FM AMT
Attenuator for the amount of linear frequency modulation routed from top to bottom. This will
create new and complex tones out of the bottom oscillator.
SYNC
ON/ON switch. When switched
to the right
, it syncs the tuning of the top oscillator to the bottom.
The bottom oscillator sends a
hidden
triangle wave signal to do the modulating. This has a
different effect than if you patch the pulse output into the external sync input.
When switched
to the left
, the external sync input is the sync source. With nothing patched, this
is the same as turning sync off.
Patch Ideas
Pseudo Resonance Filter E ect
SELF MOD and FM AMT at minimum. Adjust the bottom FREQ knob to about 9 o'clock. Engage
the SYNC switch. Now listen to OSC A's triangle output and sweep its FREQ control from min to
max. Now try that again with SELF MOD at about 3 o'clock.
Super Fat Monosynth Voice
Tune the bottom oscillator an octave below the top one. Listen to OUT and control both voices
simultaneously with the 1V LINKED input. Use SELF MOD to slightly detune the top oscillator
and create a “wide” sound as the oscillators move slightly in and out of phase with each other.
Standalone Noisebox A
Engage the SYNC switch and max out SELF MOD and FM AMT. Listen to the SAWTOOTH
output. Now wiggle the main freq knobs for instant noisebox style nonsense. Back off the SELF
MOD and FM AMT knobs for variation.
Standalone Noisebox B
Patch the PULSE output into exFM. Max out FM AMT and DON'T engage the
sync switch. Listen to the TRIANGLE output. Take it from there; things get even crazier than
Noisebox A.
3
