line level signal Most line level sources such as MIDI instru ments and effects units will have their own output level con trol However any added adjustment necessary for pr...

Page 9: ...ed with the AUX Return Assign switches 38 39 The Aux Returns are multi func tional They may be used for returning the outputs of effect units as Tape Returns from a multi track recorder or as extra in...

Page 10: ...oute to multi track recorders There are no dedicated subgroups on the CMX 16A However the G1 2 bus offers you a second independent stereo submix with its own submaster stereo fader You can generate tw...

Page 11: ...TRS jack wired tip left signal ring right signal sleeve ground e Power Switches 40 AC POWER IN SOCKET 26 MAIN POWER SWITCH 26A POWER ON LED INDICATOR Once the external PSU is connected to the AC Powe...

Page 12: ...turn 6 RCA pin plug for unbalanced input ouput Ground Screen Cold Out of Phase Signal Hot In Phase Signal MICROPHONE INPUTS GROUP MIX OUTPUTS Socket female Plug male HEADPHONES Tip Left signal Ring Ri...

Page 13: ...ed 11 POWER REQUIREMENTS External PSU 120 VAC 60Hz or 230 VAC 50Hz 12 POWER CONSUMPTION 40 Watts External PSU 13 DIMENSIONS AND WEIGHT 15 x 17 5 x 3 75 381 x 495 x 95 mm 14 85 lbs 6 75 Kg External PSU...

Page 14: ...BLOCK DIAGRAM 14...

Page 15: ...product require service please contact the Nady Service Department via tele phone at 510 652 2411 or e mail at service nadywireless com International For service please contact the NADY AUDIO distrib...

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