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Speedlights

Speedlight SB-800

Speedlight SB-600

Wireless Remote

Speedlight SB-R200

Wireless Speedlight
Commander SU-800

Getting More From Your

Nikon Digital SLR.

• Guide Number of 53 [ISO200, m] 

(at 35mm position)

• Master commander function
• Tilting/rotating flash head for bounce

effect

• Repeating Flash

Dimensions (W x H x D): Approx. 70.5 x 129.5 x 93.0mm
Weight (without batteries): Approx. 350g

Nikon Software

Fast forward to a new generation of image editing 

Go to the next generation of high-quality image editing and processing to
supercharge your workflow. Advanced Nikon Capture 4 plus exclusive patented
U Point™ technology, by Nik Software, delivers easier access to the results of
your imagination.

U Point™ Technology

Simply select a control point and adjust its slider until you see the image as you like
it. It's a highly visual, intuitive technique.

Color Control Points 

Color Control Points let you directly select and
isolate an entire image or an area within it for
enhancement quickly. Within moments, you
can choose and use any Color Control Point to
modify any aspect of a selected area
including: Size, Hue, Brightness, Saturation,
Contrast, Red, Green, Blue and Warmth.

Show Selection for Accurate
Control 

Use the "show selection" feature for each
Color Control Point to see which area of the
image is affected by the Color Control Point.
This process reverses the image into a black
and white view and clearly shows the image
areas under adjustment.

Black, White, Neutral Control
Points 

Black, White and Neutral Control Points can
be used to set the dynamic range and correct
color casts in your images. Neutral Control
Points can also be used to set color balance in
an image. This is useful for removing color
casts and toning, even without a neutral
object in the scene.

Red-Eye Reduction 

Thanks to U Point™ technology, red-eye can
be easily removed. Just place a Red-Eye
Reduction Control Point on each of the
offending eyes, and away it goes! With just a
few slider adjustments, you can use a color
Control Point to make blue (or any other eye
color) eyes brighter, darker or more radiant.

The new Capture NX software releases not only the
newest powers of Nikon’s Electronic Format (NEF) files;
for the first time, it makes JPEG and TIFF processing and
editing elegant and easy enough for any photographer to
implement, with no need for complicated procedures. Its
new interface provides access to powerful and visually
intuitive enhancement tools you need, so it’s easier to
explore, with more visual potential. With Capture NX to
realize your imagination, the possibilities are endless!

http://capturenx.com/

Speedlight SB-400

• Guide Number of 30 [ISO200, m] 
• Tilting flash head for bounce effect
• i-TTL flash control
• Compact and lightweight

Dimensions (W x H x D): Approx. 66.0 x 56.5 x 80.0mm
Weight (without batteries): Approx. 127g 

• Guide Number of 42 [ISO200, m] 

(at 35mm position)

• Tilting/rotating flash head for bounce

effect

• Advanced Wireless Lighting
• Simple operation

Dimensions (W x H x D): Approx. 68.0 x 123.5 x 90.0mm
Weight (without batteries): Approx. 300g

The easiest wireless remote unit

Commander unit for Nikon Advanced
Wireless Lighting

• Guide Number of 14

[ISO200, m] 

• Functions only as a

remote Speedlight
unit 

• Speedlight stand is

supplied

Dimensions (W x H x D): Approx. 80 x 75 x 55mm
Weight (without batteries): Approx. 120g 

Dimensions (W x H x D): Approx. 68 x 96 x 58mm
Weight (without batteries): Approx. 160g 

A

B

M

C

WARNING

TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY
BEFORE USING YOUR EQUIPMENT.

http://nikonimaging.com/ 

Fuji Bldg., 2-3, Marunouchi 3-chome, Chiyoda-ku, 
 Tokyo 100-8331, Japan

Products and brand names are trademarks or registered trademarks of their respective companies. Images on LCDs and monitors shown in this
brochure are simulated.
Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. November 2007

© 2007 NIKON CORPORATION

Nikon Hong Kong Ltd.

Suite 1001, 10/F Cityplaza One, 1111 King's Road, Taikoo Shing, Hong Kong 

www.nikon.com.hk

Nikon Singapore Pte. Ltd.

No. 80 Anson Road, Fuji Xerox Towers, #10-01/02, Singapore 079907 

www.nikon.com.sg

Nikon (Malaysia) Sdn. Bhd.

11th Floor, Block A, Menara PKNS, No. 17, Jalan Yong Shook Lin, 46050 Petaling Jaya,
Selangor Darul Ehsan, Malaysia 

www.nikon.com.my

Nikon Australia Pty Ltd.

Unit F1, Lidcombe Business Park, 3-29 Birnie Avenue, Lidcombe NSW 2141, Australia 

www.nikon.com.au

Nikon Imaging Korea Co., Ltd.

12F The Chamber of Commerce & Industry Bldg 45 4ga Namdaemunro, Jung-gu, Seoul, 100-743 Korea

www.nikon-image.co.kr

Nikon India Private Limited

Plot no 17, Sector 32, Institutional Area, Gurgaon 122002, Haryana, India 

www.nikon.co.in

Nikon Canada Inc.

1366 Aerowood Drive, Mississauga, Ontario L4W 1C1, Canada 

www.nikon.ca

Printed in China Code No. 6CE41661 (0711/E) T

Advanced Wireless Lighting

If your Nikon digital SLR employs Nikon’s
exclusive i-TTL flash control of the Nikon
Creative Lighting System, you can attach 
SB-800/SU-800 and control up to three wireless
remote groups, with each group consisting of
any number of SB-800, SB-600, or SB-R200
Speedlight units.

Picture angle — the image area seen through the lens — is determined by the focal
length. A lens with a shorter focal length provides a wide-angle picture and broader
images, while a longer focal length (i.e. telephoto lens) results in a narrower picture
angle and larger image.

Note: When the lens is attached to a digital camera, the picture angle is equivalent to that of a 35mm film-based

camera lens with approximately 1.5x focal length.

2. Perspective

Perspective refers to the relationship between size and depth of subjects in a 
picture. A wideangle lens emphasizes foreground objects by making them appear
further away from the background. A telephoto lens compresses the foreground and
background, deemphasizing their difference in size and relative distance.

Depth of field

The area of a photograph in which subjects in front of and behind the main subject
appear sharply focused is known as the depth of field. The depth of field corresponds
to the lens aperture in use. A smaller aperture (larger f-number) creates a greater
depth of field, increasing the area in focus. The focal length of a lens also has an
effect; as the focal length increases,
depth of field decreases.

Brightness of a lens (f-number)

An f-number — marked, for example, as f/2.8, F2.8 or 1:2.8 — indicates how much
light a lens allows through its aperture. A small f-number corresponds to a large
aperture, meaning it allows more light through and can be used with faster shutter
speeds.

The basics for choosing a lens

Picture angle and focal length

18mm

55mm

200mm

Great depth of field (f/16)

Shallow depth of field (f/2.8)

12mm

18mm

24mm

55mm

70mm

120mm

200mm

300mm

400mm

Capture NX

To learn more about Nikkors, please visit

http://nikonimaging.com/global/technology/nikkor/

To learn more about Speedlights, please visit

http://nikonimaging.com/global/technology/speedlight/

Nikon Close-up
Speedlight
Commander Kit
R1C1

• Controls up to 3

groups of Speedlight
units

• Compatible with 

SB-R200, SB-800 and
SB-600 Speedlights

• Simple operation

1. Picture angle 

Color Aberration Control by
Lens Correction Tools

M: Master
A: Remote
B: Remote
C: Remote

http://nikonimaging.com/global/activity/npci/

Control Points

Size

Hue
Saturation
Brightness

H

S

B

Moving any one of these sliders will change how that
Control Point interacts with your image. Contrast, Red,
Green, Blue and Warmth sliders are also available as an
advanced setting.

D40 with SB-400

Shot with SB-400 (bounce light)

Shot with built-in flash (direct light)

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