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Ring modulation is achieved by inserting a 'modulation' signal into CV2 with both the CV2 
and CV1/GAIN pots set to their maximum and in LIN mode. Auto-panning, whereby an input 
signal is moved back and forth between the left and right of a stereo signal, can be done by 
utilising both OUT A and OUT B. Set the CV1/GAIN pot to the middle position which allows
the input signal(s) to be heard from both OUT A and OUT B. Then by applying a control 
voltage to CV2 you should find that the audio signal moves between OUT A and OUT B.

As soon as a jack is inserted into CV1 then the CV1/GAIN pot now changes from a manual 
gain pot to a modulation depth control for the CV1 input socket. The pot now controls the 
sensitivity of the CV1 input. The CV 1 input is a linear control input.

5V at CV1, with the CV1/GAIN pot set to maximum, will make the gain of the VCA 
approximately 0dB or unity. Any CV higher than this will increase the gain proportionately. 
However, it should be noted that the output signal level of the VCA cannot /-12.5V 
or so. This upper output limit is restricted by the power supply rails of the modular system. 
CV1, or the actions of the GAIN pot, and CV2 will act together too, so it is entirely possible 
to get gains of higher than unity if both are set high enough.

The CV2 input

For CV2 two modes are provided, LIN and EXP:

The LIN input has a linear response. This means that doubling the CV will double the output 
amplitude. In general this is the most useful response for general VCA duties. With the 
CV/GAIN pot at its minimum, and the CV2 pot at its maximum, +5V at the CV2 input will 
produce a gain of around one, ie. 0dB or unity gain.

The EXP input has an exponential response. This means that a rising CV will produce a 
proportional change in gain measured in decibels. In practice this means that the output signal 
appears not to quickly increase in level until the input CV is close to 5V. This effect tends to 
produce wonderfully plucky sounds when used with a conventional ADSR as the CV source.

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Summary of Contents for Classic VCA

Page 1: ...Oakley Sound Systems 5U Oakley Modular Series Classic VCA Discrete VCA PCB Issue 1 User Manual V1 1 Tony Allgood Oakley Sound Systems CARLISLE United Kingdom...

Page 2: ...The suggested front panel design for the 5U high MOTM format 2...

Page 3: ...he main project webpage at http www oakleysound com 5uvca htm For general information regarding where to get parts and suggested part numbers please see our useful Parts Guide at the project webpage o...

Page 4: ...input CV2 can be operated in either exponential or linear mode CV2 features a reversible attenuator When the pot is turned right of its central position the pot acts as a normal attenuator increasing...

Page 5: ...y Classic VCA features two input signals IN1 DC and IN2 AC and each has its own level control In this way the Classic VCA can be used to mix or sum two signals together before they are processed by th...

Page 6: ...increase the gain proportionately However it should be noted that the output signal level of the VCA cannot exceed 12 5V or so This upper output limit is restricted by the power supply rails of the m...

Page 7: ...lthough screening is maintained It s worth filling the empty holes of the PWR pads with solder Power connections Synthesizers com The PWR power socket is to be fitted if you are using the module with...

Page 8: ...the output of OUT B on your monitoring system You should hear a slight bleedthrough of the triangle wave input Now adjust LIN until the signal level decreases to its minimum You may have to turn up t...

Page 9: ...e a comment about this user manual or have a found a mistake in it then please do let me know Last but not least can I say a big thank you to all of you who helped and inspired me Thanks especially to...

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