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Microphone Input

Balanced XLR

Microphone input impedance

2.6kΩ (balanced)

Max. Mic input level

0.3dBu – 800mV (Min. gain @ 1kHz before clip-
ping)

Microphone Gain Range

25dB (50mV IN @ 1kHz)

Stereo lines input 

Type  ¼¨ TRS balanced

Line input impedance

20kΩ (balanced)

Max. Line input level

19dBu – 6.8V (Min. gain @ 1kHz before clipping)

Line Gain range

20dB (700mV IN @ 1 kHz)

Equivalent Input Noise (E.I.N.) 

@0Ω

-134 dBA / 136 dBA

@50Ω

-131 dBA / 133 dBA

@150Ω

-129 dBA / 131 dBA

Signal/Noise Ratio

111dB

Distortion (THD+N)

0.005%   curve A weighing

Frequency Response

20Hz- 20kHz±1.2dB

EQ by channels

Low 80 Hz ±15dB

Mid 2.5kHz±15dB

High 12kHz ±15dB

EQ Master

±12dB centered in the bands of
63Hz, 200Hz, 500Hz, 1kHz, 4kHz, 6.3kHz y 
16kHz

Aux Send output

Type ¼¨ TS unbalanced

Aux Send output impedance

120 Ω (unbalanced)

Max. Aux Send level

22dBu

Aux. Return input

Tipo ¼¨ TS unbalanced

Aux. Return impedance

10 kΩ (unbalanced)

Max. Aux Return input level 

19dBu – 6.8V (Min. gain @ 1kHz before clipping)

Main Output

Type ¼¨ TRS balanced

Main output impedance

120 Ω (unbalanced)

Max. Main Output level

28dBu (stereo) / 22dBu (simple channel)

Phones Output

Type ¼¨ TRS unbalanced

Max. Phones output level 

22dBu

MP3 Player

Compatible audio formats

MP3, WAV, WMA

DSP

Converter

24 bit Sygma-Delta

Sample Frequency

44.1 kHz

RMS Power (per channel)

300W @ 4 Ω (1KHz before clipping) 

Program Power (per channel)

600W @ 4 Ω

Peak power (per channel)

1200W @ 4 Ω

Min. Charge Impedance per channel

4 Ω

Power Supply

110V/220V~60Hz/50Hz

Energy Consumption

690 W

Summary of Contents for NVK-800P USB

Page 1: ......

Page 2: ......

Page 3: ...ered in the bands of 63Hz 200Hz 500Hz 1kHz 4kHz 6 3kHz y 16kHz Aux Send output Type TS unbalanced Aux Send output impedance 120 Ω unbalanced Max Aux Send level 22dBu Aux Return input Tipo TS unbalanced Aux Return impedance 10 kΩ unbalanced Max Aux Return input level 19dBu 6 8V Min gain 1kHz before clipping Main Output Type TRS balanced Main output impedance 120 Ω unbalanced Max Main Output level 2...

Page 4: ... 10 20 30 40 50 4 5 5 0 PEAK PFL MUTE dB 10 20 30 40 50 5 6 5 5 0 PEAK PFL MUTE 7 8 CD TAPE IN MP3 LEVEL MAIN MIX FX LEVEL dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 PEAK PFL dB 10 20 30 40 50 5 5 0 PEAK PFL PFL MP3 DIGITAL PLAYER STOP PREV NEXT REP USB PLAY 0 15 15 0 15 15 0 15 15 15 AUX HIGH 12 kHz MID 2 5 kHz LOW PAN 8...

Page 5: ...EV NEXT REP USB PLAY 15 15 PROGRAM PUSH REPEAT 15 15 AUX RETURN PHONES PHONES EQ 0 15 15 0 15 15 HIGH LOW PHANTOM POWER CLIP 10 10 L R 5 5 0 48V 12 12 63 500 4k 6 3k 16k 1k 200 6 6 0 12 12 6 6 0 GRAPHIC EQUALIZER 24 BIT DELAY REVERB EQ IN DIGITAL FX 4C PROCESSOR 5 6 dB MUTE 5 6 15 40 5 6 TRIM STEREO LINE IN MONO BAL OR UNBAL L R MUTE dB 10 20 30 40 50 5 6 5 5 0 PEAK PFL 0 15 15 0 15 15 0 15 15 15 ...

Page 6: ...the main output fader up MAIN MIX Are two different instruments connected to the XLR microphone input and TRS line of the same channel Please connect only one input instrument per channel Has the input signal the correct level to get to the equipment Are you using effects at the correct level Are the microphones connected to the XLR inputs If you are using a condenser microphone is the Phantom Pow...

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Page 9: ...o en las bandas de 63Hz 200Hz 500Hz 1kHz 4kHz 6 3kHz y 16kHz Salida auxiliar Tipo TS desbalanceada Impedancia de salida auxiliar 120 Ω desbalanceada Máximo nivel de salida auxiliar 22dBu Entrada de línea de retorno Tipo TS desbalanceada Impedancia de línea de retorno 10 kΩ desbalanceada Nivel máximo de entrada de línea de retorno 19dBu 6 8V Mínima ganancia 1kHz antes de recorte Salidas principales...

Page 10: ... 10 20 30 40 50 4 5 5 0 PEAK PFL MUTE dB 10 20 30 40 50 5 6 5 5 0 PEAK PFL MUTE 7 8 CD TAPE IN MP3 LEVEL MAIN MIX FX LEVEL dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 PEAK PFL dB 10 20 30 40 50 5 5 0 PEAK PFL PFL MP3 DIGITAL PLAYER STOP PREV NEXT REP USB PLAY 0 15 15 0 15 15 0 15 15 15 AUX HIGH 12 kHz MID 2 5 kHz LOW PAN 8...

Page 11: ...2 63 500 4k 6 3k 16k 1k 200 6 6 0 12 12 6 6 0 GRAPHIC EQUALIZER 24 BIT DELAY REVERB EQ IN DIGITAL FX 4C PROCESSOR 5 6 dB MUTE 5 6 15 40 5 6 TRIM STEREO LINE IN MONO BAL OR UNBAL L R MUTE dB 10 20 30 40 50 5 6 5 5 0 PEAK PFL 0 15 15 0 15 15 0 15 15 15 EQ AUX HIGH 12 kHz MID 2 5 kHz LOW BAL 80 Hz L R 7 8 MONO BAL OR UNBAL L L R L R L R R LINE IN INPUT AUX RETURN AUX SEND OUTPUT MAIN OUTPUTS CD TAPE ...

Page 12: ...a principal MAIN MIX Están conectados dos instrumentos diferentes en la entrada de micrófono XLR y de línea TRS de un mismo canal Por favor conecte un solo instrumento de entrada por canal La señal de entrada tiene un nivel adec uado para ingresar al equipo Está usted aplicando efectos a un nivel adecuado Los micrófonos están conectados en las entradas XLR Si usted está usando un micrófono de con ...

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Page 15: ... 12dB centrado nas bandas de 63Hz 200Hz 500Hz 1kHz 4kHz 6 3kHz e 16kHz Saída auxiliar Tipo TS não balanceada Impedância de saída auxiliar 120 Ω não balanceada Máximo nível de saída 22dBu Entrada de linha de retorno Tipo TS não balanceada Impedância de linha de retorno 10 kΩ não balanceada Nível máximo de entrada de linha de retorno 19dBu 6 8V Mínimo ganho 1kHz antes de recorte Principais saídas Ti...

Page 16: ... 10 20 30 40 50 4 5 5 0 PEAK PFL MUTE dB 10 20 30 40 50 5 6 5 5 0 PEAK PFL MUTE 7 8 CD TAPE IN MP3 LEVEL MAIN MIX FX LEVEL dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 dB 10 20 30 40 50 5 5 0 PEAK PFL dB 10 20 30 40 50 5 5 0 PEAK PFL PFL MP3 DIGITAL PLAYER STOP PREV NEXT REP USB PLAY 0 15 15 0 15 15 0 15 15 15 AUX HIGH 12 kHz MID 2 5 kHz LOW PAN 8...

Page 17: ...2 63 500 4k 6 3k 16k 1k 200 6 6 0 12 12 6 6 0 GRAPHIC EQUALIZER 24 BIT DELAY REVERB EQ IN DIGITAL FX 4C PROCESSOR 5 6 dB MUTE 5 6 15 40 5 6 TRIM STEREO LINE IN MONO BAL OR UNBAL L R MUTE dB 10 20 30 40 50 5 6 5 5 0 PEAK PFL 0 15 15 0 15 15 0 15 15 15 EQ AUX HIGH 12 kHz MID 2 5 kHz LOW BAL 80 Hz L R 7 8 MONO BAL OR UNBAL L L R L R L R R LINE IN INPUT AUX RETURN AUX SEND OUTPUT MAIN OUTPUTS CD TAPE ...

Page 18: ...aída principal MAIN MIX Estão conectados dois instrumentos difer entes na entrada de microfone XLR e da linha TRS de um mesmo canal Por favor conecte um único instrumento de entrada por canal O sinal de entrada tem um nível adequado para entrar ao equipamento Você está aplicando efeitos com níveis adequados Os microfones estão conectados nas entra das XLR Se você está usando um microfone de con de...

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